Dog Days

September. 03,2001      
Rating:
7
Trailer Synopsis Cast

Vignettes of the lives of several residents of a Vienna suburb during a heat wave.

Maria Hofstätter as  Die Anhalterin
Alfred Mrva as  Der Mann für die Sicherheit
Franziska Weisz as  Die Freundin des Opel-Freaks
Christine Jirku as  Lehrerin und Geliebte von Vikerl
Georg Friedrich as  Angetrunkener Freund von Vikerl
Claudia Martini as  Die geschiedene Frau und Freundin des Masseurs

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Reviews

Mjeteconer
2001/09/03

Just perfect...

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StyleSk8r
2001/09/04

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

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Jenni Devyn
2001/09/05

Worth seeing just to witness how winsome it is.

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Dana
2001/09/06

An old-fashioned movie made with new-fashioned finesse.

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M A
2001/09/07

The problem I find with this title is that I am not sure if the director is trying to produce a documentary or movie. A blend of the two genres just doesn't work and that leaves the whole thing hung in the middle of nowhere. This is more so as the director has picked the most extremes of what is supposed to be happening around our everyday life making it an unconvincing documentary. If it is meant to be a thriller/drama this is too dull and monotonous. In either case, what is the moral or the message which the director is trying to convey to the audience? That around us there are people who ill-treat others who are willing to be ill-treated? That there are many crazy lunatics around us? So..........so what?

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borkoboardo
2001/09/08

Being an Austrian myself this has been a straight knock in my face. This movie tells a story about how misled people who suffer from lack of education or bad company try to survive and live in a world of redundancy and boring horizons. A girl who is treated like a whore by her super-jealous boyfriend (and still keeps coming back), a female teacher who discovers her masochism by putting the life of her super-cruel "lover" on the line, an old couple who has an almost mathematical daily cycle (she is the "official replacement" of his ex wife), a couple that has just divorced and has the ex husband suffer under the acts of his former wife obviously having a relationship with her masseuse and finally a crazy hitchhiker who asks her drivers the most unusual questions and stretches their nerves by just being super-annoying.After having seen it you feel almost nothing. You're not even shocked, sad, depressed or feel like doing anything... Maybe that's why I gave it 7 points, it made me react in a way I never reacted before. If that's good or bad is up to you!

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b1lskirnir
2001/09/09

Earlier today I got into an argument on why so many people complain about modern films in which I encountered a curious statement: "the character development in newer movies just isn't nearly as good or interesting as it used to be." Depending on the film(s) in question, this can be attributed to a number of things, sometimes generic special effects and plot-driven Hollywood garbage like War Of The Worlds, but in the case of over-the-top, uninteresting attempts at social commentary and a desperate struggle to put "art" back into cinema, it's movies like Dog Days that are to blame.I normally have a very high tolerance for movies, no matter how dull or pointless I find them (ranging from good, long ones like Andrei Rublev and Dogville, to ones I've considered painful to sit through a la Alpha Dog and Wild Wild West). I shut this movie off 45 minutes in, which is 30 minutes more than I actually should have. I wasn't interested in any of the characters whatsoever and found nothing substantial beyond a thin veil of unfocused pessimism. In an attempt to say something about the dregs of society, this film too easily falls into being self-indulgent, trite, and exploitative in a very sincere sense. Granted, I've seen many disturbing movies on the same subject, but there are so many better films out there about depressing, pathetic people (Happiness, Gummo, Kids, Salo, Storytelling, Irreversible) that actually contain characters of great emotional depth and personality. Dog Days had none more than an eighth grader's distaste for society, choosing to ignore any true intelligence about the way people actually are, and instead choosing to be a dull, awful, and hopelessly unoriginal attempt at a work of "art." This isn't a characterization of the unknown or a clever observation into the dregs of society, it's just boring and nothing worth caring about.

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writers_reign
2001/09/10

Well, here we are again, sports fans, Amateur Nite In Salzburg. Somewhere out there there are people with money to burn, usually guardians of 'lottery' money, and if YOU come up with an idea that is mindless, crass, outrageous, vulgar preferably all at once then you too can become a film director. In this case some case of arrested development has hit upon the original idea of filming six stories that seek to outdo each other in banality and calling it a screenplay. You want a psychopath beating up his girlfriend and/or any man who dares to look at her -quite a trick NOT to when she works in a strip joint - we got it, you want a retard whose life is devoted to hitching rides and then boring the drivers to death with incessant banal chatter, we got that, too. Ya wanna see the retard get raped, boy, did YOU get a RIGHT number. You want me to go on? If yes just how sick are you. What a load of drek. -10.

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