Simply Perfect

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Studios spend tens of millions of dollars to distract us with explosions, effects, and big names. The Hit men Diaries doesn't have that. What it does have is strong writing, great cinematography, powerful acting, and some names from actions films of the 90's. Raymond Barry does a great job as the lead, playing a ready to retire gangster.I saw this film at AOF and everyone was at the edge of their seat at the gritty dialog. A well evolved film that shows us, a good script and good acting, makes for a good film. The story drew in the audience. The duality of the character intrigued. The director did a great job retelling a classic style heist film. All the pieces came together for this.

I had the misfortune of coming across this while sitting in a hotel room on a business trip. Of the 5 channels the hotel received clearly, I had the choice between this, infomercials or religious programming. I mistakenly chose this.The action, story, effects, pacing, and well, everything in this was putrid. The dialog is so bad that if you made a drinking game out of each main characters name not a single participant would be living. The unlucky sob who got Charlie could be swilling non-alcoholic and still get alcohol poisoning. Nearly every line of interpersonal dialog begins with the other characters name.This would of been a bad movie in the 80's. In fact, I honestly thought it was from that time frame until I recognized the title character as being Arlo on Justified.I'd go into further detail, but honestly, the film doesn't deserve it. The only reason I felt it necessary to warn people is that the review that pops up on the movies main page was apparently written by the producers PR firm. Mentioning American Gangster as being comparable to this film was just flat out lying to the people who actually use these reviews to help them make a decision as to where to spend their hard earned money. Avoid this movie at all costs. This comes from someone who typically enjoys bad movies. It take a lot for me to recommend someone away from a movie. Often times I feel people should check something out if they're interested. This movie changed my beliefs as far as that methodology goes. If you're going to miss one movie this year, make damn sure it's this one.

First of all I was really looking forward to seeing this movie, I am familiar with all of the players in this film and had heard great things about it. I saw the trailer from the Sacramento International Film Festival and was quite intrigued.As a fiction writer I have to say the story was great, as a screenplay writer I have to say that it was great and it hit all its plot points right on. As an actor I would have to say that the players were at least a 7 out of 10, but direction defeated some. Where it starts to fall apart is with the editing, sound and direction. The cinematography had it's high points but seemed to be defeated by the direction, sound and FX.At points it was obvious that the editor and Foley were rushed to get this finalized.I came in with elated expectations and came away really angry about the final product. I say give it back to a real hard core editor/storyteller and see what comes out of their efforts.

Before I get started, let's just suffice to say that I loved this movie. I screened it at the AOF Festival in Pasadena 2009 and not only did Jesse Johnson do a great job making a film about a terrifically flawed but outstanding character; he did it in a way that kept the tension, excitement and power of the film moving, moving, moving. Raymond Barry was fascinating to watch as was the rest of the stellar cast, from Keith David to James Russo, Tom Berenger and one of my favorites Steven Bauer. The cast alone is worth the price of admission and if you get the chance to see Maxine Bahns in Conjurer, don't pass it up, she is great. The story follows Charlie on the lamb and in a seemingly desperate attempt to bond with his son in the process, a son who desperately wants to be like his father; or so he thinks. No spoiler here but what happens is fun to watch and a pleasure to see. I know the director and stars usually get all the credit but in this case someone needs to give a little love to the producers who took a chance and gave me one of my best viewing experiences of 2009. Great job guys!