To me, this movie is perfection.

One of the most extraordinary films you will see this year. Take that as you want.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

The best films of this genre always show a path and provide a takeaway for being a better person.

The fact that a beautiful film like No mires para abajo receives a rating as low as this can only mean that most people simply cannot look past the explicit depiction of sex and nudity on film. It's a shame, because aside from being quite erotic, it's actually a beautiful and sensitive film, a piece of magical realism in the finest tradition of South American authors like Márquez and Borges, and it deals with the organic and spiritual links between life, death and sexuality with no attempt to create controversy or to arouse in the usual sense, but rather to create an atmosphere of magical, dreamy bliss.To be fair, No mires para abajo gives only a glimpse into the dreamworld it describes; the film is very short, very small in scope, and it probably wouldn't have worked had it been longer - it's an image, rather than a complete story. The two main characters are intriguing, lovable and mysterious, but neither one is a full and complex character. But for what it is, it works beautifully. It's not a story with a beginning, a middle and an end; there's no arc, or character development, or conflict. It's just a beautiful short glimpse into a more beautiful side of our reality, and if you can look past the sex and nudity and enjoy it for what it is, it's highly recommended. It won't be to everybody's taste, to be sure, but it should never be dismissed as softcore porn.

This is one of those films which you will watch either because of the sex scenes it contains or because you want a good Spanish speaking film with readable English sub-titles - or both. What you get in fact is an underrated emotional comedy which has all the sex you might want to watch for curiosity sake while using it as a lesson to brush up on your Spanish.My wife and I were very taken with the film, it was nice to watch together. Yes it is a sort of Kama Sutra movie, but the film is artistically directed and the storyline, although not reaching Hollywood heights, will tickle and tease you with delight, and I am not talking about the sex scenes in that reference.Here is a film carrying a double meaning, a young boy who has been taught by his Father to walk on stilts, so he looks down on people in an amusing way. Not only that, as a sleepwalker, he has an uncanny ability to see the dead 'alive' each morning, this is all very touching in a young man who is setting out on a life of sexual exploration.I found this film on DVD by accident. I am always glad to watch a foreign language movie and especially one in Spanish. An Argentinian movie is a rare treat. Something as sexually evocative and artistic as this IS a rare treat indeed. There is hardly any nudity in movies of current release nowadays and when there is, it is hardly done in an artistic way.There are some great expressions and some really funny moments. The story is somewhat thin at times but that matters not to the overall enjoyment of the movie.Here we have a movie with artistic credibility, no bad language, no violence, a movie which is just a pleasure to watch.

This movie was very interesting. The love of the father for his son, the love of the son for his father. The music in the movie is very good. I love the scene where the nana dances as the same time as Elvira dances for Eloy. A beautiful movie. Even tough it is suppose to have been made from a tao manual, I feel it turned out to be very philosophical. I enjoyed it immensely. It was erotic and I am sure it depicts a lot of the journey for tantric student. The actors are beautiful. The decor are enchanting. The music is appropriate. The dead father finally "living" his life is a glimor of hope for the afterlife. The best line ever: In life you will always be saying goodbye – don't let that stop you from loving.".

It comes as a surprise to find that Subiela, leading exponent of Magic Realism in the movies, is still at it after decades and the exposition, with the cemetery's dead taking afternoon sun and his dad showing up with nuts and bolts, looks like it's going to be vintage.However the piece settles down into lengthy make-out sessions between the two good looking leads - which is OK for five minutes but tedious thereafter.Good film craft but no substance.There's nothing much else to say about this one to bring a coverage up to the minimum requirement.