When a faun named Mune becomes the Guardian of the Moon, little did he had unprepared experience with the Moon and an accident that could put both the Moon and the Sun in danger, including a corrupt titan named Necross who wants the Sun for himself and placing the balance of night and day in great peril. Now with the help of a wax-child named Glim and the warrior, Sohone who also became the Sun Guardian, they go out on an exciting journey to get the Sun back and restore the Moon to their rightful place in the sky.
Similar titles
You May Also Like
Reviews
I like the storyline of this show,it attract me so much
Please don't spend money on this.
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
The acting in this movie is really good.
This movie is straight up eye candy, right up there with Disney & Pixar productions. I watched Mune with my 4 year old and was instantly drawn to the beautiful animations. There were major Salvador Dali & Hayao Miyazaki influences in this dream world. I really can't praise the animators enough for the beauty they created in this film The story was lovely, despite some of the characters falling into cliche stereotypes (looking at you Sohone)This is a movie I would've loved to have seen as a kid and I am really glad I was able to enjoy it with my own child. Highly recommended for families to watch together, just know that there are some scary scenes so be prepared to reassure sensitive children that the good guys will overcome the bad ones.
A standard collection of cliché characters (featuring Smart Girl, Awkward Boy, Arrogant Man, Sneaky Man and fearful, judgmental parents) are immersed in a kooky fairy tale world and given kooky fairy bodies. The computer graphics are passable but extra colorful, and the storyline is cobbled together from a random series of errors, without meaning or pathos. It's creepy enough to frighten sensitive children, it's freaky enough to disorient guileless children, and irrational enough to unbalance sensible children. The dreary jumble of scatterbrained and foolish scenes are not worth the effort it would take to stitch this puerile mass into a workable mythology. This movie demonstrate that dressing up a boilerplate teen movie with bizarre CGI cannot save it. This is why Pixar movies are so beloved; they drench their movies with plot. The creators of Mune, so intent on blowing the minds of kids with today's state-of-the-art CGI, skimped on plot. Thus, we are left with another forgettable art project, and as the state-of-the-art CGI advances there will be nothing of value left at all.
"Why try to take the Sun back?" "e...To impress the ladies."--In my opinion, this is the typical French romance.The film without luxuriant CG special effects, Just rely on the simple and even sketch drawing style, Make the audience into the magic world of the film build.And all this is by the imagination of the script.In my mind,There are the two films is also like this as a core value of imagination,"Monsters,Inc.(2001)"and"Inside Out (2015)".Of course,"Inside Out"apparently more profound.and this film is suitable for children under the age of 12.Given the Monsters,Inc. the score of 8.1, and I think to 7.8 is relatively appropriate for "Mune".
7.75 of 10. Stylistically and in terms of the quality of animation and imagery, one of the best recent cartoon films. The story is pure fantasy and works as sort of new a fairy tale clearly for children but with various themes that make it enjoyable for everyone in a family and certainly safe enough for kids to enjoy alone.The deeper messages of the story involve the complexity of the universe and the benefits of working positively with one another as opposed to alone with minions doing your bidding under the threat of your power. The other ongoing message is a softened version of curiosity killing the cat. Curiosity here is both good and can get you into serious trouble, as can over confidence, arrogance, and too much power.The story and cartoon is all woven together, as is the cartoon within the cartoon. It also makes beautiful use of new voice actors as opposed to relying on stars. It deserves to catch on as an underground classic that the critics and production corporations failed to identify and properly distribute.