I like the storyline of this show,it attract me so much

Pretty Good

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

An old-fashioned movie made with new-fashioned finesse.

When a rogue vampire escapes from his detention quarters and starts to unleash a virus on the population that proves fatal to it's recipients, a police officer and a fellow vampire track him down before he spreads it to others.This was a really, really bad effort, more so in the sense that it never really feels like a true horror film, more like a deranged sci-fi film rather as the setting (this is said to be a futuristic time that looks for all the world like 1800's England) and all these ground-rules about the society make it really difficult to get a handle on what's going on. As well, the near-total elimination of any traditional vampiric qualities (frankly, if the two leads weren't vampires, you wouldn't have any change at all in the story since it never makes them being vampires integral to the story and it just as well could've been an ordinary madman doing this) coupled with extreme amounts of boredom, fixed only by the final showdown which is pretty decent with a lot of flying around on wires and banging into everything around them for the big showdown makes this one enjoyable. The plot's there, it's got potential but this was really, really troubling.Rated R: Graphic Language and Graphic Violence.

Perfect Creature is set in a city called Jamestown where a brotherhood of Vampires live alongside humans in supposed harmony, it has been this way for 300 years but one brother Edgar (Leo Gregory) has developed a taste for human blood & has been feasting on local young ladies while his brother Silus (Dougray Scott) hunts him. Local police detective Lilly (Saffron Burrows) learns the truth behind the dead bodies turning up & tries to keep it quiet as widespread panic would break out, together with brother Silus the police & Lilly set out to find & kill Edgar but there's more to what Edgar is doing than just killing a few girls as he releases a virus which turns humans into ravenous Vampires. Jamestown is quarantined & the authorities feel complete extermination of everyone within it is the only answer including thousands of innocent uninfected humans...This New Zealand & British co-production was directed by Glenn Standring & is a sort of moody atmospheric Vampire horror thriller that had the potential to be great but a lack of focus & a general pedestrainism means I would struggle to even call perfect creature average let alone good. The script is the problem here, there the usual romantic subplot about the two leads falling in love, there's no real explanation given as to why Edgar goes crazy & starts killing people & none of the other Vampires ever has, the whole virus angle is abruptly dropped into the story late on & is never really given a conclusion, there's a subplot about humans dying from flu which is mentioned a few times but nothing significant becomes of it & the typical clichéd final confrontation between the two brother's (hunter & hunted if you prefer) is present & correct although it's totally forgettable & uninspired stuff. The film didn't feel that long & it's visually interesting but the bland character's, the predictable plot, the subplots that go nowhere & add very little to the film overall & a lack of any real entertainment value means it's not really worth making any sort of effort to see.As already mentioned the film does look very good with a variety of different eras & styles used to depict the fictional world seen here, from war torn streets to futuristic labs to Victorian style fantasy with a dark & brooding 40's detective noir thriller feel too, it's quite strange to sit down & watch these contradictory settings & time-lines & decor come together (horse drawn carriages & motor cars on the same roads at one point along with air ships in the sky). There's not much blood or gore here, a few bitten necks & that's about it. The CGI is OK but the early scene of Edgar climbing a wall looks terrible.With a supposed budget of about $11,000,000 this wasn't cheap & that's a decent amount of money & one suspects that most of that went on the production design & look of the film. Filmed in New Zealand. The acting is alright but no-one seems to show much interest & with such thin character's one can hardly blame them.Perfect Creature is average at best, a Vampire horror thriller than could have been great if a bit more time had been spent on the script & a decent story that meant something. It's not terrible & it's interesting visual style is cool but overall I couldn't really recommend it.

This is an absolutely original script with a fresh point of view. Given the current craze over The Twilight Saga, the elements of the vampire-human relationship in Perfect Creature almost seems to be a futuristic sequel. I like the overall atmosphere of the film, the story intrigued and involved me completely. When it ended I was definitely wanting a next chapter. I really enjoyed the performances of all the cast and felt that they developed complexity and depth in their characters that perhaps the script itself did not sufficiently support. I felt the actors had more to offer, but the dialogue and scenes sometimes limited their ability to express it. The casting was definitely spot on. The visuals worked extremely well and gave the film a really polished feel. Would like to have seen the relationships between Silas and Lilly and between Silas and Edgar given a little more screen time to let us in on the interpersonal qualities of each. After reading the plot synopsis here on IMDb, I realized that the lack of film time for the main characters' relationships likely resulted from an effort to include too many of the details of the story. I still found it enjoyable. Would like to see more from this writer-director.

A race of genetically enhanced vampires called the Brotherhood has peacefully coexisted with human beings for 300 years. Crazed renegade vampire Brother Edgar (superbly played with frightening intensity Leo Gregory) starts preying on human beings and plans on changing the natural order of things by infecting everyone with a lethal mutant virus. It's up to dour, compassionate vampire Brother Silus (a fine portrayal by Dougray Scott) and tough, but kind-hearted human police captain Lilly (a splendidly hard-nosed performance by Saffron Burrows) to stop Edgar before it's too late. Writer/director Glenn Standring offers a fresh and intriguing spin on the standard vampire premise which eschews the usual bloodsucker lore in favor of cleverly blending elements from the horror, alternate reality science fiction, and police detective action thriller genres into an inspired, arresting and imaginative synthesis. Moreover, Standring relates the absorbing story ate a slow, yet steady pace, maintains a grim'n'gloomy Gothic atmosphere throughout, and still manages to deliver the expected graphic gore and exciting action set pieces. Better still, Standring brings a maturity and intelligence to the material that's admirably adult and sophisticated in its sensibility. Kudos are also in order for the uniformly excellent acting by a tip-top cast: Scott and Burrows do stand-out work in the lead roles, Gregory makes for a lively and formidable villain, plus there are sturdy supporting contributions by Stuart Wilson as the wise, pragmatic head vampire Brother Augustus, Scott Willis as the sarcastic Detective Jones, and Stephen Ure as disgusting toady Frederick "Freddy" Sykes. Leon Narbey's moody cinematography gives the film a nifty gray and grimy look. Anne Dudley's brooding score likewise does the trick. A pleasingly different and creative fright feature.