It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

If you've ever experienced an emotionally abusive relationship, this movie will probably ring true. I was intrigued by the way Laura was portrayed: not as a villainous one-dimensional abuser, but a woman in pain and inflicting pain. Evan Rachel Wood and Julia Sarah Stone had a great frenetic chemistry. Wood's obvious mental fractures and Stone's fear/sympathy combined to make a potent tension throughout. Many long, thoughtful silences and static shots. The camera work was brilliant. This isn't one of those films you'd pop in the DVD player on a Friday night, but I would recommend it for anyone seeking a quality character study.

Evan Rachel Wood stars in this twisty erotic thriller about a cleaner who strikes up a friendship with a client's daughter.A woman sits up and inhales. This is the first thing we see in Allure, the feature debut of brothers Carlos and Jason Sanchez, previously best known for their work in photography. "What the hell's wrong with you, you crazy bitch!" a man tells the woman, after they have had disengaged, violent intercourse that puts her very much on top and leaves him feeling exploited and emasculated.Allure may open with a sex scene, but it is defiantly unsexy: mechanical, angry, abusive, and ending abruptly in the frustration of both participants. The woman is 30-year-old Laura (Evan Rachel Wood), a house cleaner working for the company owned by William (Denis O'Hare). When we first meet William, he seems to be an old ex of hers - but we soon learn that he is actually her father, anxiously indulging her destructive sexual behaviours with co-workers and others out of familial obligation. "Anyone else would be fired for this," he says - but he keeps her on, and keeps an eye on her.Meanwhile, Laura is drawn to 16-year-old Eva (Julie Sarah Stone), who is deeply unhappy that she must move in with the new boyfriend of her cosseting mother (whose house Laura cleans). "You don't have to let your mother make your decisions for you, or control your life," Laura reassures Eva, with an irony that will only gradually become apparent, and so she encourages Eva to move in with her instead, without telling anyone. As police search for Eva, Laura shifts from being cool big sister to controlling mother - with an inappropriate sexual element coming between the women as well - and Eva finds herself a prisoner, physically but also psychologically.Allure is the story of an abusive relationship (or of two, actually). For as we watch Laura manipulating, gaslighting and emotionally blackmailing her confused and sexually inexperienced young ward, it is clear that this is a replay of Laura's own traumatic loss of innocence. If Laura, in all her isolation and conflicted neediness, becomes 'sugar mama' to Eva, she also has a sugar daddy who is giving her employment and accommodation both to assuage his own guilt and to keep her close.Shot by Sara Mishara in (mostly) long shots and subdued colours, Allure adopts a certain clinical distance from its three main characters which somehow - paradoxically - both eschews moral judgement and invites sympathy. Everyone here is caught in the toxic damage of someone else's desperation, and although the film is for the most part rigorously realist in its presentation, occasional shots of someone (it is too dark to tell who exactly) sinking and drowning in liquid shift the film's themes of emotional suffocation to the realm of metaphor.Allure sets itself up to be an erotic thriller, but is all the better for avoiding cheap bunny boiler tropes, and instead focusing on character. Though hardly new, the notion that nobody abuses like a victim is here intensified by breath-taking performances all-round.

It became messy. The constant out of nowhere outbursts. I wish the script had been better structured, because it had potential. If you are going to tease the audience with the seductive trailer, then you also need to show some of it, but unfortunately it kept getting cut short of anything ever happening, which you'll know what I am talking about if you see it.The writers/directors should have focused on the relationship between Laura and the teenage girl, but it just seemed to go into other directions that it didn't need to. It could have been a better film with the manipulative relationship between the older women and the teenage girl and raising the stakes of her wanting to leave or be discovered. It just got weirder and weirder. And the acting was good, so it's just a shame. There were a lot of calm moments and then out of nowhere -- craziness -- and not in a good way.The subject matter was just not handled right. The movie just went down hill, fast - unfortunately. Just too many things happened that weren't believable.

Evan Rachel Wood plays a very troubled character.She is suffering, she is in pain. We watch her interactions with other characters without understanding fully what is going on - we have to piece this together like a mystery because in fact it is.It's a film that will bring viewers together afterwards for a discussion.Fortunately she was at my screening to help with my questions.Thanks to her, her co-stars and the filmmakers for accompanying it to 2017 Tiff.