That was an excellent one.

An old-fashioned movie made with new-fashioned finesse.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

I didn't know how to rate this film since the photography, landscapes, animals etc... were fabulous. However, the storyline was a pretty flat. The premise that trappers are needed to keep nature in balance is absurd. Nature does that all by itself without human intervention. It also bugged me that the trapper kept getting his dogs in deadly situations. I wondered how many sled dogs were actually injured in the making of this film.I really liked the trapper's native wife and wish she had a bigger role in the film. She was a very interesting character, but she basically just step and fetched for the trapper all day long. The trapper had a gorgeous canoe, and great dogs too.The film is basically about a bunch of old guys who don't want to leave the wilderness. However, judging by all the trouble they get into, I think it is high time they move to a retirement community with safe activities overlooking the mountains!

I lately bought the DVD - the landscape is astoundingly filmed, the music is a little similar to the movie of JEREMIAH JOHNSON (the first lines of the music sound like stolen) but the behavior of Norman is sure sometimes very strange and "more than a little stupid" as to say for someone who spent a lifetime in the wild of Yukon: sledging over a lake that just has been frozen (!), pushing his sled up a steep hill..., sledging a crevice in deep snow..., trying to shoot an elk and not hitting it..., building a nest that Nebaska is trying to climb up and brakes down.... and most disturbing not listening to his fine subtle Nebaska Mary Loo....Anyway - Vanier has done a good job: he shows a periled area in the North which is vanishing not only by the loggers as well of climate change!

An excellent film. After having caught on - it took me a while, up to the middle of it - I leaned back and let the sumptuous landscapes overwhelm me. In the rapidly evolving 'documentary' genre, director and explorer Nicolas Vanier's film inaugurates a new variant which we could tentatively call "self-fiction".As one would expect from an authentic trapper and his wife, dialogue is sparse. At times, the protagonists' embarrassment before the camera is palpable. Many scenes involving the couple seem posed, and the main incident involving Norman's sled breaking through the ice, (the re-enactment of what may or may not be a true episode) is not convincing. Voice-over representing the inner voice is omnipresent. One is left to wonder whether excellent actors would not have played Norman and May Loo more convincingly than they themselves. The documentary character of the movie might have remained partly intact, the director having resorted to constructs several times. Even so, the narrative arc remains fairly shallow.This is a movie without apparent violence. Yet violence is subliminally present: it is, after all, the violence of the logging companies against nature's treasures which trigger the film's central action, Norman's move to less dis-equilibrated territory. One strongly senses the violence of advancing, all-devouring modern society. This film could not be more different from the 'classic' trapper movies like Jeremiah Johnson' .For having succeeded with this nonviolent portrait of violence, and for having dared the climate and returned with such magnificent photography, Le Dernier Trappeur deserves 8/10.

I have been invited to the "premiere" of Le Dernier Trappeur in Brussels, Belgium, as I happen to know the executive producer of this movie ... Director Nicolas Vanier has been interviewed in front of the room, mainly explaining the problems they had with the cold temperature there, they had to shoot with -50°C sometimes (*EDIT* : -58°F, sorry for bad conversion)! I tried to view the movie as objectively as possible, and honestly I haven't been disappointed.This movie is a documentary, you have to know that. People in there "act", but terribly as they are *not* actors. Norman Winther -Northman Winter would have been more appropriate ;)- is a trapper, in the deep Yukon in Canada, and you as a spectator learn to know his tough life.Wonderful landscapes, incredible views of that part of our earth I didn't know could be so beautiful, are in themselves entirely making the movie worthy. There is a message too : "in those northern lands, what man does, hunting, is a necessity : he takes samples, but doesn't ruin the nature. Without him, some species will swarm, other will disappear". I suppose it isn't 100% true, but hey the movie is supported by the WWF so I guess even if they try to justify the hunting, this cannot be so bad :)One negative point though : you'll have some repetition, in the succession of scenes as well as in music, even if that one is very nice.A great documentary, two thumbs up !