The Tarzan story from Jane's point of view. Jane Parker visits her father in Africa where she joins him on an expedition. A couple of brief encounters with Tarzan establish a (sexual) bond between her and Tarzan. When the expedition is captured by savages, Tarzan comes to the rescue
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Reviews
By the time the dramatic fireworks start popping off, each one feels earned.
While it doesn't offer any answers, it both thrills and makes you think.
This movie feels like it was made purely to piss off people who want good shows
By the time the dramatic fireworks start popping off, each one feels earned.
Edgar Rice Burroughs is reduced to softcore porn. Instead of this being a story about a man who was raised by apes, it's a story about the sexual awakening of Jane, and it's a ludicrously awful awakening. "Tarzan the Ape Man" is so awful that it does achieve Ed Wood/Showgirls levels of so-bad-it's-good, which makes this film essential viewing for fans of bad cinema. Pretty, but talentless Bo Derek plays Jane. High points of camp include Tarzan pawing at Jane in a very odd early courtship scene. Aother scene has Tarzan rescuing Jane from a tribe of natives who roughly wash her and then cover her in mud, which I'm assuming director John Derek (Bo's husband) meant to be erotic. Oh, and over the end credits, Bo is pawed by a real ape, an orangutan, which I'm hoping was some sort of nod to the 70s/80s ape cycle of comedies (i.e "Every Which Way But Loose," "Going Ape," "BJ and the Bear," etc.). These scenes were all likely intended to be titillating, but similarly to "Showgirl," they are anything but. Overall, "Tarzan the Ape Man" is about as bad a film as can be made (I hope Richard Harris was paid handsomely for appearing), but it's sooooooooo bad, that it's absolutely worth watching, which is why I suppose Turner Classic Movies chose to air this unintentional laugh riot. FUN FACT! United Artists was sued by the Edgar Rice Burroughs estate over the film.
Another one of those misunderstood films, that received a bunch of criticism, for all the wrong reasons. John Derek's "Tarzan, the Ape Man" was never meant to be a typical entry in the Tarzan genre, but rather this is pure erotic fantasy, from a woman's perspective. Rather than focus on Tarzan, this version of the tale focuses on Jane, her fears, and her desires. Beautifully photographed on location in Sri Lanka and the Seychelles, and featuring one of the most classically beautiful women of all time, Bo Derek, this film is a real treat for the senses. Leave your brain at the door, because "Tarzan, the Ape Man" isn't exactly an intellectual tour de force. What John Derek has created here, is the ultimate piece of escapist cinema. Much like his "Bolero," also featuring wife Bo Derek, this movie is very similar to the romantic novels written by women, for women, years ago. This is reminiscent of the classic romance novel "The Sheik," as it deals with a naive but adventurous woman, who is swept away by a man who society considers a "dangerous savage," a man who should repel, but instead fascinates. The problem with these films, is that they seldom find their right audience; men will flock to a movie like this, wanting to see a naked, beautiful woman in sexual situations, but they see the romance as silly and unrealistic. And of course, modern women might easily be offended by the portrayal of a heroine that is weak, and dependant on a man. Even though Jane is hardly weak, and for a woman from 1910, she really goes after her own dream, with unbridled passion. This movie is worth a look for it's sheer visual beauty, and to witness the on screen coupling of what is perhaps, the most physically perfect woman and man to ever grace the silver screen. Highly recommended for fans of erotic and escapist fantasy. As far as the classic Tarzan novels that this material is based on, this movie stays surprisingly faithful to the source material in many ways.
The one thing that Tarzan and Jane have in common in this movie is that neither wears underwear. Tarzan is presumed by that loin cloth, but Bo Derek makes sure the audience knows it...no bra, wet see thru clothing, and sometimes totally nude, but certain parts still hid. Director John Derek had a great canvas with Bo to put on screen. She is simply stunning, and one of the most stunning actresses in movie history. That said, the movies she made were mainly stupid, including this one. Bo's style of making Jane innocent is sort of fun to watch, but this is a film that is best watched at home, where you can fast-forward through Richard Harris' parts, and much of the rest of it. This film is only for the Bo Derek-body watchers. She delivers in that respect. Only lately has Bo started making pretty decent films. But this film highlights her top-achievement in the 1980's - the bra-less wet-look, displayed in a way that makes it look oh, so natural.
Muscular man-ape in the jungles of Africa is hunted by an opportunistic expedition team; the comely daughter of the team's leader finds him first. Much-ballyhooed version of the Tarzan tale has an OK production, but is crippled by the single-handedly worst direction of a film I have ever seen. John Derek is bereft of inspiration beyond cheesy slow-motion action shots and peek-a-boo glimpses of wife Bo Derek's unclothed body; he has about as much talent behind the camera as Ed Wood. Trying for tongue-in-cheek sexuality, the Dereks lack finesse, snappy timing, and taste. They have a sense of self-parody and bravura abandonment (they do throw caution to the winds), but after a promising opening it all goes to hell. Miles O'Keeffe (who possibly had marbles in his mouth the entire time) has the title role, but plays third fiddle to John Derek's ego and Bo Derek's sense of self-importance. * from ****