Undescribable Perfection

Save your money for something good and enjoyable

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

A rich city boy from back East named Beckman (Judge Reinhold) encounters local bullies in the form of rural Arizona rednecks as he drives west through the desert. Together with his hitchhiking companion, Johnny (Willem Dafoe), the two buddies function as updated characters to Buz and Todd, from the old television series "Route 66". I never saw the TV series, but it must surely have been better than "Roadhouse 66".A lot of the screen time takes place in or near this roadhouse, a local greasy spoon, where guys play pool, a local band livens things up with blue-suede songs, and the manager is a savvy, streetwise gal who reminds me of actress Ida Lupino. The plot has Beckman and Johnny meeting some local babes and fighting the bullies in the cafe.The best thing the film has going for it is that it was filmed entirely on-location in Arizona; and there's no CGI. The desert scenery is nice. And I like the performance of the café manager who doesn't suffer fools gladly, having been one herself when previously married to the star bully.But like the town itself, the film is boring. Not a lot happens here. Original songs are blah and forgettable for the most part. And the ending is predictable. But the worst element is the casting of the two leads. I can't take Judge Reinhold seriously as an actor. He always reminds me of those irritatingly lightweight "comedies" of the 1980s. I also dislike his geeky persona and annoying smirk. Willem Dafoe carries around the same irritating regional accent in all movies I have seen him in. At least he had the smarts to avoid a career as a singer. This film shows why.This is a below average buddy/road film. For some viewers, and depending on their mood, it may help pass the time. Oh, and the prod design for the greasy spoon is not realistic, owing to the absence of a major component ... flies.

I'll be fair here, this is just a time passer. I enjoyed it more, when I first saw it back in 85. It's when I first watched Willem Dafoe who's become my favorite actor, but later I realized he was in Streets Of Fire as the lead thug. Now I remember. His performance was done with a intensity of evil when looking back on "Street's" that I really haven't watched since I first saw it in 84. With this one, that wouldn't have a chance at the cinema, he plays a retired rockin' roll singer Johnny Hart who has his reasons, for getting out. Standing in the middle of the road, just like John "Hitcher" Ryder, he's nearly run down by college guy, Reinhold, who's trying to outrun these local thugs, lead by a bad boy Hoot, (Alan Autry) who shoots out his radiator. He's met by drifter Dafoe, who when asked his reasons for standing in the middle of the road, he just answers with a brief smile. For Reinhold this is only the start of conflict, between him and the thugs, who reappear at this Roadhouse that functions at a bar, diner etc. Things escalate into more serious problems for them, when the local car wrecker, who caught Reinhold and Dafoe using one of their cars as a place of sleep, is burnt to death in his shed. All fingers point guiltily to Reinhold, as if he's responsible for the whole catastrophe, where Dafoe and him, plus their girlfriends (who are sisters), were using the shed to rebuild one of the cars for the big town race. Granted, this is the most exciting part of the movie, Hoot resorting to dirty play, before and during the race. Alan Autry gives probably the best performance of the film, and sexy Kate Vernon is good as Reinhold's girl. Dafoe sings a rock song in this too, where he met upon by an old buddy, though I doubt it's really him. In between these two things we have a stick fight between Dafoe and Autry which was pretty cool, where the old lady running the place intervenes with her gun, before they tear up the establishment. So Dafoe redeems himself with this song, that I wish I could get a hold on, plus the one at the start. Roadhouse 66 has a nice ending too, where we don't really know if hoot dies. The movie's no real feat, with no real potency, but still it's a good yarn, but movie wise, fair.

Willem Dafoe plays a drifter who quit the music business after his band partner was killed in a car accident. Judge Reinhold is the stereotypical rich kid from back east, driving his 55 T.Bird. These two meet up in the Arizona desert and spend some time in a small town because of car trouble. There they are harassed by a trio of local goons, and are attracted to a couple of cute blonde sisters. The acting is good, the location photography is stunning, the 57 Chevy, 55 Thunderbird, 55 Chevy, 59 Caddy and 66 Mustang are great, there is even a touch of nudity, along with some terrific rockabilly tunes. "Roadhouse 66" is definitely above average entertainment. If you can sit back and just enjoy the ride, this movie will not disappoint. - MERK

Lemme see if I done got this right:Hayseed peoples they be peoples too and most of your cinema pickings they's for city folks with pretensions and academic duh-grees and walking around using fancy French words and stuff like that.But a good old boy likes a good barroom brawl now and then and some cute dixie chicks - and you should have more skin than Daisy used to show on prime time - and oh but we gotta have a great big old car race with clumsy looking backwoods Chevy 56s and 57s and they gotta rev their engines like they got no mufflers no more.And we gotta have some good old country picking through this here race and - intermittently as they say - throughout the movie.But here's the trick: you don't almost have to pay nobody any good money to do no good cos them hayseeds what like movies like this they don't know much about no film making anyways, and as long as ya got the obligatory nudie bonk with female nipple and round female breast in subdued light and stuff and someone playing who's ostensibly studying James Burton on guitar, then that's real fine Slim - they'll never notice the difference! No way!And the money keeps on coming in... And who said money doesn't make the world go 'round?PS. For the best laugh of all, waiting until the closing titles - listen to the music! The people who made this movie - who are these people? Oh goodness.