The Man Who Killed Don Quixote
April. 10,2019 NRToby, a cynical film director finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth.
Similar titles
You May Also Like
Reviews
Expected more
I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
The first must-see film of the year.
Worth seeing just to witness how winsome it is.
Ok, Toby (adam driver) actually sucks so much as a character. he doesn't earn anything that he gets by the end. He is upset that Anjelica (Joana Ribeiro) is "owned/objectified" by Russian Trump Alexei (Jordi Mollà) so much so that he throws coins at her feet offering to buy her himself, still seeing/treating her as an object, and at no point in the story realising the irony of this. Whats more, he manslaughters innocent and delusional Don Quixote (Jonathan Pryce) only to become the Hero by films end without ever earning the redemption for his past mistakes. Anjelica should have been the one to become Quixote. she is the one who's character arc from the beginning was to set out to do great things (to become a hero). Toby's arc was kind of unclear, was he looking for his youthful inspiration? The better ending is Anjelica becoming Dona Quixote, subverting the 16th century Male Hero Fantasy, bringing it into the 21st century (something Gilliam was attempting anyway), and breaking free of objectification to become her own master. A true character arc, moving from being owned (by Raul/Alexei) to becoming the story's Hero. Instead she was delegated to Toby's sideshow. ick. 5 stars.
Totally bonkers, dreamlike, vintage Gilliam and in the end even Lynchian weird. When it works it's brilliant, when it doesn't, it's baffling and sometimes boring. But even when the script doesn't work, the movie is saved by the incredible cast. It's among both Adam Driver's and Jonathan Pryce best work. Also, I'm in love with Joana Ribeiro.
The curse script. Against the general opinion I thought it was a wonderful movie, it's true, it has some script holes from a movie that has had so many problems at the time of realization. Removing that, Terry Gilliam offers us a different film in everything that we can think of. From the way of recording, with changes of ratio in the scenes, distortions of the image and a humor that does not present itself as such. In short, atypical film and not generalist, is not a "block buster" that appeals to the public and even those who are looking for a movie of this type may not like it. Terry Gilliam writes, but it is not the life of Brian or seeks to be.
Maybe it helps to be familiar with Terry Gilliam's canon of work. But as a whole The Man Who Killed Don Quixote is a multi-layered story of the Ages of Man. The Dreamer and the Raconteur living in parallel lives.What's fascinating is how the meanings of each of the characters and their story arcs fold into each other from the director, Terry Gilliam's own life to Adam Driver, playing a Gilliam figure all the way to Jonathan Pryce's man who's seemingly lost his mind. Part of me wonders how much of this is a farcical documentary or auto-biography.Still as heady as it can be it still entertains. The acting is great, the characters are fully realized and the settings, cinematography and production design are signature styles of Gilliam: hand-crafted to bend to the will of his vision...as mad as it may be.This is not a run-of-the-mill linear movie. It's not a popcorn flick. There's a lot to interpret and involve the audience so, don't expect instant gratification. To a lot of reviewers it seems they were overwhelmed by an unclear story. Which that may be true for those who don't want to be involved in the story. It asks a bit of self-reflection, it asks a bit of trust that the characters, working on several levels of psychosis, dreams, hallucinations and madness will all come to a natural conclusion in their story arcs and bring the global story of the film into one single point of focus:We all had dreams once and we got lost. We may remember those dreams in our middle-age and yet in our old age we may become consumed by the dream to point of dreaming of our own existence.If you like BRAZIL or THE IMAGINARIUM OF DOCTOR PARNASSUS you will like this film.