Simply A Masterpiece

How sad is this?

As Good As It Gets

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Copyright 1955 by 20th Century-Fox Film Corp. New York opening at the Roxy: 7 October 1955. U.S. release: September 1955. U.K. release: December 1955. Australian release: 31 May 1956. 9,243 feet. 103 minutes.SYNOPSIS: A Spanish land and sea expedition is formed in Mexico City in 1769 to make haste to claim the territory of California for Spain and to locate the fabled Seven Cities of Gold. Captain Gaspar Portola (Anthony Quinn) and his lieutenant, Jose Mendoza (Richard Egan), rough and arrogant leaders of the land force, are angered at the assignment of a lame padre, Father Junipero Serra (Michael Rennie), to accompany them to found missions in the new land. Though Serra may be a religious, he soon proves to be a match for Portola and Mendoza. COMMENT: This religious film is not suitable for children, but it succeeds with adults despite its second-string cast. Michael Rennie comes off best. Jeffrey Hunter, although unrecognizable, also impresses. Quinn's performance is off-hand, but reasonably convincing. Least credible are Rita Moreno (fortunately, her role is small) and Richard Egan (though he does have his effective moments, particularly at the climax).For once, CinemaScope's width is forcefully used. Both the action and drama often comes across with surprising impact. Indeed CinemaScope, allied with natural locations and Webb's remarkably vigorous direction, gets considerable mileage and impact out of the emotionally moving Breen and Higgins script. Indeed, this one of Hollywood's few fully successful excursions into the realm of Christian religion.OTHER VIEWS: A spoken prologue assures us that the events of the story are, in essentials, those of history; and for once, what follows does occasionally seem to justify the claim. The failure of the expedition to achieve its main purpose is a circumstance that encourages belief. - J.W.

In the 16th , 17th , 18th centuries, the Spaniards in New Spain (now Mexico) began to hear rumours of "Seven Cities of Gold" called "Cíbola" located across the desert, hundreds of miles to the north . The stories may have their root in an earlier Portuguese legend about seven cities founded on the island of Antillia by a Catholic expedition in the 8th century . The later Spanish tales were largely caused by reports given by the four shipwrecked survivors of the failed Narváez expedition, which included Álvar Núñez Cabeza De Vaca . This is the story of the making...and the forging...of California...when men chose gold or God...the sword or the Cross! . As the adventurers said they had heard stories from natives about cities with great and limitless riches . As the film deals with an expedition of Spanish conquistadors led by Capt. Gaspar De Portola (Anthony Quinn) who along with military and missionaries descend in 18th century California looking for secret Indian caches of gold . Along the way they suffer attacks , pains , and sacrifices , due the strong opposition of the aborigines . Meanwhile , roughnecks and Indians (Jeffrey Hunter , Rita Moreno) learn ways of God , thanks to Father Junipero Serra (Michael Rennie) . While traveling on foot from Vera Cruz in search for the seven fabled wealthy cities of gold , he injured his leg in such a way that he suffered from it throughout , though he continued to make his journeys on foot whenever possible , and he efforts to establish missions . As when in 1769 the party reached San Diego on July 1, Father Serra stayed behind to start the Mission San Diego De Alcalá, the first of the 21 California missions .Regular semi-lavish costume epic based on historic facts about conquistadors and missionaries in search for fabled Indian treasure in Western US , California . This colorful picture contains thrills , emotion , religious feeling , and wonderful outdoors from Mexico . Interesting , though a little boring screenplay by John Higgins based on the novel "The Nine Days of Father Serra" written by Isabelle Gibson . Main cast gives passable interpretation such as as Richard Egan , Michael Rennie and Anthony Quinn . Being accompanied by a notorious support cast as Rita Moreno , Jeffrey Hunter , John Doucette , and Mexican actors as Eduardo Noriega . Thrilling as well as sensitive musical score by Hugo Friedhofer . Luxurious cinematography by Lucien Ballard in CinemaScope and shot in Mexico : Guadalajara, Jalisco and Manzanillo . The motion picture was middlingly directed by Robert D. Webb. The flick was based on actual deeds about a famous Father , Fray Junipero Serra . He was born (November 24, 1713 – August 28, 1784) in Petra , Majorca . He was a Spanish Franciscan friar who founded a mission in Baja California and the first nine of 21 Spanish missions in California from San Diego to San Francisco, which at the time were in Alta California in the Province of Las Californias in New Spain. The Franciscans took over the administration of the missions on the Baja California Peninsula from the Jesuits after King Carlos III ordered them forcibly expelled from New Spain on February 3, 1768. Serra became the "Father Presidente." On March 12, 1768, Serra embarked from the Pacific port of San Blas on his way to the Californias. He began in San Diego on July 16, 1769, and established his headquarters near Monterey, California, at Mission San Carlos Borromeo de Carmelo. The missions were primarily designed to convert the natives. Other aims were to integrate the neophytes into Spanish society, and to train them to take over ownership and management of the land. As head of the order in California, Serra not only dealt with church officials, but also with Spanish officials in Mexico City and with the local military officers who commanded the nearby Presidios (garrisons). Serra was beatified by Pope John Paul II on September 25, 1988 and Pope Francis expects to canonize him in September 2015 during his first visit to the United States.

