Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

Great movie. Not sure what people expected but I found it highly entertaining.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

A lesbian vampire couple waylay and abduct various passer-byes, both male and female, to hold them captive at their rural manor in the English countryside in order to kill and feed on them to satisfy their insatiable thirst for blood.If you think about lesbian vampires, you might think Hammer. Or maybe you tend to think more in the direction of Eurotrash, like Jess Franco or Jean Renoir. But you probably don't think of "Vampyres".I certainly was not familiar with this film, best thanks to the fine folks at Blue Underground, it is taken out of obscurity and presented to a new generation. Well, as much as anyone follows Blue, that is. Which you should be, because even though they're not as prolific as Scream! Factory, they pick out some real winners.

In 1974 director José Ramón Larraz released this blood-soaked erotic film called Vampyres , which told the story of a lesbian vampire couple who would waylay and kidnap various passers-by, both male and female, to take them captive at their luxurious rural manor . British terror movie about two Vampyre women who cause dreadful murders , being originally directed by the Spanish craftsman Jose Ramon Larraz . This horror as well as semi-exploitation movie deals with a lesbian vampire couple (Marianne Morris , Anulka) abducts motorists and drivers , (Murray Brown , Brian Deacon , Michael Byrne) , to hold them at their large mansion in the English countryside in order to kill and feed on them to satisfy their insatiable thirst for chew their blood . Their starving wishes seem to carry out terrible deaths , which are impossible to stop . As they feed them wine, have passionate sex, and then stab them to death while drinking their blood . The alluring female Vampyres shared the pleasures of the flesh , bloody hungry , and the horrors of the grave . They unleash their fantastic skills and become even more violent and sadistic . A couple that has not yet found a place to park their camper attempts to find out the rare events leading to an old mansion in bloody results which end in death .This frightening movie deliberately told contains thrills , chills , suspense , sleazy images and lots of violence and gore , including obnoxious killings . Jose Ramon Larraz master of arty gore and soft-core , brings this ghastly and stylish story plagued with eerie intrigue , nudism and depraved gore murders executed in a luxury mansion ; in fact , the house is Oakley Court, used for exteriors in several Hammer films , and for The Rocky Horror Picture Show (1975) , it was later turned into a resort hotel . It is a straight horror film that features gallons of sleaze upon sleaze and a lot of sexualised violence . The screenplay is credited to Diana Daubeney, director José Ramón Larraz's wife Diana ; according to Larraz and producer Brian Smedley-Aston , she didn't actually write a word of it . She was credited because, as a British citizen, she filled a UK production quota . This is an English exploitation from Hammer Vampyres vein , as Jose Larraz takes here and there from ¨The Vampire Lovers" , ¨Carmilla¨, ¨Countess Dracula¨, and ¨Twins of Evil¨ , among others . Sometimes weak screenplay is added to well-staged murders and some gory special effects . Furthermore , a scary and thrilling musical score creates a real terror . Colorful cinematography in Hammer style with glimmer as well as lurid colors .This much-loved 70s shocker was professional and stylistically directed by Jose Ramon Larraz . The recently deceased (2013) Larraz started in cinema world by casual way when he meets the famous director Josef Von Stenberg running a cinematographic course in Brussels . Larraz was a director of horror and erotic films and former comic book illustrator and fashion photographer . Worked in England as Joseph Larraz, and in Spain, using the pseudonym Joseph Braunstein . Larraz subsequently shot horror classics , cult obscurities, euro-trash , and even some sexploitation . As he filmed his first movies in England , plenty of terror , suspense and sex , such as ¨Whirlpool¨ (1970) , ¨Deviation¨(1971) , ¨La Muerte Incierta¨(1972) , ¨Scream or die¨(1973) and ¨Symptoms¨ with Angela Pleasence and Peter Vaughan . He also shot soft-cores and then Jose Ramon returns Spain filming horror and semi-exploitative movies such as ¨Estigma¨ , ¨Ritos Sexuales Del Diablo¨, ¨Al Filo del Hacha¨ and ¨Descanse en Piezas¨ , imitating the American Slashers of the 70s and 80s . His most successful film is this ¨Vampyres¨ about bloodsuckers who get victims to pull over hitchhiking , played by Playboy young models with sexy bodies , blending arty house , horror and erotic situations .¨Vampyres¨ rating : Acceptable and passable terror movie . Most hardcore Euro horror fans will appreciate the kinkiness of this film as that is what gives it its distinctive flavour .

If you're going to watch just one of these 'lesbian vampire' films, I recommend that you see Daughters of Darkness. But if you're going to see a few, you might stop here as well; just watch with one eye in Italian horror of the time - if the score doesn't clue you in - so you know what you're getting into.The novelty of these films, at least what was thought to be at the time, lies in swapping the formulaic traditions of the Hammer stage for feverish visions free to wander; often into sex. This is what we get here, a sensual dream about wanton desires, a bloodlust for sex and discovery. Like Jean Rollin used to do it, but with even less the touch of an adept surrealist.One strand of the plot is about beautiful women hitching rides from a countryside road to their secluded château in the woods nearby. The men all eagerly acquiesce to the seduction, to be part of the dream, because the promise of sex is implicit. Of course they are sooner or later drained by desire.The other part of the plot involves a couple who camp in the vicinity. The woman has seen the mysterious figures lurking in the woods, and again by nightfall, and so begins to imagine a story from these elements, a story involving the unspeakable horrors that from our end we get to see inside the house. But the man hasn't seen any of what she has. So he blithely goes fishing. She paints the ominous-looking house in an effort to represent, thus render finite, comprehensible.Of course by the end she ventures to investigate.

After being murdered, a lesbian couple turns into vampires who feast on the blood of unsuspecting men. Although the acting is amateurish, Morris and Dziubinska are alluring as the title characters. The setting and cinematography are quite good for a low-budget film and it works fairly well as trashy erotica. After all, what's not to like about a movie about lesbian vampires? Well, for one thing, the pacing is extremely lethargic. It seems like about the half the movie is devoted to scenes of people walking from one place to another. Once the basic premise is established, the plot is less than compelling and it becomes somewhat of a drag.