Sadly Over-hyped

Beautiful, moving film.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

The film centers around a pair of modern "Robin Hoods" who agree to steal original 1848 Texas land grants that were stolen from the rightful owners by Miranda Kilroy (Jessica Lindsey). Miranda wants to level the ranches and build a cultural center where she can sing opera. The Robin Hoods recruit from the local residents to aid in the caper.This is a Spanish film, that feels like it was made for TV. It is a mild comedy, with characters. Plot and action are secondary and lack real development. It is rated PG-13, although I though PG was more suitable with the lack of sex or nudity and the mild swearing...s@#t. Jackie (Cristina Rodlo) is overly intelligent and has a ranch hand boyfriend (Vadhir Derbez) clearly just for his looks. The characters are enjoyable, the plot is straight forward with less twists than a Steven Seagal film.If you are looking for an adult action/crime/drama/thriller this is not it. This is a film most families can watch in spite of the dreaded PG-13 rating. I would think once the original documents were found and filed with the court, they wouldn't be needed anymore. Likewise, once the bad guys got a hold of the original documents, I don't understand why they kept them as opposed to simply destroying them. But hey, I am not a lawyer or a film maker. Enjoy it for what it is.The film is mostly in Spanish and in part in English. I watched it with the subtitles.

Just unique, fantastic and very humorous movie. Loved it!! Is very satisfying and refreshing see talents from different part of Latin America working together in a well done movie. I congratulate the genial initiative!The mix of Caribbean and America talent made it much intensive and more fun. Me as a Dominican consumer felt well represented. Big round applause. I will like to see more in the future of our good talents including Spain, Colombia, Chile, Peru, Guatemala, Puerto Rico and all other good Latin American talents working together in order to make our voice been hear in Hollywood, reaching the same treatment in the Movie industry.

First I have to say that I was a big fan of the first of these two heist flicks, "Ladrón que roba a ladrón". And I know that generally the sequel is never as good as the original, but "Ladrones" was several notches below the first. In this one everything almost seems rushed, thrown together, and forced. There seemed to be almost no character development, as with the so called "bad guys" for example. The film basically explained that they were bad, and then they just appear, and basically do nothing right, or wrong. They are just around. A big elaborate scheme is developed to steal back a property deed from behind a painting on a wall of a hotel room, which maybe would work as a small part of the film, or in a Three Stooges episode, but as the main objective? It just does not come together. In the first film, the heist objective is millions of dollars hidden in a secure vault of a mansion, and the thieves have to figure out how to get it. That was in itself intriguing, but a deed behind a picture frame that is somehow guarded by a mysterious electrical force field? Very lame. To be fair, I did laugh at a few scenes. But I don't think that I laughed at a single gag in the scene where the main plotters of the heist were auditioning for potential helpers. And most of the film was like that, a laugh here and there, but there were long stretches where there were supposed to be funny scenes, and they just came off badly.As for the acting, Colunga was good, Varoni not bad, although he has very few scenes, and Yañez was bad(on purpose?). And Oscar Torre, who was very funny in the first film as a bumbling Cuban wannabe actor, is totally not funny in this one. He has scenes, but his talents were not used well at all. I want to recommend it as I love good Spanish language films, and very few Spanish language films are shown in my area. But honestly, this is not a good film.

If you got past the title of this movie and are still reading this review, that probably means you're at least open to the idea of seeing a Latin American movie. Good for you – especially if you're not Hispanic or don't speak Spanish. There are treasures to be discovered in south-of-the-border movies and they are treasures that many people miss because they're not willing to look to other cultures for entertainment possibilities. 2015 brought to American movie theaters thoroughly enjoyable Mexican films like "Buen Dia, Ramon" ("Good Day, Ramon", a Mexican-German co-production, also known as "Guten Tag, Ramon"), the romantic comedy "A la mala" and the derivative, but still enjoyable animated comedy "Un Gallo con Muchos Huevos" ("A Rooster with Many Eggs"), as well as Argentinian films like the romantic comedy "El crítico" ("The Movie Critic") and the darkly comedic Argentinian anthology "Wild Tales" along with the chilling Venezuelan horror mystery "La casa del fin de los tiempos" ("The House at the End of Time"). Add "Ladrones" (PG-13, 1:38) to the list of 2015's best Latin American cinematic exports.Ladrones is the Spanish word for thieves. The movie is the sequel to 2007's "Ladron Que Roba a Ladron" ("To Rob a Thief") and gives us another Robin Hood-like adventure comedy in which legendary thief Alejandro Toledo (Fernando Colunga) uses his particular set of skills to right economic wrongs for some fellow Mexicans. In the sequel, Emilio Sánchez (Miguel Varoni), Alejandro's partner in the first film, is on the other side of the law-and-order equation working for the FBI. That doesn't mean that he's no longer sympathetic to his old friend's activities, but he can no longer take part. The best he can do is turning a blind eye and recommending a mutual acquaintance named Santiago Guzmán (Eduardo Yáñez). (This is the first time that Latin American superstars Colunga and Yáñez have appeared on screen together.) When the Mexican War ended in 1848, the victorious U.S. seized northern Mexican territory stretching from modern-day California to Texas. Mexican landowners north of the Rio Grande River who wanted to continue living and working in Texas had to prove their ownership of the land. Mexican rancher Juan Ramirez showed his land grant deed to the authorities and then buried it in the desert – along with the deeds that his neighbors asked him to keep safe for them. American settler and gang leader Ned Kilroy kills Ramirez for his land – and the secret of where he buried the deeds dies with him. The bad blood between the two families bubbles back to the surface 166 years later when Juan Rodriguez' descendant, Josefa (Carmen Beato) discovers the deeds buried on her land and Miranda Kilroy (Jessica Lindsey) sends her henchman Rex (Frank Perozo) to the Ramirez home to steal the deeds and insure her family's claims.Josefa's daughter, Jackie (Cristina Rodlo) seeks out the famous Alejandro to request his help. He agrees to come out of criminal retirement to steal back the deeds and convinces similarly retired Santiago Guzmán to step away from his shady business ventures to help out, in spite of the objections of Santiago's wife, Magda (Michelle González). Next, Alejandro and Santiago do what Alejandro and Emilio did in the first film – gather a group of amateurs whom they hope will be able to fly under the radar as they execute their plan. They actually hold auditions from among the Ramirez family and their friends in order to build the caper around the unique talents of the individuals they choose.This process brings together a motley crew that ranges from smart and resourceful to just very enthusiastic. Alejandro and Santiago's gang starts with Josefa, a gardener and former scientist, and Jackie, who's a whiz at computers. They're joined by Jackie's sweet, but clumsy boyfriend, Ray (Vadhir Derbez), who insists that he's "impervious to pain", bad actor, Miguelito (Oscar Torre), self-proclaimed spiritualist, Maria Elena (Nashla Bogaert) and ditzy hot girl, Tina (Gabriela Perez). This is the crew that Alejandro and Santiago hope can pull off their version of the crime of the century, Robin Hood style."Ladrones" is a light, but very satisfying movie. The actors are well-cast and their characters are likable (except for those who we're not supposed to like). The script is simple, but sometimes pretty clever and often very funny. (The director is Joe Menendez, who also directed the first film and this sequel's screenwriter is Jon Molerio, who also appears in the film as Miranda's comically inept head of security.) It's a real pleasure to watch this humorous Hispanic version of the "Ocean's 11" crew prepare for their mission and attempt to carry out the plan. This movie lacks the intense violence, foul language and overt sexuality of similar movies, making "Ladrones" cross-cultural fun for the whole family. "B+"