Indigenous Detective Jay Swan arrives in the frontier town of Goldstone on a missing persons inquiry. What seems like a simple investigation unearths an intricate web of crime, corruption, human trafficking, and coordinated exploitation of indigenous people’s land. Jay must bury his differences with young local cop Josh, so together they can bring justice to Goldstone.
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One of my all time favorites.
Memorable, crazy movie
At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
Indigenous Detective Jay Swan arrives in the frontier town of Goldstone on a missing persons inquiry. What seems like a simple light duty investigation opens a web of crime and corruption. Jay must pull his life together and bury his differences with young local cop Josh, so together they can bring justice to Goldstone. Goldstone is one of those films that i didn't know what to expect but it was better than what i was expecting, the perfomances from the 2 leading men were terrific especially Pedersen and the direction is terrific with some beautiful shots of the desert and an amazing car chase that feels real and gritty. It's dramatic, it's action packed and even slow the relationship of it's characters keep things going and going until the end credits. (9/10)
Goldstone is driven by the two central characters who are quite apart when the story begins. The Australian outback would be the other central character which at times is so atmospheric it eclipses even the story itself. That story is a stark morality play. centering around corporate greed in a place the corporation feels it can act autonomously. Goldstone blends elements all seen previously yet does so so bare bones it works. Nothing flashy here in the least as director Ivan Sen keeps the production as stark as the landscape. The two leads are excellent especially the native Aboriginal detective role played by Aaron Pedersen It should be mentioned the musical score is a haunting sweeping one also by the director, it adds great depth and drama.
When I saw the first film a couple of years ago, I did not think they would make a sequel. It looked kind of a one-off film, but I'm very happy for this and I'm sure there will be another one. There's no mention of 'part 2' in the title, so people might end up watching this without knowing there's one before this. But it's good to name a film according to the plot/story. Those who saw the original will be familiar with the characters and the story narration, so they will know what to and how much to expect.This is my first film of the 2017. I don't believe in such sentiments, but I think its a great start and hoping to watch many more good ones. Now coming to the film plot, it continued from the previous. After the successful first assignment as a detective, Jay Swan is sent to another small mining town to deal with a missing person case. Seems no ones are happy on his arrival, including the local cop. But his doubts about how the powerful people misusing their power makes a cop named Josh to act instantly.Almost 2 hour long film, narrated with a slow pace. Thus far of the tale are developed steadily. Since the Josh gets into investigating, the people with illegal business starts to feel the heat. Meanwhile, Jay learns a few things about his people from an old local indigenous man. Josh and Jay, they both make a progress, which leads to a step away to solve the multiple cases. The final quarter turns into an action film and leaves a big open to the story to continue."And they follow the same god. Money god."That's what I disliked. Being a long film and not able to finish it off properly makes it fall behind quite a bit long distance from the original film. But I still enjoyed it. Those locations were well used to tell the story. In fact, it kind of reminded me another detective film 'Jesse Stone'. The opening scene from this as well, kind of similar, like being drunk while arriving in a new town. Unlike that film, this is not a television film and high quality film from all the aspect. It is also considered one of the best Aussie film of the year. So if you are a film fanatic, you should not miss it.Directed by the same director and once again he managed the multiple tasks, like handling camera, editing, music and script. Predictable story, but it's not about the story, it's how the story was presented. The actors did help with that part to accomplish what the filmmaker wanted. Aaron Pederson was awesome, and now he's one of my favourites from down under. I hope like all the Aussie actors, he would also get a chance to work in Hollywood projects.The case was not detailed for us. We learn Jay is working to find the missing girl, but no flashbacks or any other kind of revelations. At some point it gives out the result in a simple, but heart wrecking way. It's more a realistic in revelation going forward than giving hints for the viewers to make predictions. Like I said, it's not as good as the first film, that's only because of the ending. I'm also not sure the same story would continue in the next part.The way it concluded might not be complete, but it is something different than the usual solution in a cop film. So you have to accept the fact than complaining it. Other than that, I'm sure it is one of the best detective films. The films, both the installments were not internationally recognised so well, but it definitely deserves that honour. It might take years people come to know, though I hope you would check it out after reading this review, only if you haven't seen it yet. Recommended!7/10
Overly curious visitors to an outback mining town are told to be careful where they step, for there are snakes around. When Aboriginal detective Jay Swan is sent by the federal government to investigate the disappearance of Chinese migrant women, he encounters the snakes. The town is full of them. This is because many town residents, including the mayor, are on the take for the mining company and for the rest, they depend on the company in one way or another. "Without the mine," says one resident "there's nothing you know." Even among the Aboriginals, Swan gets no traction in his search for the missing migrants. "Brother boy, you're a guest here like the white man," one tells him. Not only does Swan fail to find someone he can trust, he cannot even trust himself half of the time because of a drinking problem. Yet Swan's persistence and toughness begins to pay off when a town resident dies in suspicious circumstances. As Swan takes advantage of holes in the armor of the mining company and their abuse support network, he also must convince fearful, abused and bullied people to step out of the shadows.The film revolves around a timely subject; human trafficking. The migrant women in the film and those who dare to speak against the mining company, are bullied, abused and made to feel worthless and insignificant. "The world was not made for you," they are told "you were made for it. You think you can make a difference?!" And these women have good reason to be afraid and stay in the shadows. "When you find the truth," they ask the police, "what will you do? Will you protect us?" Probably not.Goldstone includes some amazing images of the outback and intriguing shots taken overhead by drones. The film is a thrilling story about an important and timely subject, and it has interesting characters, yet it feels a bit constrained. This may have something to do with budget, acting and/or depth. International premiere seen at the 2016 Toronto International Film Festival and the beautiful, historic Winter Garden theater.