The Tall Blond Man with One Black Shoe

December. 20,1972      
Rating:
7.2
Trailer Synopsis Cast

Hapless orchestra player becomes an unwitting pawn of rival factions within the French secret service after he is chosen as a decoy by being identified as a super secret agent.

Pierre Richard as  François Perrin
Bernard Blier as  Colonel Bernard Milan
Jean Rochefort as  Colonel Louis Toulouse
Mireille Darc as  Christine
Colette Castel as  Paulette Lefebvre
Jean Obé as  Botrel, Milan agent
Robert Castel as  Georghiu, Milan agent
Jean Saudray as  Poucet, Toulouse agent
Maurice Barrier as  Chaperon, Toulouse agent
Robert Dalban as  Coco, fake delivery man

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Reviews

Moustroll
1972/12/20

Good movie but grossly overrated

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SanEat
1972/12/21

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

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Invaderbank
1972/12/22

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

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Kayden
1972/12/23

This is a dark and sometimes deeply uncomfortable drama

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arthera09
1972/12/24

This was an interesting movie for me to watch. I was staying with some friends parents and the mother remember this movie being really funny. So we all watched it and I enjoyed it. I like how the movie never took itself seriously, but never moved into the realm of the absurd. I thought it was funny and had a few laugh out loud moments. The dress of course will be remembered for years and kind of summarizes the movie as a whole. The movie did not seem very well made in some parts. The shots were not framed well and the zooms were often sloppy. The camera seemed to move at unnecessary moments and it took away from the experience. This is why I give the movie a 6 and not a 7. My mom would enjoy it, but my brother would be mad at me for making him watch it. The acting was as appropriate, but nothing special. The movie felt very french and the Paris setting was very enjoyable. I am not sure if I would watch the movie again, but I am kind of glad I saw it.

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Eric Stein
1972/12/25

Pierre Richard at his best. The movie has both verbal and slapstick comedy scenes which are some of his best. Mireille Darc when she turns her back to hapless Pierre. The dead bodies everywhere (including the refrigerator). A great comedy if you can understand the French.Now finally available in a collected set of DVDs"Coffret Le Grand blond - 2 DVD Le Grand blond avec une chaussure noire - Le Retour du grand blond De Yves Robert Avec Pierre Richard, Jean Rochefort, Mireille Darc DVD Zone 2 - Pal. 2 volumes"But for the English speakers - you may have to check out the Web to find some subtitles - product available from www.FNAC.com in France.

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birchy
1972/12/26

It's been many years since I saw this one, but it just "tickled my fancy." The US remake with Hanks and Belushi was ok, but the original had more spark. (I think casting Hanks and Belushi was as close as we could get to the original with big name actors. It was like seeing your friends perform "Taming of the Shrew".) The physical comedy of the best friend makes this good story even better.

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artzau
1972/12/27

This is one of the funniest films I've ever seen. Pierre Richard is HILARIOUS! The script is tight as a mosquito's leotard and the action unrelenting. The story, based in part on a serious of government agencies play SPY vs. SPY games and bureaucratic CYA, arbitrarily pick a fall guy for their foil and who better than a musician hooked on modern music. The amazing thing is Richard's apartment where the walls are covered with pictures of modern composers, dominated by a huge picture of Stravinsky. And, the riotious aside when he tells the girl trying to pump information from him that he has a "secret." When all of the spying evesdroppers stretch their ears to hear, he announces, "Je compose." Is this some new code? They look from one another as Pierre takes his violin and warns, "Mais, elle est moderne," and launches into a chromatic allegro ala Stravinsky. The movie goes on with great slapstick abetted by the marvelous timing of Richard who is rivalled only by Peter Sellars in that means. As the other reviewer noted, there was a decent American version with Tom Hanks, who played the part a lot more low key than Richard. I've seen this movie more than a dozen times and plan to see it again soon. Each time I find some new twist that gives me an extra tickle. Check it out! On s'amuse assez avec ce film-ci!

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