Such a frustrating disappointment

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

If you want to make a film about Pakistani culture, cast pakistani actors or at least film it in Pakistan. because the only place which slightly looks like the place shown in the film is in old Lahore. Also the fact that festival movies like these only portray the same old narrative. theyre are millions of people in Pakistan with a much more "liberal" mindset than that.

I was forced to watch this with my school, as a film interested person i had high hopes. False hopes, i do not understand why people in Norway liked it so much why do they praise bs like this? It was empty and the subject is so overused, if we want more international success we have to create more inspiring, entertaining movies. Instead of this lame awful dull trash, that they force us to see.

"You mean everything to me," Mirza tells his teenage daughter Nisha. Apparently "everything" is far less important than what others might say, for Mirza cares deeply about such opinions. When it is discovered that Nisha sneaks out the window at night, adopts Western ways and is not the compliant and traditional Pakistani daughter she appears, Mirza goes ballistic. Nisha is as stubborn as her father though and manages to outsmart him at first, but there is little sympathy from other relatives. They encourage Mirza's firm hand. Nisha's smart phone is chucked into the snow, freedoms are drastically curtailed and Nisha is threatened with a one-way ticket to Islamabad. Sooner or later father or daughter, or both, must break. I thought I knew where this film was going, but it went deeper than I thought it would and in different directions. The story is fantastic and thrilling; dead ends become glimmers of light (and the other way around), characters are torn apart by the choices they make and there are intriguing glimpses into the Norse and Pakistani ways of life. The director is a natural. She controls mood like a sorceress; sound is contrasted with silence, close-ups reveal the glimmer of flames in the eyes of characters and scenes flow seamlessly into each other. The acting is not flawless, but thoroughly convincing. The ending scene will stay with me, hopefully forever. Seen at the Toronto International Film Festival.

I had the chance of seeing this movie screening in Bergen, Norway in Bergen International Film Festival, on 2nd Oct 2017. I had seen the trailer before and went with a bit of expectation. The movie exceeded my expectations with much difference. The debutante Mariah Mozdah is phenomenal portraying the daughter of a Pakistani family settled in Norway. She is torn apart between to cultures, the socially progressive Norway life and also her traditional family at home. Adil Hussain portrays the role of a doting father who values the societal norms and acceptance of his community very much. All of his thoughts comes under fire when he finds his daughter's white boyfriend. He decides to send his daughter to Pakistan, to his relatives, to discipline her and teach her their culture. Both Mariah and Adil have invested a lot of efforts into their performance. And the direction by Iram Haq really forces us to question and protest all the societal norms that we fear and surrender ourselves to knowingly and unknowingly. A must watch.