A groom and his three best men travel to the Australian outback for a wedding.
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You won't be disappointed!
Powerful
The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Exactly the movie you think it is, but not the movie you want it to be.
"A Few Best Men" meets my first and primary criterion for a comedy film, that it offers many laughs. Comedy takes many forms and not every joke is right for every audience. Some will doubtlessly find the scatological humor offensive. However, the film offers a wide range of humor from burlesque physical comedy to comic irony. The filmmakers employ a range of comic techniques including running gags, 1-2-3 punches, pratfalls, sarcasm, sight gags, etc. Much of the film is familiar. It doesn't break much new ground that hasn't been explored in similar films such as "I Love You, Man," "Wedding Crashers," "The Wedding Ringer" and other comedies. But the cast approach their roles with such vitality that the material seems fresh. There are numerous similarities to "The Hangover" and its sequels. We don't actually witness the bachelor party. A tight group of four friends is threatened by the marriage of one. One of the best men is a sybaritic mischief-maker who introduces drugs into the equation. The protagonist and his three sidekicks must repair the damage they caused without the bride or future in-laws becoming the wiser. There are complications with criminal elements and identical bags are switched. But the cast and filmmakers manage to make the material seem fresh. As long as the laughs keep rolling, one doesn't stop to analyze similarities to other films. While the humor is raucous, ribald and uninhibited, it also seemed more restrained, particularly compared to the Hangover films. Some scenes felt as if they could have been pushed much further. The initial encounter with the drug dealer became weird, but could have been much weirder. A large rolling object creates havoc, but much of it is offstage and it only rolls once. We see some bare male backsides, but no other nudity and only one outfit is destroyed, although it is subjected to multiple humiliations. It would have been nice to see outtakes during the credits. Production values were more than adequate. Performances were solid with particular kudos to Kris Marshall. It would be easy to dismiss the film as derivative, but whatever it lacks in originality is more than compensated for by the energy of its performers.
This is one of those films that you know what's going to happen and you know it's going to be rather dire but you watch anyway and it's really funny. Really gross in places, horrendously dirty but it's actually pretty good. Wedding jitters, family miscommunication, reception cocaine fountain, an errant drug dealer, a runaway sheep, a suicidal best man, a lactose intolerant friend and a house on a cliff-edge... and if that doesn't make you want to see it for laughs, well, you're missing out. Good performances by everyone especially Xavier Samuel and the brilliant (also in Death at a Funeral) Kris Marshall. Rebel Wilson was a laugh and her indubitable self and Olivia Newton-John put in a star turn as the put-upon-wife-turned lush. She is fabulous!Not for you if you are sensitive to jokes of a sexual nature, bad language, or physical humour involving laxatives. Laugh out loud, cringeworthy, funny. Enjoyed it even though I had to close my eyes a few times.
Whilst I found myself laughing during this film, and feeling good for having seen it, I am frankly shocked by the crimes committed in review number 2. The script is not sharply written, by ANY stretch of the imagination. Frankly, what was clearly intended to be comic dialogue is in essence nothing more than obscenities. I walked into the cinema expecting some refreshing British wit and humour and all I received was nob-gags and slapstick. Don't get me wrong, American style humour, whilst different, is very funny when written well, but this is not on that level. My laughter was forced for the duration of this film, and frankly I expected more from the likes of Kris Marshal and Kevin Bishop. And there was so much potential for Australian cultural humour, even of the crass variety, but that well is left untapped throughout. And as for the supposed 'realism' that some reviews claim, this is possibly the most unconvincing comedy I've ever seen! Since when can positions in the Australian parliament be inherited? That said the film is rather heart-warming at times, with the central couple having a genuinely convincing chemistry. And Olivia Newton John provides a frankly staggering comic turn. But on the whole this film fell short of expectations, and is just a bit disappointing. By all means watch it if you're in the mood for cheap laughs, of which there are plenty, but don't go expecting British comedy gold because you simply will not get it.
The story is as old as the hills (a guy is embarrassed by his shameless, hopeless family on a big occasion)but quite well done.The humour is very British revolving mainly around farce and knob gags. I found it very funny and the characters frighteningly easy to relate too.The acting is mainly good, the production is more than adequate and the casting is great.The only problem I found was the movie didn't know where to sit. It was a bit too over the top for a true British situation comedy and went a bit zany but it didn't go far enough to compete with the big Hollywood spectacle comedies.It was sold to me as the Austalian Hangover which is not accurate at all. For a midweek giggle this is great. I am glad I saw it but would have been disappointed if this was my Friday night.