I don't have all the words right now but this film is a work of art.

Did you people see the same film I saw?

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

While this has been the best looking Godzilla movie I have seen, it was also the most confusing.It seems like things get lost in translation because there is so much stuff that doesn't make any sense.Even though they explain how a Space Godzilla was created, their explanation raises more questions than it answers.Some people want to use telepathy to control Godzilla so they make a telepathy amplifier to attach to him.But there's some guy on an island who is planning to kill Godzilla when two other guys show up.They never explain who any of them are and lots of stupid things happen.At one point the two guys are on a dirt bike and catch a tiny whiff of tear gas which makes them dump the bike.It's too cheesy, even for a Godzilla movie.Plus there's some Mothra and Little Godzilla stuff that is even cheesier and it has nothing to do with the story.Even though nothing about this movie makes any sense, it's still better than most Godzilla flicks.One of the best of the series.

The beast Godzilla movie is Godzilla 1998. There is nothing wrong with you if you don't agree. But if your mad about it then you are a pee pee head. This is the 21st Godzilla movie. It is also the 8th M.o.t.h.r.a movie. The 12th M.o.t.h.r.a that would also be part 25 to the Japan Godzilla series would be Godzilla M.o.t.h.r.a and King G.h.i.d.o.r.a.h giant monsters on an all out attack. That one is better. Godzilla Tokyo S.O.S would part 27 to the Japan Godzilla series. It would also be the 13th M.o.t.h.r.a movie That one is also better. Part 28 to the Japan Godzilla series is Godzilla final wars. That would also be the 14th M.o.t.h.r.a movie. That one is better. But still this is a great movie. All the M.o.t.h.r.a movie are great. And most of the Godzilla movies are pretty cool to. See this movie it is awesome.

The Heisei series is kind of frustrating. It started off so well with 1985's Return of Godzilla and 1989's Godzilla vs Biollante, but then got steadily worse until spiking up again with Godzilla vs Destroyah. This is one of those movies I'd pass up if you haven't seen a few of Godzilla's better movies first. Surprisingly for a G flick, not even the music is a redeeming quality.The first problem is the stinkin' pacing of the movie. It's has huge gaping pieces of the film that are dull and make you want to just fast forward to get into some action because nothing of any remote importance is happening and the characters are boring. Then you get to the action and you're totally underwhelmed. The action basically boils down to three scenes. In the beginning Moguera (Japan's semi-replacement for Mechagodzilla, which was destroyed the year before by the Big G) briefly tangles with Spacegodzilla in space ... which looks unquestionably like a black background with giant brown foam balls meant to look like rocks floating in space. It's simply awful, even compared to some of what we've seen in the Showa series. You know it's bad if hardcore Godzilla nerds like me are poking fun at it. The second is a battle between Spacegodzilla and Godzilla himself. The battle is quite brief and nothing happens aside from the two engaging in a beam spam war for a few blasts before SG decides to leave, having taken Little Godzilla hostage. The third battle is the long one with Godzilla and Moguera teaming up against SG. It's an improvement, but it's still mostly just a beam spam fest.The monsters themselves are a mixed bag. Little Godzilla looks rather cute, which wasn't the theme they were going for with him in the prior film nor the succeeding film. Godzilla looks fine, other than perhaps being too chunky; in fact, the suit is so big and bulky that this is the reason that many of the Heisei series monsters relied mostly on their beams, as physical combat was too challenging to do much. Spacegodzilla is a split for me. He looks good other than for the crystal spines, which are just goofy, not that the giant shoulder crystals or the whole crystal aspect to him are much better. Moguera looks lame. He didn't look good in his first appearance (The Mysterians, 1957) and he doesn't look good in this second appearance.In the end, I'm forced to give this one a low score. It has virtually no redeeming qualities and almost all of the bad ones for which Godzilla naysayers can lay claim. The theories of SG's origins with Biollante and Mothra are actually interesting, but then they fail to follow through with it at all. Just disappointing. Watch this one once (even for free on Crackle!) just to say you've seen it, but don't expect all too much.As a final note, in the plot hole for this movie, it is said that the events of previous movies could not have happened due to the time travel plot of 1991's Godzilla vs King Ghidorah. This is actually not the case, and if you care enough you can read why below. Just connect all of the below link.http:// www.scifijapan.com /articles/2007/08/16/ godzilla-vs-king-ghidorah -time-travel- and-the- origins-of- godzilla/

Dear Godzilla,Once again, I feel compelled to remind you that, regardless of your Toho contract you do not have to sign up for every single piece of tripe they toss at you. I am sure that the idea of getting your son his first major role was an important selling point, but did you even read the script (assuming there was one) before you agreed to get involved with this? By the way, Gadzuki was quite adorable and played his part with real conviction. I thought the scene you culled from your home movies with him scorching his toe while practicing fire-breathing was a real cute kick! And your female lead, the spectacularly beautiful Megumi Odaka, with whom you have made so many films, is always worth staying up until 3AM to see. Why you and Megumi can't ever seem to make a film worthy of your combined talents, however, is very hard to comprehend.Let me see if I got this right. A mass of crystals with a very small lizard (he looked about 2cm long while hurdling through space) looking vaguely like you lands on your island home and disrupts your family life, imprisoning your son and committing other rude acts. Another very small creature, this one looking like a defective Transformer action figure (Moguera) from the 1980s, has a duel in space with the little crystal lizard thing and suffers one of about 7 humiliating defeats, returning home with its scorched little mechanical tail between its legs. Oh, and somehow both of these are not only your size, but the space critter no longer has an entire carapace of crystals attached to his back when he arrives on earth. Meanwhile, a few inept military officers and government employed scientists are trying to either kill you or work out a way to telepathically control you. As the space impostor then begins the usual rampage through Tokyo, you begin your attack on him, and Moguera joins in, crashing and burning several times and even separating its own legs from its torso! Oh ya, I almost forgot, Mothra and the twins (or, as it seems this time "mothra/the twins") also show up a few times for no apparent reason.I have a few questions.Why didn't you invite Ghidorah, or maybe King Kong? This could have really been a family reunion.Was your son traumatized by this? Is this film the reason why he is rarely seen in public today? What has Megumi been doing lately, besides appearing at a couple of your fan conventions? Do you keep in touch?Have you at least managed to put your foot down at... errrr... I mean "on" Toho's studios yet? If so, why didn't that scene make the final cut? Please keep in mind my ever-open invitation to come to America and wreak revenge on Hollywood for their plagiaristic and disrespectful hiring of an understudy for that recent film they used your name for. As I've said before, large retired actors have unlimited prospects for employment in the state of California, and just think of the reforms you could enact on the film industry as governor! Yours affectionately,