Save your money for something good and enjoyable

Pretty Good

best movie i've ever seen.

It's entirely possible that sending the audience out feeling lousy was intentional

Can you believe that even today (56 years later) Alfred Hitchcock's "Psycho" still continues to have a substantial impact on the general direction of contemporary, American, horror movies? Well, it does! And, with that in mind - Is it any wonder that this particular genre of film has become the stalest and most predictably trite movie category of them all? According to all of the horror-movie directors, story-writers and historians who offered up their opinions in their fright-flick documentary - It was completely unanimous by all that Psycho was, indeed, the turning point. In the decades to follow, Psycho single-handedly set the inevitable direction that horror movies would head.And, of course, in order to continue to compete with such a significant milestone as Psycho, horror-movie scenarios quickly accelerated into fast-pace mode and became a helluva lot messier and horrendously more sadistic in those years that followed Hitchcock's unforgettable slasher classic.Yet, as is clearly evident today, it has been proved virtually impossible to fully satisfy and quench America's seemingly insatiable thirst for buckets of blood, and geysers of gore, and horrific stories that escalate into a non-stop barrage of pure, x-rated ultra-violence.2 things that quickly lost this documentary some serious points were -(1) All of those who offered up their opinions on the subject of horror movies placed a ludicrous amount of emphasis on directly connecting up these films with the socio-political mood (especially since 1950) that was clearly present in American society (at any given time in their nation's turbulent history).(2) Way too much screen-time was given over to focusing in on director John Carpenter's half-baked opinions. As well, far too many film clips from his movies were spotlighted in this documentary. Also movies adapted from Stephen King novels were given too much attention, too.P.S. - In order to make a point, I thought it was really pushing things a little too far when a particular scene from Disney's animated, 1940, classic Pinocchio was included in this film as yet another example of a horrific movie-moment worth discussing..... Spare me!

This begins is quite possibly the best documentary ever. It goes through the silent era all the way into the modern era and it highlights all the films that changed the genre. From beginning with the monster being Soldiers from WWI who lost limbs,to Lon Chaney, to the iconic Universal monsters. This highlights the films to the Giant monster era (1950's) to the beginning of the slasher genre. Really interesting, only if they went more behind the classics of how they made them, the behind the scenes. There is also several nice directors who know the genre best, the entire ensemble includes: Wes Craven, John Carpenter, Rob Zombie because he know horror, George A. Romero, and Guillermo Del Torro, along others. It really talks about why the horror genre is the biggest and the most important in the film industry. Its all interesting until the late 1980's (1987-1989 :( boring years) and after. This is still one of my favorite documentaries ever.

Nightmares in Red, White and Blue (2009) *** (out of 4)Lance Henriksen narrates this documentary that takes a look at the history of horror movies in American cinema. We start off in the silent era and move all the way through the recent "torture/porn" films and get interviews with such people as Carpenter, Corman, Cohen, Yunza, Dante, Garris, Romero, Bousman and McLoughlin. NIGHTMARES IN RED, WHITE AND BLUE is a pretty good documentary but it's certainly not oging to teach die-hard fans anything that they didn't already know. I think the biggest problem with the film is that it really doesn't shine any new light on the subject as everything here has been covered before in other documentaries and even those interviewed here are giving the same stories that they have before. With that being said, as a die-hard horror fan I always enjoy hearing the stories so I'm sure others like myself will enjoy the film. If you're unfamiliar with the genre then this film does a pretty good job at giving you the history of the genre even though it does skip around quite a bit and doesn't appear to be following any real plan. We start off in the silent era where Lon Chaney is discussed and then we hit the Universal monsters, the Val Lewton productions, the atomic films, the monsters from outer space, the Norman Bates of the world and then into the 70s attitude with graphic movies, the slashers and then there's the recent torture movies. You're certainly going to get a lot of film clips and I'm sure those who don't particularly like slashers won't enjoy that segment as there's all sorts of gore and violence. The one thing I found to be really fun was the Friday THE 13TH tribute where we see all the death and sex scenes from the entire series edited together in a little montage. Fans of the genre aren't going to learn anything new but this is still a fun film.

Horror and sci-fi veteran Lance Henriksen narrates this look at the history of the American horror film, examining the earliest monster movies of the silent era up to the scariest modern-day masterpieces. Highlights include interviews with genre masters Roger Corman, Joe Dante, John Carpenter and George A. Romero, plus clips from classic films like The Exorcist, Night of the Living Dead and Rosemary's Baby.I have seen my share of horror documentaries, I have read my share of interviews and interviewed my share of people in the horror industry. I have met most of the people in this documentary personally. So, my thought on this film going in was: this is going to be fun and a bit of a refresher for things I already know, a good thing to kick back and watch lazily. Nothing new to be learned here! Well, that may not have been completely true. While the film covered a lot of the same ground as things I was familiar with: the politics, the culture, how films of the 1950s reflected nuclear fears... the documentary had some new angles, too. Who thought we would see a horror documentary that brings in "Easy Rider" and the James Bond films? I never thought so.As I said, there is much talk of politics, particularly Reagan. Vietnam comes in, as does the Great Depression and the Cold War to a point. But the 1980s dominate, from John Carpenter's "They Live" to "American Psycho". There is even an argument made (which I find very dubious) that the 80s were a decade of excess, and this is in part why there is such an excess of blood in "Evil Dead 2". I doubt Sam Raimi would agree.Larry Cohen says early on, "If a horror film is cutting off people's thumbs and gouging your eyes out, I guess that's a certain of horror. But it's not the kind of horror film that interests me." I liked this distinction, because horror seems to be heading in the direction where more films are just violence without any fun, suspense or subtle message. And that is just cheap. Horror films may not win Oscars, but they still range from bad to good, and the best are more than just torture.The documentary also touched on numerous many overlooked films (such as "Atomic War Bride"), some that ought to have been overlooked ("Uncle Sam") and some lesser-known modern ones such as "The Devil's Backbone". The focus was on American films, so Hammer is not here, nor are the current foreign films of Japan. No Italian giallo. I think Vincent Price received far too little screen time, but overall the film covered just about every American film you could name that affected the history of horror in some way.