Andersonville
March. 03,1996 NRThis lengthy docudrama records the harrowing conditions at the Confederacy's most notorious prisoner-of-war camp. The drama unfolds through the eyes of a company of Union soldiers captured at the Battle of Cold Harbor, VA, in June 1864, and shipped to the camp in southern Georgia. A private, Josiah Day, and his sergeant try to hold their company together in the face of squalid living conditions, inhumane punishments, and a gang of predatory fellow prisoners called the Raiders.
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As Good As It Gets
Absolutely Fantastic
It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.
There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
The American Civil War, and Union soldiers are imprisoned at Andersonville, a crude stockade establishment presided over by the inept and cruel Captain Henry Wirz. It would prove to be a another dark and soul destroying chapter from the war.Lets get it out there right away, Andersonville was not the only hell hole prison operating during the American Civil War. Information from both sides of the coin is available on line for those wishing to explore further. That said, Andersonville is a story that deserved and is needed to be told, and this John Frankenheimer directed two - parter brings it vividly into the viewers' lives.In filmic substance terms it has all the standard POW movie cliche's. We follow a group of prisoners and a group of "convict bullies", with those in authority observing menacingly and proving desperately carefree as to the conditions of the prison and of humane traits in general. But as formulaic as it ultimately is, there's a determination by the makers to keep the characterisations real and viable, and they achieve this in spades. Pic is also boosted by superb period detail, costuming is grade "A", while the production and art design for the prison is harrowingly effective. Frankenheimer's tracking shots brings home the enormity of the misery, while Gary Chang's score is thankfully never bombastic. Cast are a mixed bag - to be expected in such a large ensemble piece - and you can't help but yearn for more of William H. Macy.Yet even though 30 minutes could easily have been shaved off of the run time, Andersonville is a production that should stay with you. The coda serving to remind us that that should be the case. 7/10
To this day Andersonville will connote unspeakable barbarism and suffering in a prisoner of war camp. Yet one has to note that part of the problem was the lack of resources the Confederacy had to maintain prison facilities like Andersonville or Libby.Before Ulysses S. Grant took command of the overall Union Army the Union and Confederacy had regular prisoner exchanges. It was shown however that prisoners never obeyed the terms of their parole, but got back into the fight. Grant changed all that when he stopped prisoner exchanges. With the north having so much more population it was only a matter of attrition before the south had to give up. The south had not the resources to maintain prison facilities, civilian or military. The south could barely feed its own population. Note the adolescent prison guards on the stockade wall. Kids that young were in the Confederate Army in the end and not just drummer boys.However the German emigrant colonel played by Jan Triska employed some barbarism of his own. He encouraged 'The Raiders' a group of some of the lowest low lives you'll ever see to form among the prisoners, to rob them, to terrorize them, to inform on them when necessary. That was a particular Andersonville touch in penal discipline. No big names are in Andersonville, but that added to the realism. John Frankenheimer got an ensemble performance second to none and an Emmy to boot. Standing out are Frederic Forrest as the Massachusetts sergeant who sees his men the best he could, William Coffin as the head of the 'Raiders', and his second in command William Sanderson the last word in bottom feeders and young Blake Heron as a drummer boy prisoner.One thing that producer Ted Turner did not do was get too explicit as to just what young Heron might have had to deal with among a bunch of isolated and starving men. Then again this was a made for TV movie, on the big screen prison rape might have been dealt with.Andersonville is an excellent production, a must see film for anyone even mildly interested in the American Civil War.
Having looked forward to seeing this film for quite a while, I was quite let down when I finally managed to view it. Andersonville is a story that needed to be told, but this telling of the tale rattles and rambles trying to find its sense of direction. The production suffers from a rather poorly written script and mediocre acting. There were some decent scenes, and a few good performances, but by and large this was a rather jumbled, boring, over-long, predictable mess. It could have been, and deserved to be, so much more.So unless you really have to see a movie about this notorious prisoner of war camp, I'd give this one a miss.
This film won three awards and was nominated for several others. The directing, acting, editing, script and cinematography are all of a high standard. It seemed quite authentic, and this is confirmed by the comment below. Even if you do not normally like 'films of this type', this film is worth watching or even studying, because of the overall excellence. An admiration of the quality of this film is probably the reason that the brutal story that it portrays did not place a heavy or negative feeling upon me. Lesser films would contaminate the story with adding romance, light comedy or bright flashbacks. This film powerfully gives the viewer a strong sense of realism.