Just what I expected

Don't listen to the Hype. It's awful

Captivating movie !

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

The revelation within this movie is first-time actress, young Lily Bell Tindley in the title role of Lou (short for Louise). She is a natural and her face captures the camera like few can. Mature for her age she reminded me of American actress Monica Potter, who also reminds me of Julia Roberts. My wife said Lily Bell reminded her of Emma Roberts, who of course is the niece of Julia Roberts. Anyway if she gets a chance to continue with an acting career she can become very successful.Set in Australia, Lou is the oldest of three daughters, 11 and about to be 12, and her single mom is only 27. We don't get much of a back-story except that their dad left, they don't know him, and they struggle to pay the rent.As it turns out John Hurt (approaching 70 during filming) as Doyle is the grandfather, in a care facility, because he has early stages of dementia. He needs a place to stay temporarily and he is "placed" in their home. (As an American I don't understand how this works in Australia, but never mind.) While the arrangement is far from ideal, Lou seems to start to become attached to Doyle, more than anything because he is a father (or grandfather) figure she never had.Things get complicated when Doyle begins to call Lou "Annie", his deceased wife. In fact at one point Doyle regresses to his younger days and actually proposes to "Annie." Lou seems to take him seriously when he says "I love you" and she even fantasizes about them going away.It is all handled very well, the delicate story of an older man fading from reality and a young girl about to grow into a young woman learning about real life.

This should never have been made. Even with the great John Hurt, it's reported 3 & half million budget (which would need box office returns in the area of 10:1 to break even) is irrecoverable. Creating more burnt investors and distributors who'll hesitate to touch an Australian film yet again...Grim little "slice of life" film that even manages to flatten the lush landscape of Murwullinbah. OK performances and a script that feels like it's been put through the funding body wringer - no surprises, predictable events and story arc etc.Reviewed as "Worthy" - i.e kiss of death. Should have been on TV .

I think the film had a reasonably balanced set of messages with enough curly tidbits to take a few elements away and dissect over a coffee or two with friends. I found the portrayal of a struggling family group seemed very plausible and I especially loved the imagery and memories of a coastal sugar-cane town captured for the backdrop. In a couple of the scenes I'm not entirely convinced by Ms Barclay's performance as Lou's mother, but the rather poignant scene of the 4 "young" girls together on the beach towards the ending gels with one of the aspects that all of them (including Rhia) are still growing up together. Some nicely placed humour underpins parts of the character development and overall it seems a good plate of mind-food with hooks for many embattled parents. I agree with another reviewer that John Hurt's performance was great, he didn't overdo the illness symptoms to make Doyle too cheesy to be believed, and the audience at my session delighted in many of the childhood antics portrayed by the younger actors. Definitely good work by Lily-Bell Tindley as the memorable Lou.

This is one very 'different' film. The pre-publicity prepares one for a tough hour-and-a-bit. It starts slow, and one wonders whether the story can be told in the short time left. We have a family, short of a dad, living on the border of Queensland and New South Wales. It's sugarcane country, backed by Mount Warning, the conspicuous mountain named by James Cook in 1770. The family is poor economically, but strong in spirit. We are introduced to the three girls, eldest 12, early in a line-up. This line-up is repeated from time to time and at the finish of the film. The girls are obedient, which makes them, perhaps, less than normal. But mother preserves the family's functionality with discipline against great odds. The odds seem greatest when the family is stuck with the grandfather, suffering with Alzheimers. It is obvious that Lou, the eldest girl, is to be the leader in the drama, and Doyle, the declining elder, is her foil. Does this work? Well, there's an old stage rule: never appear with children or dogs. The children win hands down with the mother appearing to be helpless. Doyle finishes up happy, and Lou, resilient in her youth, recovers from her disappointment. The cinematography is lovely, with rock-steady camera work, but not relying too heavily on the magnificent landscape of the Tweed Valley. Yes, a filmmaker can tell a story in under an hour-and-a-half!