Carrie
November. 03,1976 RAn awkward, telekinetic teenage girl's lonely life is dominated by relentless bullying at school and an oppressive religious fanatic mother at home. When her tormentors pull a humiliating prank at the senior prom, she unleashes a horrifying chaos on everyone, leaving nothing but destruction in her wake.
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Reviews
It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.
It’s sentimental, ridiculously long and only occasionally funny
Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
An old-fashioned movie made with new-fashioned finesse.
Carrie White, daughter of a religious fanatic mother, is a shy and awkward teenager. When her first period takes place as she showers after gym class she is terrified as her mother had never taught her about such things; the other girls in her class torment her. As her teacher tries to comfort her a lightbulb bursts... Carrie's latent power of telekinesis has been awakened. The girls in her class are punished for their actions; after which one of then determines, with the help of her boyfriend, to humiliate Carrie further to get revenge. Another suggests to her boyfriend that he should invite Carrie to the prom to make up for what they did. Back at home Carrie's mother is unsympathetic and tells her that her period is a sign that she was having sinful thoughts. As she grows to understand her new powers she gains the confidence to stand up to her mother and accepts the invitation to the prom... needless to say the night does not end well.This is rather unusual amongst horror films in that the person who has supernatural powers and ultimately uses them to kill people isn't the villain of the story but its victim. The villains are Carrie's classmates and her mother; the first group are just very unpleasant, for the most part, but her mother is truly disturbing with her absolute faith. The film doesn't rush to get to the horror; instead it gradually raises the tension; clearly signposting the fact that something will happen at the prom. Not all of the characters are black and white; until it becomes obvious I wasn't sure if the boy who invited Carrie to the prom was being genuinely nice or part of the scheme to humiliate her. When the violence starts it is perhaps a little too comic but that could be due to effects that while not bad don't feel quite real. The cast does a solid job; especially Sissy Spacek in the title role and Piper Laurie as her mother. Overall I'd say that this is a classic of the genre so a must see for horror fans.
If you haven't seen it, then you've atleast heard of it. The moment a timid innocent girl is titled prom queen before she causes catastrophic chaos nearly wiping out her entire year group. Best. Prom. Ever. Glitzy sequin dresses aside, there are subtle subtextual layers that really elevates this supernatural horror into classic status. A shy bullied girl named Carrie White is invited to prom, however she soon discovers that she has the power of telekinesis. The coming-of-age tropes outweigh the horror elements, granted there are scenes of gore and supernatural violence but these are incredibly dated now. It's how Carrie evolves as a young girl that truly captivates. Her first period, dealing with her fanatical religious mother and overcoming bullying, for its 98 minute runtime you see Carrie rapidly evolve as a character. The religious allegories that are presented, Carrie and her mother depicting Satan and Jesus respectively, works well the themes of maturity and motherhood. It's a spellbinding human portrait, expertly directed by De Palma. That prom scene was nothing short of genius. The five minute rotational dance sequence, the over excessive slow motion, cross cuts and excellent use of props. The whole narrative built up to that final act, and it did so with bravura. Spacek gave an expressive performance, intelligently using her eyes to capture the fury and anger within Carrie. But it's Laurie who steals the show, professing her adoration for God and repenting her sins by abusing Carrie. Their final scene together was poetic. Cohen's screenplay surprisingly embeds tongue-in-cheek humour, particularly with the character of Miss Collins, making the first act feel more like a teen high school film. The sudden shift in tone later on felt seamless. De Palma did use some detractors, his utilisation of slow motion stretched out the prom scene substantially yet adding nothing. Also further exploration into the motherly bond with Carrie would've made for a more sinister turn at the end. However this still remains a supernatural classic.
Very well done. Sissy Spacek gave an excellent performance and Brian De Palma directed this movie fantastically. This was scary, sad, and definitely a classic to the horror movie genre.
High school student Carrie White has grown tired from enduring her life of oppression and torment under the tampon-throwing hands of her fellow classmates, the apathetic ruling of her school authority, and the maniacal punishment of her pious mother. As Director De Palma makes sure the audience is fully aware of our protagonist's hardships and consequent psychological states, he avoids a simple story where a demonized monster brings harm to innocent lives. Carrie's telekinesis abilities develop alongside her womanhood, and she becomes able to powerfully assert her justified agony onto those who mistreat her...and onto everyone else in her world. Furthermore, this movie presents us horror with a source that is not unknown, the most notable being religious extremism, social cruelty, and the persecution of femininity. Lastly, the movie does a fantastic job in constantly manipulating us as viewers into thinking things are safe. Warning: it is all a trap, because this is a twisted story where hopeful aspirations lead to the most terrible outcomes. For being blatantly but intelligently horrific with significant allusions to our societies treatment of womanhood, I give this movie a 7/10.