Boring

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Two childhood friends who are free divers, one of whom has the almost supernatural ability to adjust his heart rate so that his vital signs are closer to a dolphins than a human, meet up after many years and take part in a contest to see who can dive the deepest without scuba gear. Love and friendship vie with the competitive spirit and the allure of the ocean to complicate matters.The Big Blue is another product of the 80's French film movement, the cinéma du look. These films were typified by their adherence to cinematic style over dramatic substance. Director Luc Besson was one of the leading film-makers in this category and The Big Blue is perhaps his most personal film. It is slightly unusual for a Besson movie in that it isn't action-oriented in the traditional sense. The sport angle does of course have an element of drama but it's never really the focus at all and there isn't truthfully much tension in these scenes really. The story essentially focuses on a man who makes a choice between the friendship of a peer, the love of a woman or the elemental draw of the sea. The latter choice wins out quite clearly with the central character having an almost spiritual infinity with the ocean. Some of the underwater sequences here are beautifully presented and the cinematography in general is nice. It's a good looking film, yet despite being about deep water divers it does have a certain lack of depth dramatically. This isn't necessarily an issue for me but it does mean that it's two-an-a-half hour runtime does seem definitely excessive. This is not a story that required the epic treatment to be honest. Acting performances are generally good enough to engage though. Rosanna Arquette appears in a fairly under-written role but I thought she was still quite adorable and only went to serve further the oddness of the central character's decision in rejecting her for a life with the dolphins. On this note, we have an interesting and somewhat depressing ending which veers into dream-like fantasy territory - it's a bit of a downer of a denouncement, yet it is true to the material so I shouldn't complain too much over this. Ultimately, this is definitely an uneven and overlong movie but, like most of the others in the cinéma du look sub-genre, it improves with a re-watch and is certainly somewhat distinctive.

Movie Review: "Le grand bleu" (1988)Being the opening film of the Cannes Film Festival on May 11th 1988 in its 41st edition, young, talented and promising director Luc Besson, not yet 30 years of age, already coming to full flourishment in proper exercised cinematic language in color, camera motion and acting beats with fellow casting members Jean-Marc Barr, Jean Reno and Rosanna Arquette struggling within the element of water to find purpose in life, concerning deeper and deeper pushed limits in open water free diving challenges, when suspense works to hyper-realistic conclusions beyond the usual love theme under an hypnotic soundtrack by exceptional composer Eric Serra alongside Besson's directions of utmost passion for his source material felt in every scene of the motion picture.Copyright 2018 Cinemajesty Entertainments LLC

The film starts with an island view in black and white Greece. Throughout the film I encounter wonderful scenes. Blue color is peaceful and watching the endless expanse of the Mediterranean is enjoyable. I was very happy for acting. I think that people who are interested in diving and the sea should not go on without watching. The final scene was very impressive. It is a very beautiful film that brings happiness and sadness together.

In 1965 Greece, Jacques Mayol and Enzo Molinari are childhood rivals in freediving. Jacques loses his father in a diving accident. In 1988 Sicily, Enzo (Jean Reno) is an arrogant diver for hire with Roberto. He wants to challenge Jacques. In Peru, insurance adjuster Johana Baker (Rosanna Arquette) visits Dr. Laurence's icy research station after an incident and falls for diver Jacques (Jean-Marc Barr). She lies to her boss Duffy (Griffin Dunne) to follow Jacques in his reunion with Enzo at the World Championship of Freediving in Sicily.I'm not sure which version I saw. I don't like the flighty Johana. I would preferred concentrating on the relationship between Jacques and Enzo. Anyways, why can't she simply be a tourist in Sicily. Her slightly off-center sensibility seems wrong. I don't like the insurance side trip and chasing a man she barely knows halfway around the globe by lying and stealing from the company. Sometimes, Luc Besson has that off-center sense of humor which usually works well with his energetic action style. This is far from an action movie. The underwater diving adds a zen quality. Jean Reno is great as usual. Jean-Marc Barr was a newbie by comparison at the time. He's a little stiff. I don't think this movie works (at least not the version I saw).