You won't be disappointed!

Great Film overall

By the time the dramatic fireworks start popping off, each one feels earned.

One of the worst ways to make a cult movie is to set out to make a cult movie.

POSSIBLE SPOILERS Apart from genres that I don't much care for such as musicals and westerns (John Ford excepted) I don't really have any taboos about what I watch. I generally close my eyes when anyone is about to slash their wrists but that's a matter of personal squeamishness rather than taboo. Provided it has quality, I generally lap up the rest of the film, blood and all. There is however one type of film that I find suspect to the point of avoidance and that is the dramatised account of tragedies and disasters that are so near in time that it casts the viewer into the role of voyeur of people still experiencing tremendous personal grief. Films on 9/11 certainly fall into this category. My sole reason for watching "London River" which deals with the 2005 London terrorist attacks was to catch a performance by Brenda Blethyn, a British actress for whom I have a tremendous admiration. I can only say that my cinema going experience would have been that much the poorer, had I not made this decision, such is the power, sincerity and integrity of this highly charged work. Although the horrendous events of 7/7 are an integral part of the film, it touches on so much more in its presentation of two disparate characters drawn together in a common quest, she a farming widow living on Guernsey, he an African forestry worker from France. In the ordinary way their only remote point of contact, apart from language, would be their proximity to the land, but 7/7 has drawn them to a neighbourhood of North London in their anxiety to discover what might have happened to their children on that terrible day. Even before they meet we are made aware of the woman's deep seated mistrust of other cultures and everything Islamic in particular. Her unease and expressions of bigotry only intensify the more she comes to realise that her daughter may have been cohabiting with a Muslim. Ultimately it is the subtle way that a common tragedy can enable a dignified respect by two people for one another to come about that gives the last half hour of "London River" its tremendous poignancy. The farewell between cinema's possibly most unlikely couple is something very precious and unforgettable

Hmm, I was in London on 7.7.05. I was trying to get down the road where the bus was blown up. Does this film cause me to recall how I felt that day, what I saw that day? No. Sorry folks, this is a very thin treatment of a landmark event in London's history. It annoyed me to the same extent that it consciously tried to pull at my heart strings. That's too much. I hate being manipulated like that. I'm being generous not damning this film because the two principal actors give good enough portrayals of the characters despite the poor standard of writing in the script. One of them was constantly reminding me of Giacommetti sculptures - a distraction from the criminal bloopers that had not been cut; e.g. a post September 2007 car registration number clearly visible centre screen for several long seconds. There is no story arc worth mentioning. You know how it's going to end and quite frankly, it's hard to care other than feeling moved by the loss of life. A missed opportunity for something much better.

In the days following the London train bombings,hundreds of people from England,as well as other parts of Europe scrambled anxiously trying to find out about their loved ones. In this story,we get stories of two single parents in search of their children. There is Elizabeth,a fifty something woman,living as far north of the (so called)big,evil city of London,being perfectly content to work the earth on her farm,while Ousmane,a tall,lanky man of African descent is trying to find out about his estranged son,whom he hasn't seen since he left home to work in France,when his son was only six. Through a series of chance meetings, they both find out that the daughter & son were lovers,living together in London. Both travel there in search of their estranged children. Do they find them & find some kind of closure? Brenda Bleythn (Secrets & Lies)is Elizabeth,a woman who obviously fears the unknown. Mali actor, Sotigue Kouyate is Ousmane,a worry worn man,who just wants to live out his days,tending the Elm trees. Also featuring Francis Magee,Sami Bouajila, Roschady Zem & Marc Baylis. Rachid Bouchareb ('Little Senegal')directs from a screenplay written by Zoe Galeron,Olivier Lorelle & Bouchareb. Cinematography by Jerome Almeras,with editing by Yannick Korgoat. This is a heart breaking,but very well written,directed & acted drama of a woman trying to rise above fear & ignorance & banding together with a stranger who is attempting to find some reasoning in the middle of chaos. As this film has no North American distribution,it may be a bit hard to track down (it has been screened mostly at film festivals,and as far as I know,there is no DVD release available). Spoken in English,and French,Arabic & Bambarra with English subtitles. Not rated by the MPAA,this film contains some rather gruesome images of some of the victims of the London train bombings that could be traumatic to young children

By coincidence I got to see this film on a 9/11. I have not seen any of the previous films of Rachid Bouchareb, but I heard a lot about 'Indigenes' and I liked 'Flanders' that he produced. This film is quite low tone, but emotional and direct. In the aftermath of the terror attacks in London two parents look for their children. She is an English farmer widower from a remote island, he is from Africa, a Muslim and guest worker in France. Everything separates the two at first sight - religion, language, race and especially prejudice. They will get together because of the shared fate of their children, and they will go together through the painful phases of inquietude, fear, hope, and despair. They get to know each other, but this does not prevent destiny to hit them. I liked the fact that the film does not try to soften in anyway their paths, and avoided some of the traps that other types of endings or intrigues place in similar movies. Multicultural London filmed in a neutral and yet familiar way is the perfect background of the story that includes some racial tensions elements without insisting too much on them. Without avoiding completely simplification and a feeling of expected this direct approach plays quite well, and is immensely helped by the great acting of the two lead characters, especially Sotigui Kouyaté. This is not the ultimate film about the events that shattered London in July 2005, but rather a simple story about how usual people get are impacted by such events, an efficient and direct movie even if not great cinema.