40 Days and 40 Nights

March. 01,2002      R
Rating:
5.6
Trailer Synopsis Cast

Matt Sullivan's last big relationship ended in disaster and ever since his heart's been aching and his commitment's been lacking. Then came Lent, that time of year when everybody gives something up. That's when Matt decides to go where no man's gone before and make a vow: No sex. Whatsoever. For 40 straight days. At first he has everything under control. That is until the woman of his dreams, Erica, walks into his life.

Josh Hartnett as  Matt Sulivan
Shannyn Sossamon as  Erica Sutton
Paulo Costanzo as  Ryan
Vinessa Shaw as  Nicole
Maggie Gyllenhaal as  Sam
Adam Trese as  John Sullivan
Griffin Dunne as  Jerry Anderson
Emmanuelle Vaugier as  Susie
Glenn Fitzgerald as  Chris
Barry Newman as  Walter Sullivan

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Reviews

Lawbolisted
2002/03/01

Powerful

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Plustown
2002/03/02

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

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Bob
2002/03/03

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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Josephina
2002/03/04

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

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Davis P
2002/03/05

This 2002 josh hartnett sex comedy revolves around his character just breaking it off with his girlfriend Vinessa Shaw and not being able to get over it, so he decides to go on a 40 day vow of celibacy. Of course this is already extremely hard for any person who normally has sex (self or with another person) on a regular basis. But it becomes even more difficult and complicated when he meets the woman of his dreams. Enter Shannyn Sossamon. They immediately hit it off when they meet and the two actors do have pretty good on screen romantic chemistry. I liked most of the performances in this movie. It features Vinessa Shaw (hocus pocus) as his ex girlfriend that caused this whole celibacy thing and it also has a young Maggie Gylanhaal. The plot is pretty predictable, well except for one event that takes place in the last act, something I didn't really care for, kinda disturbing in my opinion. The dialogue is thankfully free of any anti gay or sexist language. I was kind of surprised by this since typically movies like this which features a lot of male sexual talk usually has slang of a discriminatory nature. But thankfully josh hartnett's character is a good enough man to rise above crap like that. The movie doesn't really cover any new ground or surprise at all, but I was mostly entertained while watching it. I'd say if you like sex comedies but want one that's not as horribly crude as Van Wilder and doesn't have offensive language then this one may be for you. 7/10.

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D.L. Polonsky
2002/03/06

Hollywood writers are largely egotistical, juvenile, spoiled, shallow, hedonistic, amoral, arrogant, and totally disconnected from the day-to-day world most of us "nobodys" live in. Once in a great while, something seeps into the scripts they write that's so extreme in it's reprehensibility it reveals their delusional view of the world. That's what happened with this movie, but since it wasn't a wildly popular blockbuster that was in the theatres for several months, it was mostly ignored. At the end of this movie a man is raped by a woman in a context that makes it clear that the writers think it's a good thing. Knowing the stupid plot of the movie doesn't make it any better. Matt (Josh Harnett) just had a bad break-up with a girl and decides he would get a better perspective on women and relationships if he went without sex during the 40 days of Lent, including kissing and masturbation. He meets a woman, but continues his experiment in sexual abstinence without explaining his experiment to her, just saying he wants a platonic relationship. I'll admit I didn't follow every detail of the plot and sub-plots (he's some kind of executive and has a lot of obnoxious roommates and co-workers) but I figure nothing could justify the rape at the end. There is a sequence where he's so aroused and frustrated he dreams he's flying through a landscape of CGIed breasts, which I guess is relatively imaginative. Near the end of the movie he goes to bed, as always handcuffed to the bedposts so he can't masturbate. His ex-girlfriend gets on top of him and RAPES HIM! If the sexes were reversed there'd be a public outcry about this movie that would be pretty considerable even though the movie wasn't extremely well- known. I think what the so-called writers think is that men having sex whenever they can get it and perpetually pursuing sex like mindless animals the rest of the time is the natural order of Nature and any man who goes against that is denying nature and is not a real man and deserves to be FORCED back into sexual activity, in other words deserves to be RAPED. In their minds, the abstinence is the twisted thing and the rape is the healthy thing. Of course movies are primarily entertainment and some people, mostly women I guess, would get a kick out of seeing a healthy, good-looking young guy constantly horny and teased and frustrated, but the movie doesn't even work on that dark level because Hartnett doesn't react the way most men would. Most of the other characters in the film are shallow, obnoxious twenty- somethings who act like 12-year-olds and I can't help thinking that this must be pretty close to what the writers act like. There are a lot of jokes about embarrassment over having erections at work. This isn't the worst movie ever made - that honor I think belongs to "Forrest Gump" - only because "40 Days and 40 Nights" is useful in the way it reveals the society-induced mental disorders of the "writers".

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TheLittleSongbird
2002/03/07

The only good thing really I can say about 40 Days and 40 Nights is the soundtrack, especially the use of Recondita Armonia(from Tosca) performed the wonderful Jussi Bjorling. The rest though is a mess. The scenery is decent, but the editing could have been much tighter and the photography more fluid. Josh Hartnett and Shannon Sossaman are charming to look at, but they are rather awkward and never are believable together. It's not their fault though, they struggled with a flat predictable story, a bad smutty script, uneven pacing and especially shallow characters. What spoilt this movie the most was the ending, which is the most terrible and most insulting ending I've seen in a long time. In conclusion, an awful movie. 1/10 Bethany Cox

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aroberts-666-13563
2002/03/08

This movie is awful on so many levels, it's difficult to choose what to focus on. First of all, the main characters are horribly underdeveloped. Josh Hartnet's character hardly speaks throughout the movie, and while Erica, his new love interest, does a decent job expressing her "sensitivity" through her body language, her character is equally undeveloped. And while Hartnet's character may be a heart throb, do girls really throw themselves at guys so hard and fast that it's that difficult to turn down sex? If this movie was meant for teens, then the producers did young people a horrible injustice by making twenty-something life look so shallow. In the beginning of the film, he's getting tail like its on sale at Costco. The caricatured version of a hot, male bachelor's life makes the movie unbearably cartoonish. SPOILERS: Then, when Erica and Matt (is that Josh's character's name?) they fall in love so fast, after one date. This is problematic because Erica is SOOOOO upset when she learns about his "vow". Why wouldn't they just have a calm conversation about it and her ask why he's doing what he's doing? It's not like they know each other that well. OK, and the orgasm scene with the flower--meant to be hot, was embarrassing and contrived. I could imagine that scene being very hot, but something about the way the actors acted it made me blush in embarrassment—not because it was sexually arousing, but because it wasn't. Matt's ex-girlfriend is equally caricatured, and dumps him for a rich young partner at Stanley Morgan. Finally, SPOILERS: the RAPE SCENE AT THE END. What the hell?? I can't believe the producers put that in there—not because it wouldn't ever happen, but that Matt blames himself for it. Is Matt really that much of a screwed up catholic? And the final scene when Matt talks about how he just kept screwing up and screwing up. How did he "screw up?" everyone else seemed to--his jackass friends for betting on his celibacy, but not him for "taking a break." Finally, one last stab at the movie—it just wasn't funny. I laughed hard once (can't remember when), but that good chuckle didn't make up the piece of crap this film is.

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