Best movie of this year hands down!

A different way of telling a story

Blistering performances.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Fairly disturbing documentary about young (way young) models scouted from their homes in Siberia and sent to Japan to model. -Apparently the Japanese market likes young girls.Our main subject here is 13, plucked from the Siberian countryside and dropped into the centre of Tokyo. The girls are basically owned by their agency, waiting around in tiny, crappy apartments to go on shoots, completely shut off due to the language barrier and a lack of cash. Ultimately they can be sent home if they gain any weight or "inches" as outlined in their contract. This creates a problem for some girls as they haven't gone through puberty yet.This documentary was very sad because initially the girls and their families think they've won the lottery but in reality I saw it as just another form of human trafficking.The scout who finds these girls is a former model and apparently hates the business but that doesn't stop her from finding and exploiting the girls and living in a fancy house in America. 03.13

For a while I've had this impression with me that youth modeling, especially the cast of (almost always) girls who are barely out of childhood (mentally and physically), invokes close resemblance to pedophilia. This documentary confirms that impression, following a young teenager girl (Nadya Vall) from a rural village in Russia to a trial at the very bottom feeder market of Japan commercial modeling.It is the antithesis of Top Model or other glamorous portrayal of girls striving to conquer it all. Much on the contrary, Girl Model displays, in a crude form, how young girls are de-humanized, reduced literally to pieces of meat with a very short expiration date, and shuffled across continents and housed (or should I say warehoused) in tight confines while being, all the way, to navigate the unknowns of a country whose language they don't speak, a business they clearly have no idea how it works (which leave them vulnerable), while clearly bearing the insurmountable expectations that their whole families put on them as an escape from a poor life. It is an amount of pressure no 13-year old teenager should ever have to deal it so young in life.The documentary is interesting, as well, in the sense it shows the overall insensitive nature of all people working with these young teens. They rationalize their work in different ways, and they probably worked with hundreds of girls before, so they become just oblivious to the obvious distress, anxiety and fear they have. Ashley Arbaugh, a former model-turned-scout, co-star the documentary. She has been clearly affected by her years on the fashion industry, and is very conflicted about it - on one's hand grateful it helped achieve some financial security, independence and stability; on the other hand very ambivalent to the shallowness of the fashion world and the utter commoditization of models as they are reduced to their bodies and how they fit the aesthetics tastes of the moment. She can relate to the difficult moments of her own career as she signs two young Russian girls for a trail on the industry in Japan.All of that notwithstanding, there are some major flaws with the documentary. Editing is bad, really bad. Even as the stories are compelling, they were merged into a documentary in a way that gives the impression of an unfinished job. I know this is a low-budget production, but this is not about money, but a rough editing job that compromises the viewer experience greatly. P.O.V. shooting might work great, but it does require good editing afterward.They also tried to use the progression of an Ashley's medical issue as a hang to build her own insertion in the documentary, but it clearly didn't work, at least in the form presented.Finally, I think it was a huge mistake not to let some of the people who are featured in the documentary to speak freely a bit, even if in the form of 'confessionals'. It would have greatly expanded the viewer's insight on the brutal work of C-level youth modeling.

This documentary is raw and without all the niceties of those with a high budget, but it conveys its meaning in a direct and strong way. The way it depicts the fragility and the weakness at the core of this thirteen years old girl, and her friend, feels real. Their humane side is way more beautiful then their looks and it makes you angry to see how this world allows the practice of exploiting, not just poverty and hopes, but also innocence.Kids and teenagers especially, should be protected and guided toward real values until they are able to discern by themselves. We - as in, us adults - should work together toward a better awareness and see the things how they really are, rather then taking them as "someone" would lead us to believe. Let's go beyond looks and materialism to see what really matters. Only then we can help the younger generations.Watch this documentary. Maybe it's worth it or maybe not - for me it surely was - but give it a go.

Hard to try and beat the earlier review of this by Backseat Director.Just saw this at MIFF today and found it very absorbing. Whilst it is very sad watching the young women (girls) being exploited the saddest character by far is "scout" Ashley.From her inability to leave an industry she clearly loathes, to her massive but ultimately empty mansion (complete with two plastic babies) to her revolting cyst. The scene when she "checks up" on the two young Russian models is a real highlight. Cannot believe how ignorant and cold Ashley is in this sequence. Her inability to communicate is astounding (Hey Ash, did it ever occur to you that the girl's are Russian and didn't have English skills?) and I cannot believe she couldn't fork out some of her fat payroll to hire an interpreter.A must see documentary.