Too much of everything

Did you people see the same film I saw?

A movie that not only functions as a solid scarefest but a razor-sharp satire.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Without knowing what to expect from this Russian docudrama, it proved enthralling from beginning to the final return to earth. The viewer is treated to nothing short of class entertainment from an expert team of Russian producers. Superb stylised images from cinematographer Anton Antonov - Polished direction by Payel Parkkhomenko. The Superior script tends to back up statements made by ex Hollywood 'nasty' Steven Berkoff, who said in a TV interview - words to the effect:...'Writers should be made to work harder to find ways of expressing situations without resorting to the lazy gutter style and language, adding that this has a tendency to turn people into mulch'...Interesting thought, considering enacted movies are not 'documentaries' but merely artificial interpretations of 'reality'. So, just how imperative is all today's over the top 'fake' reality...?'Gagarin's' excellent screenplay tends to demonstrate Berkoff's claim, by also telling the gritty story of the persecution of Russian peasants during the German occupation - without resorting to unnecessary sensationalism. Toping it all off is a winning performance delivered by Yaroslav Zhalnin as the amiable Yuri Gagarin, the first man to be launched into space!. In fact all cast performances are excellent throughout.Also impressive is the way this production tells its story within the running time of 108mins (the time it took Gagarin to be hurled around the earth in his primitive tin can). These exemplary Russian movie makers, tell their important true story with a minimum of mocked up CGI effects, delivering a truly spectacular and fully believable experience. The broad music score is curiously supplied by a young composer from Cyprus, George Kallis. Kallis has a love of older classic movie scores and it shows in his melodic sweep. Additional music is supplied by talented British based Michael Eastwood (The Guardians). These men also richly orchestrate their own compositions.The intense study of personal camaraderie shared by the full team of brave contenders - as they diligently train together for this gigantic leap forward is to be admired. Some critics have said this screenplay leans towards a degree of propaganda but how could this story be told without elements of propaganda? after all, they led the world in putting a man into space and getting him back alive!.Economic historians have told us it was this feat that lead the US to push forward with several dubious promotions to launch various American 'products' onto the world stage ('Art' can be looked at as one example). Sadly it also looks as if this movie may have been overlooked in the USA...so few posts for this fine work is surprising.Don't expect an overblown mega million dollar CGI extravaganza but do expect a compelling $9.1/2 million dollar cinematic journey. Discerning viewers will be richly rewarded. In order to keep the film at its perfect 108min running time, the producers don't venture ahead into the difficulties Yury experienced with worldwide hero status, or his tragic death 7 yrs later - during a serious (and highly controversial) test flight disaster that sadly ended his life at just 34 yrs of age. This is an informative entertainment worth being seen by all ages - it would also make great classroom stuff. KenR.

Good biopic.The story of Yuri Gagarin, the first person in space. Told by concentrating on his historic flight, interspersed with flashbacks to his youth, Air Force training, cosmonaut training, his relationships and family life.Very well made. The special effects for Gagarin's journey into space and back are superb. The story around the flight is also well told - the director creates genuine tension regarding his safety, even before he goes into space. As you can imagine there would have been - nobody had done it before, and the technology was fairly primitive. The personal side is kind of schmaltzy though. There are also some other scenes that don't seem to add much to the movie.A good story on a very brave man.

than kind of movie who use the life of a man for describe the force of an idea. honest, useful, simple. a film who reminds an event. and recreate a way. without be great, it is perfect choice for discover the roots of a legend.clear, precise, poetic. the images from the Gagarin's past, the choice for mission, the faith and the generosity as ingredients of the entire story, the dialogs and the science for use in right manner the measure are the virtues of movie. and, sure, Yaroslav Zhalnin as Gagarin who maintains the colors for Charming Prince but, in same measure, suggest the heroism as result of a not easy experiences. a good film. a beautiful one. first, for its honest manner to present one of the great moments from the XX century.

The move into space is one of mankind's greatest achievements in the 20th century and this biopic is a worthy addition to the more commonly found fare us in the west are exposed to.In a way this could be seen as the Russian equivalent of the excellent 1983 Hollywood film 'The Right Stuff'. It celebrates the putting of the first man into space, Yuri Gagarin of course. The film is told in a way that details his famous flight in 1961 with flashbacks to key points in his life, his childhood, his romance with his soon to be wife, his joining the Soviet Air Force and the trials and tribulations of the journey that resulted in him eventually making history.As the film is less than two hours long it does have a feel of a carefully put together and slightly hurried celebration of an authentic Soviet hero. Gagarin is made out to be the nicest man in the world who was a model poster boy for the Soviets, and it does gloss over his life and stops conveniently before his faults as a human being (particularly his later alcoholism) became apparent. However that is my only grumble because this is a meticulously well done film with top rate effects and beautifully filmed. Yes it has a certain propaganda value (as do a great many American films on similar lines) that a cynic might try and pull apart. The re-enactments of the Soviet people celebrating his achievement do have a slight cheese factor when viewed from a modern perspective, but these are minor criticisms as the film is not intended to be a warts and all look at Major Gagarin's life, but a celebration of what he achieved and the fearlessness of a man who knew that to make history he had to knowingly take risks, with a brief explanation at the end of his life beyond his famous flight and his tragic death at the age of just 34.