After a disastrous failure to stop a robber gang, the police attempt to redeem themselves through a series of publicity stunts and shootouts.
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Reviews
Pretty Good
This story has more twists and turns than a second-rate soap opera.
It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
When a gang escapes from the police and some reporters get the whole incident on tape there is an outcry towards the competence of the police force. Looking for a chance to redeem themselves the police once again track down the gang in an apartment building and stage a real-TV type of event with hundreds of cameras to show the city of Hong Kong that they can do their job properly. Things get interesting when the crooks fire back with their own video of the incident and it is also revealed that there is not one gang in the building, but two.From the opening 7 or so minute scene that has no cuts and culminates in a shootout to the unpredictability of the rest of the movie this is film that really grabs your attention as if itself were a piece of "breaking news." Interesting is the fact that the "breaking news" almost breaks the reputation of the police. The ability of the media to get information literally everywhere in the blink of an eye is given an interesting commentary in that it can hurt the police as much as a raging shootout. And how can anyone, in such a hectic and tiresome line of work, be able to do anything correctly or according to some procedure if they have everyone else around them breathing down on their neck? It is possible when your success rate is high, but the moment you fail you are treated with a badgering as this film demonstrates.All in all, this is more a film about the media then it is about the police. The media are in the background throughout and the cops and crooks are the main characters, but it is the effect of an information hungry media that essentially is the driving force for the events in the film. The film's use of news-like footage is another thing - you want to know and see what is going to happen next, but it is that precise constant peering over the shoulder that hinders the police in doing their job. That makes for an interesting take on the crime-caper genre with the traditional drives like greed and corruption almost totally set aside. 8/10Not rated (yet at least), but contains R level violence.
Nice premise, nice looking but for myself it just doesn't completely fall into place for me.Probably the most noticeable aspect to "Breaking News" is the cinematography.. No doubt about it, the cinematography of Siu-keung Cheng & editing by David Richardson are first class, but it is also the source of my greatest frustration with this film. For mine the camera moves around too often, too quickly & will come to a holt in a sudden jolt. The opening scene in particular is just nauseating despite the obvious skill in putting it all together.Well worth checking out & I'm sure that we will see a Hollywood rip-off of this film some time in the next couple of years.
After a shoot out goes wrong and the police are made to look like fools the brass resolve to catch the bandits while using the media to fix their busted reputation. However things don't go quite as expected for anyone and what was a simple manhunt becomes a hostage situation with all of Hong Kong watching.This is an odd film. The plot is a bit too complex for its 90 minute running time, with gunfire exploding often when you least expect it. It starts off with a huge shoot out and then changes feels and tones several times as it goes. And there are a couple of moments where I swear I missed some plot point or other, but found I was simply carried along with the momentum and didn't care for long.. It clearly wants to make a commentary on the use of media by organizations to look good, and it mostly succeeds. (I'm also certain that the parallels to how the US Government is doing a similar thing in Iraq was probably unintentional even if it does make you think.)This is a very good, and very off beat film that moves to its own beat. Definitely worth seeing, especially if you like action.8 out of 10
BREAKING NEWS is yet another JOHNNY TO film exploring the theme of honour among thieves. Earlier successes included THE MISSION and FULL TIME KILLER; others would certainly come to mind if I were to peruse his filmography but you can do that yourself on www.IMDb.com!Mr TO and the CREATIVE WRITING TEAM of MILKWAY have a habit of not giving the viewer a lot of information, and letting the visual elements that define cinema take precedence. The opening sequence is very tightly and cleverly shot and edited, so much so that it is a pleasure to sit back and play it over again.That first sequence introduces most of the protagonists, at least those who will do battle; the subsequent act introduces the upper levels of policedom, who decide to stage a publicity coup.The need for more effective policing to ensure the safety of citizens should be paramount, but the woman in charge (KELLY CHEN) is every bit as ruthless as the gunmen in her sights.Caught in the middle is DETECTIVE CHEUNG, the police officer in charge of the initial, disastrous stakeout that sets the story in motion.Every one seems to want to save face: the thieves refuse to surrender even when the odds seem insurmountable; DETECTIVE CHEUNG becomes more an avenger or a vigilante than a lawman, and refuses to back down, even when ordered to desist and give over to SDI, while CHEN in the safety of her control vehicle, uses technology and superior firepower to prove her worth to her superiors.JOHNNY TO and his team must take pride in making films where the viewer must EXPECT THE UNEXPECTED (a superior policier starring the wonderful LAU CHING WAN). BREAKING NEWS is no exception: there are several twists; scenes of quiet humour, which manage to humanize the villains of the piece, and of course, those nice touches that ensure some memorable characterizations.By the time the credits roll, everything has come together, and the muddle of the various conflicts is resolved, quite eloquently.I cannot quite fathom the wide variety of music chosen for this film but it all seems to work.BREAKING NEWS is an entertaining 90 minutes, and certainly does not wear out its welcome. Now that the anamorphically enhanced DVD is out, you can watch it more than once, to savour all its nuances.