Fresh and Exciting

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

Worth seeing just to witness how winsome it is.

Well, the thing about the movie is that it has great animation, stories, representation, suspense, concept and thrill…. But well, all though it will make you think, rethink, contemplate and stick to till the end enjoying the film to the last bit….. But the thing is you won't make anything out of it. Cause the doesn't show a story but a couple of them. It's basically a side addition to the Matrix series and if you wanna understand this anime…. You gotta watch the Matrix series first….So don't watch this before you watch that….But don't dare to miss this after watching the Matrix series.... It goes everywhere the film didn't.... It's totally worth the time....

It's rather hard to talk about a show like this because it's mostly like a range of different episodes. They may all contain the Matrix like style but there really isn't much that connects them. From the story to the animation, each part is different and told in its own way. The movie gets more and more confusing as the stories keep going, making it hard to get what is going on. There isn't an indication of if you are inside the Matrix or outside it. All I could understand was how pretty the animations were at points and how 'crappy' they were in others. The whole mix of samurai to space age, to computer simulations that look so real that it could be live action, all of that just seemed a little overboard.Question, why does it start out with a man and women undressing each other with katanas? Is it just for sexual looks or is there actually a reason for it? Can someone answer this part for me? The animation was all over the place from CG to Cartoon, to whatever. I felt rather bombarded by all the different art styles just as it happened in 'Dante's Inferno: An animated epic'. The only thing that saved this a little was that the stories were not all linked to one storyline like Dante. When I say Crappy artwork, I don't mean bad artwork. I just mean stuff that really doesn't look right in my eyes. The style that is so loaded with detail that you can see almost every line in the face right next to stuff that is very simplified. I may not be using the right word for it but I have no other idea what to use for it. Now the detail work pretty much is nice in the CG part, but I thought it never worked in the cartoon part of the show.The voices are actually pretty well done and one of the only fluid parts of the show. They have voices that work out rather well for the mood that the 'scene' is trying to show. If it's intense, it sounds intense, if it's slow, it has that feeling. Some of the characters sound like they were voiced by some of the voice actors that were even in the matrix itself.

Fans of the original Matrix trilogy might worry that this is just 'The Matrix Cartoon'… thankfully it isn't; it may be animated but it isn't cartoony. The nine short serve to add to the original films; showing us more of life in The Matrix and explaining its origins.Each of the stories is animated in a different style; the first is CGI that one could almost mistake for live action at times and the next seven are anime; their style will be familiar to fans of Japanese animation although each story has its own distinct look. The final story was created Korean; not a source of animation I'm familiar with; I don't know how typical this was but it was certainly interesting if a little bit trippy!The stories are short but satisfying. There is no connection between them, with the exception of 'The Second Renaissance Pts. I and II. Most are fairly dark in tone but not all; 'Beyond' was quite delightful as a group of children played an a faulty area of the town where glitches in the Matrix enabled them to do amazing things.The styles of animation may have been highly varied but it was all of a high quality as was the voice work. I suspect it would be less enjoyable if one hadn't first seen 'The Matrix' although 'The Second Renaissance' serves to explain the origins of the Matrix in a way that adds nicely to the original and 'Last Flight of the Osiris' is a fine introduction to the events seen in the final two parts of the trilogy.

I don't remember what happened, but The Animatrix basically got lost in the shuffle for me back in 2003 when it came out. I'm a fan of the Matrix series and have definitely had to defend it from time to time against people who've decided that they don't like so many people agreeing that a movie is smart, so therefore argue that it's not, and after all, the sequels don't really help much on that regard. But all that aside, it's taken me a long time to actually get around to view the stuff that's supposed to branch out the world created by the Wachowskis.I'd say it's something to be proud of. It's really nice when creators who homage something get the honor of being homaged back, and the range and versatility of these animations certainly do them honor--none moreso than the quality. The variety of styles and approaches in the animation make this collection consistently interesting, and in some cases are so good its easy to forget one is watching an animation (and not just for "The Final Flight of the Osiris", either...).The stories range from histories to sub-narratives in the regular Matrix storyline to surrealistic explorations of the world created by The Matrix. They are not necessarily tied to the same worldview and theme, and "The Second Renaissance" definitely gives some empathy to the machines, who have largely been faceless enslavers and murderers in the main storyline. For some reason, there's quite a lot of women walking around in their underwear, which is probably to keep the male non-fanboys interested, and quite a lot of animations feature a moment of epiphany with blood, which gives a sort of abject theme to the mix (I am reminded that one of Neo's first actions upon waking up in the first "Matrix" was to vomit, which ties into that old quote "You need to throw up to realize you're alive").I think The Animatrix is, as a collection, better than both Reloaded and Revolutions. Individually, they range in quality, but most of them are really good. The best thing about all of them are the ways in which the styles of animation play with the surreality inherent in the world that the Wachowskis created.--PolarisDiB