The Good, the Bad, the Weird
September. 18,2008 RThe story of three Korean outlaws in 1930s Manchuria and their dealings with the Japanese army and Chinese and Russian bandits. The Good (a bounty hunter), the Bad (a hitman), and the Weird (a thief) battle the army and the bandits in a race to use a treasure map to uncover the riches of legend.
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Reviews
Terrible acting, screenplay and direction.
Simply Perfect
Best movie ever!
Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.
Yet another outstanding film from director Kim Jee-woon! An all-star cast, awesome photography, great cinematography and full-on action, adventure and excitement - what more could you possibly ask for in one movie? This action packed western is fast-paced and insanely entertaining. The music was just stunning and effectively propelled some scenes forward. The entire production was simply brilliant.Although not always realistic, this is the most fun I've ever had with a movie. Some of the action scenes are just jaw-dropping! Byung-Hun Lee in particular was very convincing as The Bad. It is impossible not to be entertained!
I saw a short trailer for this Korean film at the time it was released, and then I heard it was formerly an entry in the book 1001 Movies You Must See Before You Die, it was certainly a Chinese film I was intrigued to see, from director Kim Jee-Woon (The Last Stand). Basically set in the 1930's in the desert wilderness of Manchuria, bandit and hit-man Park Chang-Yi aka The Bad (Byung-Hun Lee) is hired to board a train and steal a treasure map a Japanese official travelling on it, but before he can thief Yoon Tae-goo aka The Weird (Kang-Ho Song) steals it and gets away during the derailment of the train. Eagle-eyed bounty hunter Park Do-won aka The Good (Woo-Sung Jung) shows up the scene to claim the bounty on The Bad, but after the action he catches up with The Weird and they form a near partnership, Machurian bandits will also want the map to sell on the Ghost Market, The Weird meanwhile hopes to follow it and find what could be gold and riches gathered before the collapse of the government buried by the Qing Dynasty. The map possession becomes a battle as the various characters try to reclaim it, with bounties placed on heads and the Imperial Japanese Army apparently wanting "save the Japanese Empire", and following many chases and shoot-outs, the final battle takes place the army, the Manchurian bandits, The Good, The Bad and The Weird all gathered all at once. Most of the bandits are killed by the Japanese army, many of the troops of the army are killed by The Good and an explosion drives the rest away, and the gang members of The Bad are slowly killed off while the leader himself kills the rest who try to get away, and after all this only The Good, The Bad and The Weird remain to find the "treasure", which turns out to be nothing more than a boarded over hole in the desert. The Weird is recognised by The Bad and the "Finger Chopper" who cut off his finger off five years ago, The Good assumed The Bad was this criminal, in a final act of vengeance on each other for their slights the three characters turn on each other in a prolonged Mexican standoff, and other their guns fire they all lie in the sand dying, after a few moments this "useless" erupts with valuable crude oil, The Good and The Weird survive, but a new bounty is put on The Weird and a new chase is on. Also starring Seung-Su Ryu as Man-Gil, Zhang Qi as Deligeer, Yun Jae-Mun as Byeong-Chun, Sohn Byung-Ho as Suh Jae-Sik and Song Young-Chang as Kim Pan-Joo. The three actors playing the title characters were all chosen well and look the parts, the story is perhaps a little less thought out as the fight and chase sequences, but it doesn't matter, this works as a really cool and amusing homage to the classic Sergio Leone Spaghetti western trilogy, put in a new scenario and culture, with more explosions and stunts, and the finale obviously works best, overall it's a fun period action adventure. Good!
Great movie. Of course, with plenty of violence and gore but also fun. I've seen many Korean movies and this one is near the top (nothing can top the "Old Boy", ever). Great cast, almost perfect direction, editing, camera...anything. You can even disregard some accidental blood spray on the camera lens here and there. You even forget that you don't understand the language (not being Korean, and occasionally Japanese or Chinese, of course). So, if you want to spend a bit more that two hours really enjoying the art of making movies, go for this one. It doesn't matter if it is some sort of an eastern western or... something. It's that good and even better. Hollywood can really learn from Koreans (although there are a lot of references here to the Hollywood classics and even Italian "spaghetti westerns"). The mix-up of almost everything you've seen in other movies here functions perfectly. The only thing that's missing is SF genre, but Koreans do not sleep. Can't wait for their next project, whatever it may be. Absolutely recommended.
This is a stunning visual film to watch. The cinematography is exceptional through-out the movie. The framing, the lighting and the colors are outstanding. This alone makes the movie a joy for me to see.The problem with the film is that it lacks depth. The director uses archetypes from the Italian Westerns of the 1960s and 1970s. Some of the dialogue and action is lifted directly from Sergio Leone's "man without a name" opus. Most obviously The Good, The Bad and the Ugly; but also a heavy splattering of the others. The problem is not the reworking of Leone's work, but I do not think the director quite understands how to work subtext into his script. In fact, the director leaves far too much exposition to the end which makes the movie drag at the end of the epic battle scene (I thought this might be a cultural issue, but I do not know if it is).Another thing that bothers me (and here comes my western sensibilities), I know stunts.... and there were horses hurt during the filming of the battle scene. The reason I say this is that I could see trip wires. So for the photography I give this film 6 points out of 10. I also suggest that the director rent some of the Ford Westerns. As good as Leone was Ford was better.