Farewell to the King

March. 03,1989      PG-13
Rating:
6.2
Trailer Synopsis Cast

An American soldier who escapes the execution of his comrades by Japanese soldiers in Borneo during WWII becomes the leader of a personal empire among the headhunters in this war story told in the style of Joseph Conrad and Rudyard Kipling. The American is reluctant to rejoin the fight against the Japanese on the urging of a British commando team but conducts a war of vengeance when the Japanese attack his adopted people.

Nigel Havers as  Capt. Fairbourne
Frank McRae as  Sgt. Tenga
Gerry Lopez as  Gwai
Nick Nolte as  Learoyd
Marilyn Tokuda as  Yoo
Aki Aleong as  Col. Mitamura
Marius Weyers as  Sgt. Conklin
Wayne Pygram as  Bren Armstrong
James Fox as  Col. Ferguson
John Bennett Perry as  Gen. MacArthur

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Reviews

Exoticalot
1989/03/03

People are voting emotionally.

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Baseshment
1989/03/04

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

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Afouotos
1989/03/05

Although it has its amusing moments, in eneral the plot does not convince.

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BallWubba
1989/03/06

Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

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pkarnold
1989/03/07

Learoyd started off in the Philippines, was deserted by his country, so he fled and landed on an island as a deserter, where he was lost in the jungle, and found by head hunters. What happened next was the basis of an amazing story and a wonderful movie.The man was crazy, and yet was brought back to life by the tribe, the women of the tribe seeing his eagle tattoo and believing he was sent by the gods. Eventually he became king of the village, and the tribe, and life was settled and happy, until the British army parachuted into this seeming island paradise, and drew the king and his tribe into the war against the Japanese.While the setting of the story is war, this is a psychological drama concerning loyalty, and honor, and courage. The movie is attractive to the eye, and comparisons to a Joseph Conrad story are appropriate. John Milius, who directed the movie and wrote the screenplay, presents this movie in almost a tantalizing, epic manner. The scenery, the musical score are wonderful! And if at times the plot is a little rough, it is easily forgotten because of themes like friendship, and life and death. And of course, what would a tragedy be like without betrayal? If you can leave your cynicism at the door, and even a few of your sensitivities against violence at the back of the room, then you can enjoy this movie. Ultimately, as good, and sad as this movie is, there are also themes of redemption, especially at a personal level. Nick Nolte is excellent as Learoyd. Nigel Havers is solid as Captain Fairbourne. In fact, I could not spot any poor acting in this movie.In this movie, the lines between friends and enemies are blurred, but positive human qualities transcend the faces of war, and that is why I suppose I enjoyed this movie so much.

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toryu88
1989/03/08

All the other posters make good points, but the one they miss is that this is first, last and simply, pure Milius. If you don't know who John Milius is you probably do not read movie credits. John Milius is a screen writer and director. Kind of a cult figure. His stock in trade is manly virtue. His detractors would use the term "macho", but that is too derogatory. Movies you may have see by him are, "Wind and the Lion, Red Dawn, Conan the Barbarian, Jeremiah Johnson, Clear and Present Danger, The Rough Riders, Apocalypse Now, Magnum Force, Dirty Harry, Life and Times of Judge Roy Bean. See a pattern here? Every one of the above movies deals with male relationships, honor, loyalty, fall and redemption. Romance relationships take a back seat to the relationships between the male characters, be they protagonists or antagonists. Jeramiah Johnson is a great example of this and shares many theme similarities with Farewell to the King.Milius the director's sense of honor transcends the norm and underscores his reputation as a Hollywood rebel and outcast. Leroyd is betrayed by his erstwhile allies symbolized by Gen. MacArthur who gives his word and violates that promise. Leroyd ultimately accepts his former hated Japanese enemy simply because he too possesses a personal code of honor similar to Leroyd. A similar scene plays out at the end of Red Dawn, where the Cuban Commander lets the dying Jed escape, carrying his dead brother (Charlie Sheen through a shared warriors sense of honor. Jed then goes to a playground to sit in a swing, presumably regaining their lost childhood in joined death. This is a familiar theme in Milius' work. Another familiar theme is that of the Rebel or loose cannon. Dirty Harry, the Marine Captain in Wind and the Lion, are just a few examples. Milius is the quintessential loose cannon in Hollywood. So he probably feels a kinship to the characters of which he writes. There are many other themes that are familiar to all his movies. The female as a catalyst and semi-tragic figure is another. His women move his protagonists to greater heights. The female at risk or her unfortunate demise drives the central character to either his doom or his redemption, or both. I have to say that I am a Milius fan. This movie is one of my favorites by him. Yes, I cringe at some of the acting, like Sgt. Tenga's horrible fake British accent (Kenyan by way of Chicago, perhaps?) The English speaking "Apaches" also make me roll my eyes. But scenes like "Advance the Colors", or Leroyd's redemption at the end of the movie, more than make up for the other lapses. This movie is good stuff. Get a six pack, or a bottle of scotch, a few cigars, some munchies and enter the world of John Milius. A world where men live by their honor, disputes are resolved man to man, and if enemies survive the ordeal, the sit down and drink to one another as survivors.

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brucemcmahon
1989/03/09

Farewell to the King, was not Oscar quality, however it was a lot better than most of the bilge that Hollywood barfs out. I have learned that if you don't expect much from todays movies you won't be disappointed. I liked the theme of the movie, the "backwater" of WWII away from the "show". The cast was wonderful, I'm not going to pick-em-apart. The plot was believable, read-up about the coast watchers, or downed pilots evading the enemy in the Pacific. Don't be critical, let your imagination go free, imagine yourself in Nolte's place, be part of the movie, after all that is what it is all about, jump starting your mind.

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JBAGNA
1989/03/10

I love this film! I bought it on DVD recently but when I saw it on TV I was somehow captivated by it. The film captivated me for a number of reasons. Firstly the film in my opinion is based on the exploits of an actual British botanist Major Tom Harrison who did exactly what Nigel Haver's character did in 1945 helping the tribes. He never met a king but from what I read there were striking similarities. Also I like Nigel Havers I think he is a great actor and here he proves that he is just that. He gives the film emotion and has a wonderful presence with his voice especially his last line of the film, wonderful! I also like the fact that film shows the British and Aussies did a lot of work fighting the Japanese and it wasn't just the Americans. Nick Nolte's character is just about what I'd expect from him gritty, and King like, although it is hard not see the similarities between him and Rambo. James Fox is good too and I'm glad he was in it. The film does have its flaws and the story seems to make it incoherent at times which is its major weakness. Having said that I still think it is one of my favorite World War Two movies.

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