The White Sun of the Desert

December. 14,1969      
Rating:
7.7
Trailer Synopsis Cast

The setting is the east shore of the Caspian Sea (today's Turkmenistan) where the Red Army soldier Fyodor Sukhov has been fighting the Civil War in Russian Asia for a number of years. After being hospitalised and then demobbed, he sets off home to join his wife, only to be caught up in a desert fight between a Red Army cavalry unit and Basmachi guerrillas. The cavalry unit commander, Rahimov, "convinces" Sukhov to help, temporarily, with the protection of abandoned women of the Basmachi guerrilla leader Abdullah's harem. Leaving a young Red Army soldier, Petrukha, to assist Sukhov with the task, Rahimov and his cavalry unit set out to pursue fleeing Abdullah.Sukhov and women from Abdullah's harem return to a nearby shore town. Soon, looking for a seaway across the border, Abdullah and his gang come to the same town...

Anatoliy Kuznetsov as  Fyodor Sukhov
Pavel Luspekayev as  Pavel Vereshchagin
Spartak Mishulin as  Said
Kakhi Kavsadze as  Abdulla
Raisa Kurkina as  Nastasya
Nikolai Godovikov as  Petrukha
Musa Dudayev as  Rakhimov
Vladimir Kadochnikov as  Semyon
Yakov Lents as  Starik

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Reviews

Erica Derrick
1969/12/14

By the time the dramatic fireworks start popping off, each one feels earned.

... more
Portia Hilton
1969/12/15

Blistering performances.

... more
Zandra
1969/12/16

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

... more
Juana
1969/12/17

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

... more
Kirpianuscus
1969/12/18

atmosphere of classic western. adventures and drops of humor. values and sacrifice. the war and its hero. and, sure, the spice of propaganda. result - a film who reminds the sensitivity of a period and the charm of a land. because it has the gift to be a travel in time who remains out by propaganda's circle. for the art of a director who knows explore the story, for the actors who are masters of a good job and for the landscapes. for the fight scenes and for the wise manner to explore each detail. a film for entire family. because it is a splendid window to an impressive part of the past. an eastern. and little more. for the courage and art to be more than entertainment.

... more
sylvanian
1969/12/19

An unusual combination of humor, whiz, and lyrics that appeals to almost everyone. Great actors. Great songs.

... more
scribbler-2
1969/12/20

No other film in the world serves better to describe the idea of a Russian movie classic. This verdict could be undersigned by millions and millions of people in the former USSR.On the other hand, this film is the best one ever made in that peculiar genre which flourished in the Soviet times under the unofficial name of "Ostern", labeled thus by some highbrow wits. What is Ostern? Plainly and simply, it is Western Russian style, with West replaced by East and the word "Ostern" itself being a pun on the German equivalents for "East" and "Easter". The genre of Ostern is strictly limited by the following rules:The place, Central Asia; the time, the 20's, or the early 30's. The main conflict is the re-conquering by the Soviets of those parts of the region that had belonged to the Russian Empire before the revolution. The good guys are Red Army men. The bad guys are local rebels, pictured strictly as highwayman and cutthroats, known by the generic (Turkic) name of "basmachi" - imagine some Mexican banditos from your horse opera, dressed like the Taliban and headed by a Calvera (The Magnificent Seven) conveniently renamed to suit the time and place.Now, the way the particular Ostern winds up, is this good guy Sukhov (a Russian Clint Eastwood) has to wipe out, almost single-handedly, a whole gang of smugglers and outlaws terrorizing a certain region of the Caspian (or maybe Aral?) Sea coast and headed by a gruesome yet not entirely unlikable desperado named Abdulla, who is Sukhov's main adversary.The movie combines several genres. Sometimes it's a simple shoot-em-all, sometimes a drama, and sometimes even a bit of comedy, with all this mixed in a perfect proportion. The sparks of humor look especially good on the rather tense general background, thus creating a unique atmosphere and spicing up the whole thing.Being the best Ostern ever made, the movie is a tolerably good action flick, but actually it's a thousand times more than that. For the Russians it's a cult movie number one, with almost every line being a celebrated catch-phrase. Especially well-known is this one, "The East is a delicate matter", said by Sukhov to his young partner Petrukha. The baleful significance of this wisecrack, made in the early 70's, has been finally appreciated only after the Afghan campaign and from then on never fails to remain on the national political agenda.The soundtrack has become truly famous, with the theme song "Your Excellency Lady Luck" (name translated) a top hit for decades, and, no doubt, for many, many years to come.Most of the principal characters have become heroes of numerous jokes, and therefore, part and parcel of the national folklore.If you haven't seen this one, you don't know Russian cinematography, simply because this film alone is worth hundreds and hundreds of others made in that country.

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Monty Python-3
1969/12/21

Just a few lines to mention that this film is a favourite not only in Russia and the Russian speaking world. This is one of the few really loved Soviet films in Bulgaria too. (In my country the term "Eastern" usually applies for a Russian war film rather than a Far Eastern one) One of my personal favorite episodes is Vereshchagin being fed up of having nothing else available to eat, but caviar!

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