Best movie of this year hands down!

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

While it doesn't offer any answers, it both thrills and makes you think.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Set in the wake of the 1916 Easter Rising, a married woman (Sarah Miles) in a small Irish village has an affair with a troubled British officer. (The film is a very loose adaptation of Gustave Flaubert's novel "Madame Bovary".) Alec Guinness turned down the role of Father Collins; it had been written with him in mind, but Guinness, as a devout Roman Catholic, objected to what he felt was an inaccurate portrayal of a Catholic priest. His conflicts with Lean while making "Doctor Zhivago" also contributed. A shame, as Guinness would have added a little more to the production.Two things I feel are worth noting. One is Robert Mitchum's accent. I may be wrong, but I don't think Mitchum ever naturally had an Irish accent. He pulls it off alright, at least to my American ears. It is nice to see him here in a less gruff role than usual.Also, this somehow got a PG rating. I know the story about this happened, but really? A nude sex scene was given a PG? Granted, this is not the sort of movie kids are going to run out and rent or buy... but wow. I can understand why jack Valenti thought this was a huge mistake on the part of the MPAA.

As often happens with great talent, the public's expectations often bring the artist down with a crash. We saw it with as disparate talents as Tennessee Williams, David O. Selznick, and here we see it with David Lean.Lean was one of the great filmmakers of the 20th century, capable of doing intimate films like Brief Encounter and huge epics like Lawrence of Arabia. And therein lies the problem. How could the director of Dr. Zhivago and Lawrence of Arabia give the public anything less than a masterpiece? Well, even the greats are entitled to take on a challenge, and not everything they do has to be magnificent. Artists should be allowed to grow and expand.In doing Ryan's Daughter, Lean faced some challenges that were difficult to overcome.First, let's look at the positives. On the big screen, this must have been overwhelmingly beautiful to watch. The landscapes, the beach, the town, the incredible storm -- a feast for the eyes.Then there are sublime performances by Robert Mitchum and Sarah Miles as a schoolteacher, Charles, and his wife, Rosy. He's a simple man and not very exciting; she's a young woman with no worldly experience whose life is turned upside down when she falls in love with a British soldier (Christopher Jones) with PTSD. Leo McCrary plays her father, a gruff but weak man, and he's excellent even if he did hate making this movie. He wasn't alone. Robert Mitchum had messages to Lean delivered by Sarah Miles, and Sarah Miles was furious having to act opposite Christopher Jones.To continue with the cast, most of them are excellent, including Trevor Howard as the local priest and John Mills as the Village Idiot. The latter is the kind of role that wins Oscars, and this one followed the formula, winning one for Mills.In making this film, Lean was faced with the difficulty of the weather, which at times hung up the filming for as long as four weeks. No matter how good you are, crossing paths with Mother Nature somehow never works. The best part of this film is the storm scene, terrifying in its scope. How Lean filmed it at all is a miracle.His other problem was Christopher Jones, a total disaster. Lean cast him on the basis of seeing him in another film, but at the time, he didn't realize the actor had been dubbed. He soon learned that not only could Jones not act, but he refused to do the kind of love scenes that Lean had been eager to shoot since his Brief Encounter days, when the code was in place.Jones would not participate in the love scenes with Miles, which angered her. What angered her further no doubt was the fact that Jones apparently said he wasn't attracted to her. I guess he thought he was attending a college mixer and not there to do a job. Did he think she was attracted to him, and that's why she was willing to do the scenes? They were critical to her character, showing her in a passionate love affair, her awakening as a full woman.Lean wound up cheating the love scenes and hiring Julian Holloway to dub Jones, after taking most of his lines away from him. Jones should have been embarrassed, but he probably wasn't. I interviewed him some years ago. He was given a lot of opportunities. He blew them.Set during the Easter Rising of 1916, Ryan's Daughter is a beautiful movie, if overlong and with too sprightly music given the plot. The ending is ambiguous, but I think we can conclude what will happen.This is a story of betrayal, adultery, cruelty, passion, and love. It's not Lean's greatest. But any Lean film is worth seeing and a lot better than probably 80% of the films out there.

On the one hand, there's a fine cast, beautiful photography, serviceable music, and sensitive direction. On the other, an over-long, laborious script and stagy crowd business. There's also a rather small, intimate romance that seems to need a smaller-scale production format (like a "Brief Encounter") rather than a grandiose blockbuster presentation (like a "Laurence of Arabia").However, the film seems to be improving its image as time goes on, and David Lean's slow direction and grandiose production scale appears to be less criticized. The challenges the production experienced were formidable, from drugged and dubbed actors to injured and conflicted production personnel. Fortunately--especially for MGM Studios--the film wasn't a financial disaster.Poor Chris Jones received a public and critical pounding, which probably contributed to his abandonment entirely of the acting profession. Still, his final product came out alright--a kind of Dean/Brando quality piece of work. Robert Mitchum's against-type performance was surprisingly successful, and Sarah Miles was strong throughout.Likewise the ugly, though exaggerated, nature of the townsfolk mob contrasted well with the breathtaking landscape. In the end, the film rates about 2 1/2 out of four stars, and only time will tell whether it will further improve.

In retrospect the problems in this film grow larger than they were at the time. Though Mitchum plays the passionless schoolmaster, in real life he was said to have a low or average libido. (Some said because of marijuana, for which he was arrested) It was not long after that at Cannes that he staged the famous topless shot with an actress, perhaps to put his female admirers more at ease, that the sexy leading man lived up to the billing.The wedding night scene in this picture then becomes an incredibly bad inside joke. What curious casting, Mitchum, who looks every bit a man, plays the mooshy schoolmaster, and Jones, a pale flower of a man, can barely stand up, exudes the passion Rosy is seeking. Then of course Sarah Miles was an actress whose reputation tended to proceed her. Audiences looking at this in retrospect are laughing at her school girl shtick. Trevor Howard gave one of his most awkward performances. John Mills served to provide the cutaways whenever the action grew too tense, (not often). I saw one shot in the film which made sense, the Major looks out the window of the lorry at the Irish coastline, and Lean gives us a shot of his view, the light off the ocean, a small island, the view of a military man thinking about the land as an obstacle, an impediment. Good counterpoint.Like Kipling's Light Brigade, this film rode into the valley of film death. I turned it off rather than watch the carnage.