I don't have all the words right now but this film is a work of art.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

One of the worst ways to make a cult movie is to set out to make a cult movie.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

This is a really good episode of this franchise: it used to be a classic french comedy for family but i see now that my nephews find it lame. Honestly they lack taste because here the production is top notch to build the mythic Scottish land of ghosts! In addition, the story is really funny and mischievous especially with Fufu being afraid of ghosts that don't exist! At last, Fantomas is the type of villain as good as Darth Vader: evil, scary look, 100% serious and very pompous. So you are really into this strange land and you are gripped by its mystery and fun!!

Fantomas goes communist? Well, not exactly. Although he taxes the rich heavily, he does not intend to re-distribute their wealth - he prefers to keep it all for himself! This third and last mid-1960s "Fantomas" film is mostly set in and around a Scottish castle, which automatically means that Inspector Juve will wear a kilt and be scared by fake ghosts. Much of the comedy is long, loud and labored, which is unfortunate, because Louis De Funes does show that he could pull off more subtle comedy, like he does in one scene where he tries to snatch some jewels. There is one exciting action scene - a horse chase - though this time, unlike what happens in the 1964 "Fantomas", Jean Marais' high-flying stunts are obviously doubled. Mylene Demongeot has a little more to do here. The finale leaves the door wide open for another sequel, but it never materialized. ** out of 4.

This is undoubtedly the least of the series (and is saved from a ** rating by a hair): Fantomas is back to his old tricks, deciding that the time has come to tax the higher echelon of society of a good chunk of their wealth (no doubt the common people would applaud his efforts) - but, by now, the formula had grown pretty tired and the comic relief, regrettably, had practically obscured the romantic couple's purposefulness! Still, why the setting has been changed to Scotland (of all places) is unclear, especially since Scotland Yard only really comes into play at the very end! What we get, in fact, is a lot of old jokes about ostensibly haunted castles, disappearing corpses and frightened manservants - with Louis De Funes' Commissioner Juve in the thick of it! - which are better suited to a Bob Hope or Abbott & Costello vehicle rather than one concerning the exploits of an iconic criminal mastermind!!; there's even the traditional fox-hunt which Fantomas disrupts by throwing in his own dog (barely disguised in fox furs) as a decoy! Finally, the master criminal exits by way of a shuttle fired through the castle tower: how he managed to get it inside unobserved (and keep it from being discovered by the owners and their numerous guests, including our intrepid heroes) is anybody's guess! Unfortunately, then, the series ends on a bit of a whimper but it's sheer fun nonetheless and, ultimately, that's what really matters...

I´ve seen this movie about three times and I´m convinced that it is better than the two others.But a very good film about "Fantomas" is still missing.Unfortunately there won´t be another one with great Louis De Funès and Jean Marais.