It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

The film never slows down or bores, plunging from one harrowing sequence to the next.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Lady Snowblood 2: Love Song of Vengeance. Viewed on DVD. Cinematography = six (6) stars; choreography = four (4) stars; sound effects = four (4) stars; makeup = four (4) stars. Director Toshiya Fujita's rush-job, cheap-production sequel comes up short in practically all departments starting with a nonsense title and a overly contrived scenario (the latter involves Meiji secret police who usually can't shoot straight!). Fujita and his film-making colleagues would seem to have strained hard to dream up further adventures of a fashion-model assassin-for-hire (now with a price on her head) who is a walking, flamboyant self-advertisement (and not particularly choosy whom she works for at any moment). The Director provides little more than a photo shoot of poses in exotic/unusual settings for lead actress Meiko Kaji with and without eye bags (from too many all-night drinking parties?). Kaji's acting chores are pretty much limited to delivering about 10-12 lines of dialog (she does widen her eyes now and then), but Kaji's character makes up for this with a magic sword that only has to brush against her opponents (or just be in their general vicinity) to kill off countless stunt actors. Inter-scene continuity of successive close ups repeatedly demonstrates the lack of make-up artistic skills, as Kaji's eye bags come and go. The sound track offers a selection of 3-4 standard cries of pain for slashed/stabbed combatants. Alas, sandal walking only gets one, as the sound of foot steps is independent of the surface actors are walking on (unless walking in the ocean). Cinematography (wide screen, color) is fine. There is a spectacular scene early on of ocean waves breaking on a beach followed by a crab's eye view of same! Scene lighting is occasionally on the dark side. Theatrical blood (of which a fair amount is on display) looks like, well, dyed liquid dish-washing soap. Subtitles are okay. The appeal of this Toho Film studio programmer would seem to be limited to die-hard fans of Meiko Kaji. WILLIAM FLANIGAN, PhD.

Toshiya Fujita's "Shura-yuki-hime: Urami Renga" aka. "Lady Snowblood 2: Love Song Of Vengeance" of 1974 is a quite different, but more than decent sequel to Fujita's blood-soaked and beautiful 1973 gem "Shurayukihime" (aka. "Lady Snowblood"). While the film does not nearly reach the greatness of its superb predecessor, "Love Song Of Vengeance" is yet another original and highly entertaining film that no lover of Japanese Cinema in general, and Chambara and Japanese Exploitation in particular should consider missing. The film sadly cannot compete with its predecessor's unique style and beauty, but it is still stylish, and furthermore delivers a good story, and, most memorably, the wonderful Meiko Kaji, who comes back with greatness as the eponymous (anti-)heroine.As it was the case with several other sequels to popular Japanese 70s exploitation flicks, the sequel adds some political/social commentary to the mainly vengeance-based plot of its predecessor. Obviously, the film is set several years after the events in the original "Lady Snowblood". Yuki/Lady Snowblood (Meiko Kaji) is captured, and sentenced to death for the thirty-seven killings committed by her in the predecessor. She is then offered to carry out an assassination in order to escape her execution... I don't want to give away more, but I can assure that the plot gets quite interesting for my fellow Chambara-fanatics. Japanese Exploitation-Goddess Meiko Kaji (one of my personal favorite actresses ever) is once again stunningly beautiful and brilliant in her role. My personal favorite Kaji role will always be that of female prison escapee Nami Matsushima in the brilliant "Joshuu Sasori" (aka. "Female Prisoner Scorpion") films, but the role of Lady Snowblood is also essential, and no lover of Cult-cinema could afford to miss her in the role (especially in the original, but also in the sequel). Meiko's presence alone would make any film worthwhile, in my opinion, and the film has a lot more to offer. The film's is, once again, filled with quite a bit of stylish bloodshed, which is not quite as aesthetic, but at some points even bloodier than in the predecessor. Unfortunately, the score in this one is not as memorable as that in the original (for which Meiko Kaji sang the theme song), and yet it is more than decent. Nowadays, the "Lady Snowblood" films are probably best known for being the main inspiration for Quentin Tarantino's "Kill Bill" films, but they sure deserve more attention for their own sake. The first film, "Lady Snowblood", is brilliant, and while "Love Song Of Vengeance" is not the masterpiece its predecessor was, it is still a highly entertaining, stylish and memorable film that I highly recommend to every lover of Chambara and Cult Cinema. My rating: 7.5/10

As a die hard fan of the original from the first time I saw it, it was only natural for me to hunt down this follow up. While the original had a more simplistic, vengeance orientated plot, this sequel unfortunately bites off a bit more than it can chew as it weaves Yuki in with the politics of early 20 Century Japan and the events of the Russo-Japanese war. Overall it feels like the film is just cashing in on the popularity of Kaji Meiko generated by the first film.That said, it still manages to entertain from the very start, with a wonderful sequence of Yuki hacking her way through a load of bad guys. Meiko lost none of her charisma from the original, which is really essential here as the film itself starts to trip of it's own plot after a while. The fact that politics is the theme here rather than vengeance doesn't give her quite as much to work with, but her ability to convey almost all of her emotions through her eyes is still a joy to watch.Ultimately it is worth watching if you liked the original and find Kaji Meiko's presence to be enough to hold your attention. If you value a gripping plot over tremendous acting you'd be better of skipping this. The fact that the first film had both these elements and the sequel only has one makes it an inferior but still highly entertaining follow up.

The stunning Meiko Kaji reprises her role as Shurayuki-hime (roughly translated "Princess Snow-Hell"), the beautiful agent of death. This time she is not out for personal vengeance, but is caught up in the political intrigue of the Meiji era of 19th century Japan. Caught between revolutionaries and secret policemen, Yuki makes sure the bad guys meet a particularly nasty end. It's great to see a samurai film featuring a female in the lead role. It was co-written by Kazuo Koike of "Lone Wolf and Cub" fame and features a role by Juzo Itami who later went on to direct "Tampopo" and "A Taxing Woman" among other films. Director Toshiya Fujita has a wonderful sense of color and this movie is a vibrant and violent classic.