The Idomeni refugee camp housed people from the Middle East who were trying to cross the border into Europe. When the Greek police closed the camp, the refugees resisted and blocked a railway line used to deliver goods. Maria Kourkouta’s minimalist documentary not only observes these events but also presents carefully modeled static images that open up the space within and without the frame of view, and in the closing black-and-white sequence offers a poetic commentary. The result is a bleak portrait of a place where endless lines of refugees try to preserve the final remnants of their individual freedoms. “This film is a call to welcome the refugees that cross the European borders, as well as the ghosts that return with them.”
Reviews
People are voting emotionally.
it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
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