Although coming from a different stable (Twentieth Century Fox as opposed to Universal), this historical epic is in the same vein as the contemporaneous KISS OF FIRE (released just a fortnight after this one and my review of which can be accessed elsewhere) but emerges a decidedly more satisfactory movie. For one thing, to the common Spaniards vs. Indians scenario this adds both mythical and mystical elements that render the mixture a thought-provoking one. The former is represented by the ultimately fruitless search for the legendary titular golden kingdoms while the latter applies to Michael Rennie's fine portrayal of crippled but single-minded Jesuit missionary, Fr. Junipero Serra – a real-life figure who was recently beatified by The Vatican and is on his way to becoming a saint! Despite boasting a notable cast and being a major Hollywood studio 'A' production, this offbeat and worthwhile adventure seems to have literally fallen through the cracks of time because, 14 years into the format, there is still no sign of it ever getting released as a legitimate Widescreen DVD nor, apparently, has it ever been shown on the "Fox Movie Channel" because the copy I landed was sourced from a serviceable but washed-out pan-and-scan VHS! This state of events does not do justice to Lucien Ballard's De Luxe cinematography but, on the other hand, neither exactly does the pedestrian direction from Robert D. Webb – also a previous winner of the Best Assistant Director Oscar for IN OLD CHICAGO (1937) – to its colorful subject; nowhere is this more evident than during a fanciful and thoroughly unexpected sequence (a Bunuelian moment if ever I saw one!) in which The Holy Family unaccountably offer hospitality to Rennie and Richard Egan when they are dispersed in a desert storm! That the film still remains a superior product (despite bogging down somewhat during the indigenous scenes) is down to the cast: apart from Rennie's monk, as already mentioned, there is top-billed Egan as the hot-headed but, ultimately, self-sacrificing lieutenant of the Spanish conquistador heading the expedition led by Anthony Quinn; the latter, then, is remarkably restrained but undeniably commanding, and well on his way to acquiring star status for himself (which he had mostly enjoyed abroad up to that time!), and also on hand are Jeffrey Hunter (making a belated entry – completely covered in paint, and wigged- out, at that! – as the new Indian chief) and Rita Moreno (as Hunter's sister and Egan's tragic love interest). Incidentally, not only had director Webb already worked with Hunter on a fine Western WHITE FEATHER (1955; where he also portrayed an Indian!) and would soon do so again on the even better THE PROUD ONES (1956)...but, given this film's religious overtones, it is telling that all 4 leads here had been or would subsequently be involved in Biblical epics! Interestingly, Edward Dmytryk was originally announced as director on this one with Cameron Mitchell in the lead; besides, the actual crew members included assistant cameraman Jorge Stahl Jr. (he would be Luis Bunuel's cinematographer on his delightful jungle adventure DEATH IN THE GARDEN the following year) and co-director(!) Rene' Cardona (best-known as the prolific exploitation film-maker behind such infamous fare as SANTA CLAUS {1959} and NIGHT OF THE BLOODY APES {1969})!

There's a mixture of interesting drama and camp in this story of Spanish conquest over California Native Americans. Egan and Quinn play Spanish officers who are on the lookout for the title cities, but who are saddled with priest Rennie who is along for the ride to build a mission. The men don't see eye to eye on how to handle the "Indian problem" and this lends itself to some nice discussion of and demonstration of the tactics used to control them. Eventually, the human elements of both the "whites" and the Indians begin to blend, but not without difficulty and eventually with great sacrifice. Contemporary audiences will be surprised that Egan is top-billed over Quinn and has the more substantial role. Even though Quinn is the authority figure in charge, the story is more about Egan. Quinn is believable as a Spaniard (as he was as so many other nationalities in his career!), but Egan is about as Spanish as William Bendix!! His flat American accent and obviously non-Latin coloring create a sensory paradox when he is onscreen. Rennie is also far from Spanish, but manages to pull it off better with a less distinct accent. All three male leads do a decent enough job acting-wise, but never really catch fire. The only other performers of note are Hunter and Moreno as natives. Hunter gives his usual impassioned performance (unfortunately covered in war paint most of the time) in one of many roles that were beneath his ability. Moreno gets very little to do, but tries to inject some emotion into the proceedings. While the Cinemascope lens captures some awesomely beautiful scenery, it also keeps the actors at a distance. Time and again, dramatic and emotional moments are played in practically long shots! There are very few close-ups in the movie. The two most beautiful cast members (Hunter and Moreno) get nothing closer than a two-shot. This puts a sort of wall up that detracts from the emotional investment in the story. Then there's the camp factor. It begins immediately with a hilarious voice-over that exclaims how accurate the story is and that the only change that was made is that the "words will be set in English." PLEASE! Moreno and Hunter, while compelling performers, are given ridiculous wigs and clothing to wear. Attempts at humor, handled adeptly by Hunter, seem to add a corny aspect to the otherwise serious film. There's a bizarre interlude with Egan and Rennie finding shelter in a sandstorm. The sword-and-sandal crowd may find themselves trying to spot Egan's winky as it veers to the left in his clingy green trousers (with oh-so-festive red cummerbund.) In all, it's a pretty, sometimes engaging movie, but rather silly at times and lacking any real emotional resonance.