Strong and Moving!

Instant Favorite.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Review: This is another one of this British gangster movies about a guy who is down on his luck and finds himself in a impossible situation after stealing the wrong car. As usual, there's sex and violence throughout with your everyday cockney bad language. As this film came out at 2010, there was quite an audience for this type of movie in the UK, but there's just way too many of these films in this genre nowadays. Michael Madsen made the movie a slight more interesting, but the film wasn't anything out of the norm. On the plus side, the storyline isn't that bad and there is enough material to keep,you interested. Average!Round-Up: Leo Gregory is his usual cockney self in this movie and the switch from owing people money to becoming a crime boss, was played quite well. I would like to see him play another type of role because he seems to act the same in all of his movies. The same goes for Vincent Regan who plays a crime boss, like he does in many of his movies. Basically, the film is what it says OK the tin so don't expect anything that amazing.Budget: $5million Worldwide Gross: N/AI recommend this movie to people who are into there British Gangster movies about a guy whose down on his luck until he helps a crime boss. 3/10

A truly awful film this. I was lured in by the excellent Vincent Regan (who as usual is great), and Michael Madsen, who is on autopilot and presumably was brought in to make the film more marketable to the US market.There are some good performances from Phil Davis and Leo Gregory even if they are very typecast actors, but these are offset by dire showings by Paul Kaye and a ludicrous cameo from Stephen Berkoff at the most ridiculous auction of trafficked sex slaves ever. The assorted gangsters are stereotyped and badly acted.It is probably worth noting that the movie is essentially a vanity project for Robert Fucilla, who is absolutely dire throughout, and probably wouldn't have got made without his personal funding.I never normally write reviews, but was so disappointed by the film that I felt compelled to do so. It may be worth noting that the movie also has a very strange washed out look to the colours which I also felt detracted from what should be a dark gritty tale.Badly directed and filmed throughout - do not waste your time.

Convinced; that is. This should have been a watchable film and many of the less discerning or less mature in years will probably find it so but there are a lot of features to this movie you wouldn't want, and a lot you would, fail to materialise. The basic premise of the film; that a major gangster who finds himself saved from execution by a million to one coincidence at the hands of a minor small-time loser, would within days, put his whole operation under the command of said loser, is "unlikely". That said small time loser would prove to be, within days, able to outsmart big time crime figures with supposedly years of experience in the field, is "unlikely". That very rich blokes wife, plotting with other rich bloke would finally fall for very poor bloke, is perhaps the least likely of the lot. But I'll live with that as it's a nice thought for we band of "less than" rich brothers. Along the way we are treated to the genre required plethora of four letterisms but combined with no intelligent dialogue at all. The person who conceived this less than adequate action, heist, thriller seems to have set out create a combination of "lock stock" coincidence plotting with "pulp fiction" humanisation of virtue free characters, witness the body removal scene, and failed abysmally on both counts. probably the best scenes were Steven Berkoffs auction of eastern European ( soon to be ) whores with,in one case at least, very English accents and for sheer excitement the first appearance of Beatty Rosen which ranks alongside that of Vanessa Angel in Kingpin as my favourite"woah! maybe this isn't so bad after all" babe moment. However it proceeded to be that bad after all; right up to the predictable, if you've seen "Lock stock and two smoking barrels" ( or even if you haven't really ) ending. The fairly talented cast, were either just going through the motions or let down by script and direction with the notable exceptions of Steven Berkoff who put up a very spirited fight, and sometimes Leo Gregory on the odd occasion his part made sense . Michael Madson I will come to later. Vince Regan and Phil Davis are both talented actors but should have read the script before agreeing, as it was they were both handicapped by it, specifically the lazily written gangster speak and swearing requirement. Phil Davis also seemed to be shot to make him look as small as possible with trousers that appeared two inches too long ( five by US standards ) the result being faintly comical but I couldn't tell if this was deliberate or not. Frankly Noel Coward had way more authority in "The Italian Job". I remain overall a British gangster film fan, but they in turn remain best when well produced, written and directed, without pandering to the preconceived tastes of an American audience and the inclusion of less than interested American "stars". Michael Madson did neither us, nor himself any favours in his lacklustre battle with what was a very poor and token part to start with. I'm gonna classify Beatrice as European due to her upbringing and the fact that she is becoming the female answer to Anthony Quinn as first choice American for playing foreigners. This is no "LSaTSB" and that was in turn no "Get Carter"

Vincent Reagen awesome, Leo carries it well and Phil Davis is as strong as you would expect from an actor of that caliber. Strong performances all round. The storyline requires a certain suspension of disbelief to support the idea that the keys of the empire would be handed over to an unknown but the plot allows for this in Mickey saving Barber's life. Refreshing to see none of the usual suspects were wheeled out in the casting of this film. Think the sound track carried well too. Madsen's performance was a bit disjointed but that hey that can be Mr Mad-sen for you. Don't understand the complaints about bad language considering the genre. My only comment would be that the grade on my copy was a bit over the place. Worth a a second viewing.