Redheaded teen Remy is bullied by his soccer teammates and drawn into fights with his younger sister and mother in their cramped apartment. After a flare-up of domestic violence, he flees home and is tracked down by a bitter guidance counselor, Patrick, also a redhead. Patrick looks upon Remy’s sullen insolence with both sympathy and disdain and decides to toughen him up...
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Reviews
Best movie of this year hands down!
good back-story, and good acting
The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Although I seem to have had higher expectations than I thought, the movie is super entertaining.
I knew nothing about this, just the fact that Vincent Cassel was starring. But I'm not sure there is a way to prepare for this really wild ride you're about to take while watching this movie. Cassel obviously has a lot of fun depicting the character he's portraying on screen here. He gets really OTT with it and it works more than fine. He's co-star is good too, both introduced in short segments, but both having something in common, that is more than the color of their hair.The movie that also has some nudity in it (male and female), will appall a lot of people, just by being so apparently crazy. It doesn't seem to have a goal (or a destination), especially at the beginning, but it's more about the journey itself. A journey that has no moral implications, but is just a wild day/night out. Do not try those things at home ;o)
Wow! There's something innately thrilling about a film that is constantly on the verge of it's own self-destruction, of teetering on the edge of believability, and at the same time completely committed to its own madness.Absolutely enjoyed the experience. I set out to screen Alexander Payne's 'The Descendants' at the beginning of the evening and found myself a bit depressed and bored after the first ten minutes. (Usually the ten-minute mark is the fork in the road for me.)On the glowing advice of a workmate I decided to screen 'Our Day Will Come'. This was the pill I needed. Gavras' hand on the wheel here is even, lucid, and in control. But the bizarre turns of events, chance meetings which either bear fruit or become deeply passionate relationships, and the film's unique shimmy all had me seduced.Fun stuff. To be taken with laughter and not to be taken lightly. Where do we go from here, Gavras? We don't know. Take us there.
This first feature by Romain Gavras is a violent, perplexing road movie. Occasionally funny or flat-out surreal, it follows the mutually supporting shenanigans of two psychologically marginalised Frenchmen. Patrick is a psychiatrist about to collapse under the weight of his own ennui; Rémy is an immature young man, introverted by the internet, his red hair and sexual innocence. The latter provides the former with a project and, bonding over the tenuous topic of their red-headedness, they lurch off into a self-perpetuating zig-zag, initially searching for confrontation.Those who have seen the remarkable video Stress for the dance collective Justice might have been prepared for the verité, taboo- stomping and sheer chaos with which the couple's adventures are recorded. The Cassel of La Haine (1995) is suddenly back on the screen, playing out a tamer version of Man Bites Dog (1992), the blinkered nonsense of the French philosopher-outlaw. It has the same dangerous, pulpish quality, especially with Olivier Barthelemy's Rémy in tow becoming ever more confident to confront people without understanding why.I liked the deluded anarchy, especially shrouded in pathos as both characters clearly feel doubts nibbling away at their state and behaviour. A smattering of other films are suggested in passing - the recurring shots of industry put me in mind of Antonioni's Red Desert, and the latter shots of the bald-headed inmates of THX1138. The men's flight is from social systems and these films are good basic templates. For me the power of the film is in the borderline- B-movie, invigorating action that their desperation drives them to. Difficult to swallow in places but strong nonetheless. 6/10
I attended the screening of "Our Day Will Come" at SXSW and I was pleasantly surprised. The movie is a road rage of destruction and carnage and I sat at the edge of my seat and just thought how cool is this! However after seeing the movie I had completely fallen in love with it, but afterwards as I saw it once again, I began to realize some flaws.First and foremost the dialogue feels forced at some times. In a certain scene Romain Gavras seems unsure on how to proceed and suddenly skips to the next scene and makes the following scene a bit unbelievable.Second it seems unrealistic, that the boy in the movie really thinks his utopia is Ireland. It feels more like an excuse to get the film moving forward.This being said the movie has one of the best psychedelic soundtracks and it makes the ending even more memorable and emotional.The cinematography is also sublime. It reflects perfectly how the main characters feel.Vincent Cassel plays his character with a cool ironic distance and with a spark in his eye, which makes him more believable as the intelligent and arrogant man he plays.All in all this movie doesn't not play on dialogue, but its force is the way it depicts an emotional meltdown for two persons and how it effects the world around them. The movie brings back memories to when I saw "Clean, Shaven" and "Our Day Will Come" is definitely in my top 10 movies of all time.