Pierre Hunter, a bartender with unyielding optimism, returns to his tiny hometown after his parents' death. When he falls for the enigmatic Stella, Pierre is unknowingly pulled into a cat-and-mouse game that involves a duffel bag full of cash, a haphazard yet determined criminal, and a mystery that will determine all of their fates. A contemporary fable about the ways we struggle to control time and fate in a possibly predetermined universe.
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Wonderful character development!
Purely Joyful Movie!
Best movie of this year hands down!
There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Pierre Hunter (Anton Yelchin) , is a jobless bartender full of optimism and maybe a bit naive, making his way back to his small hometown after the death of his parents. He literally falls for the enigmatic and winsome Stella (Zoey Deschanel), who becomes a partner in a hazardous cat-and-mouse mystery that involves a duffel bag full of money. Will conscience or fear of criminal consequence split the couple? Zachary Sluser directs and writes the screenplay. Also appearing are: Frank Langella, Alia Shawkat, John Hawkes, Benjamin Rogers and Ciaran Hinds.
This film tells the story of a young man who is in love with a victim of arson. He finds a bag of cash, and his life becomes complicated because the crooks who own the cash come after him in the quiet small town.The plot summary sounds interesting on paper, but unfortunately the film is not at all interesting. It feels like a bunch of incomplete jigsaw pieces being forced together. I don't quite care for any of the characters, even Zooey Deschanel's character who is a victim of arson. There's no thrill suspense even when crooks hunt Pierre down. Events in the film are muted, and the film is pretty uneventful and non happening. There's no connection between the characters themselves or with the viewers. What is the point of the story? I find it boring and forgettable.
I should know better by now that when producers do an existential movie, that it will be bad. But yep, here I go again watching it. I guess I'm looking for a life raft to save the sinking ship. It stars Zooey Deschanel,and Frank Langella, and a bunch of non-entities. I don't know what possessed Zooey and Frank to do this thing. Maybe they needed the work. They did make the most of a very bad situation, with great acting. I'm still wondering though, what the non-fleshed out Langella character was supposed to be. An angel? A later day biblical prophet? Good grief. The producers put in a basic plot, threw in some cryptic existential dialog and alternative music, then try for ending transcendence and what have you got?...Garbage. Whats even sadder, is that the slightly supernatural plot line isn't even original. Though I wish it was. That way, we'd have seen less of these kind of movies. l give it a 1 of 10. Some producers want to go for cult status and video sales, and all we get is a waste of time. How bout more story, and less otherworldly goofiness people? How this has got a 5.3 on IMDb so far, is beyond me. I'd like to rate it below the one I gave it.
I rented "The Driftless Area" from a Redbox machine and admired the offbeat nature of this low-budget fantasy-thriller.A very fine cast is assembled with such veteran actors as Frank Langella and Cirian Hinds. Zooey Deschanel is lovely as Stella, the principal supernatural character. And Anton Yelchin is perfect as the Everyman figure named Pierre.The film's narrative starts on the premise of cause-and-effect action and how seemingly random occurrences have fateful consequences. At the heart of the drama is the arson that is committed on a farm house with the petty criminal unaware that the home was occupied by a young woman. The film builds from that experience with a quirky set of characters playing out a fantasy revenge and redemption story.The directorial approach to the film could have been more creative in evoking the supernatural aura surrounding the character of Stella. It was not clear, for instance, how Stella could appear to Pierre both as a real-life character and as a vision of light. There were too many confusing moments that could have been imaginatively developed in an otherwise thoughtful and sensitive film idea.