Tatie Danielle is a black comedy about a widow who is intent on ruining the lives of her great-nephew and his wife. Tsilla Chelton plays the title character, who mourns the death of her husband by tormenting everyone she meets. Eventually, she moves in with her nephew and his vain wife. Soon, her family is at war with Tatie, and takes off for Greece, leaving her in the care of Sandrine (Isabelle Nanty), an au pair who is as equally bitter as Tatie herself. At first the two don't get along, yet the two eventually become friends. However, Sandrine is invited to accompany an American student for an overnight stay at the beach, which would leave Tatie alone for a night. Angered, Tatie fires Sandrine, and while she is alone, she goes into deep depression, eventually setting the family's apartment on fire. The fire becomes a national story, with Tatie cast as a poor old lady and the family labeled as cruel and heartless villains.
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Reviews
One of my all time favorites.
Nice effects though.
How sad is this?
An old-fashioned movie made with new-fashioned finesse.
Hollywood would do Joan Plowright as the sweet old Grandma, but this is a French film, so it's as mean-spirited as you'd like. There's no arched-eyebrows at your tyrannical repartee or smirks at your own posturing here - just a bona-fide cyanide witch who doesn't care a jot who knows it. After the death of her put-upon housekeeper, which may or may not have been an accident, the curmudgeon is taken in by her kindly, trendy Parisian relatives - a fertile ground for her spiteful venom where she reigns with aplomb. She will not entertain, "raw fish in lime juice, kiwi salads and cheese as starters," and instead satisfies herself with making her hosts' lives hell, whether its by abandoning a wee lad in the park or berating an ageing female relative on her lack of suitors.Chatilliez is abandoning traditional age clichés and puts the view instead that old girls like Tatie Danielle don't think twice about knocking whatever unfortunate over with some withering put-down, because to be honest about one's feeling is important. To smile, put up with other people's ludicrous requests and unreasonable behaviour for the sake of avoiding embarrassment and fitting in to polite society are perhaps the root of much discontent in society these days. For example well-meaning but dim wife of the family can only acknowledge her burden in furtive whispers to which he family can only meekly agree.Instead of confronting this cackling chip-pan of evil, they flee to Greece for a month, leaving Tatie with a no-nonsense young matron. Like most bullies who realise the cards aren't all stacked in their favour, Tatie comes to co-operate although it's only a matter of time before one last flare-up leads Tatie to wallow in her own filth and burn the apartment down. In most countries people would soon suss out Tatie for the Gorgon she is, but this being Paris she's treated as the hard done-by old lady.It's at this point the film really comes into its own as a nasty piece of work. Tatie remains a dangerous element, someone we laugh but heaven forfend you'd ever want to meet her in real life. The family, their kindness considered, are emotionally palsied and stilted in their middle-class ways. Like the best films, we appreciate the maliciousness, the sardonic jibes, the pretence - just as long as it all stays safely on the screen.
Tatie Danielle is a film about an evil old lady who (at the beginning) lives in the south of France with a helper, Odile, who is probably in poorer health than she is. I have to say, when i say evil, i don't mean Disney-type evil-but-all-right-underneath evil. I mean truly evil.Odile dies after falling off a ladder cleaning the chandelier Tatie Danielle bugged her about for ages, Tatie Danielle moves to Paris to live with her nephew, his wife, and his two sons, one an innocent little boy, the other a homosexual teenager. Tatie Danielle, in the guise of being a frail old lady, starts to make life hell for this family as well, doing things such as abandoning the younger son in the park and wetting herself during a dinner party.Realising that Tatie Danielle is truly evil, her nephew decides that when the family goes to Greece on holiday, instead of his sister looking after Tatie Danielle as planned, he will hire another helper instead.Tatie Danielle tries to carry on her old tricks with the new, younger helper but she soon finds she has met her match.This film has a very dry humor, and is extremely entertaining to watch. The acting is also of a high standard. As a British person living in France, i watched this film in my french class at school without any subtitles, and we all agreed that it was a good film. Don't be put off by the fact it is in French, and you might have to read subtitles if you don't understand French. Just remember, in France most of the films have come from America or Britain and the French people have to read subtitles a lot more! I would particularly recommend this film if you are learning French.
Etienne Chatiliez can keep a cool head! After the commercial and critical success of "Life is a long quiet river" (1988), there must have been an immense pressure on him to make a second movie. Two years later, he resurfaced with a new feature-length film, "Tatie Danielle". At first sight, this film seems to be less original than its predecessor. It is nevertheless a fact that it is a funnier movie to watch and it shows once again Chatiliez's brilliant talent.Etienne Chatiliez's strength comes from his skill at making laugh of a serious topic, always with a caustic and devastating humor. Furthermore, he always finds place to insert in it a little touch of social satire. These film-maker's particular gifts were already present in "life is a long quiet river". We find them again with pleasure in "Tatie Danielle" where the director is surpassing himself and is going further in daring. Roughly, he is having a tremendous time with the adventures of this old malicious lady who is going to make life impossible for her nephews. The movie is bursting with comical sequences and no-one makes sparks fly of powerful dialogs as well as Chatiliez does. Through the Billard family's trouble then Sandrine with "Tatie Danielle", a progressive tension grows which reaches its climax in the sequence when Tatie Danielle, hopeless after Sandrine's departure ransacks her nephews' flat and accuses them!Like in "Life is a long quiet river", the contrast constitutes one of the author's main weapons. On one hand, Tatie Danielle, an old lady full of nastiness and on another hand, her nephews with an excessive kindness. It is useful to point out that the director makes a somewhat mocking description of his characters. For example, Tatie Danielle may be unbearable, she is also a very lonely old woman. She can only confide in her late husband. The latter is depicted in a photography and he is squinting! Through this characteristic, Chatiliez cocks a snook at her main character. On another hand, in the Billard family, the father and the children have got pretty much the same first name: Jean. A discreet way to laugh at this average French familyBut Etienne Chatiliez has more than one string to his bow. Indeed, he also understood that sometimes it is better to use the power of suggestion to make particular moments successful. Thus, we learn that Tatie Danielle stirs up ill-feeling in the old people's home through the nurses and the head doctor's words. And especially, especially, Chatiliez has got a sharp sense of observation. His movie abounds of little black ideas or details that irresistibly kick the bull's eye."Tatie Danielle" also proves one thing. Sometimes it is no-use hiring famous actors to secure the success of a movie. At the time of its release in 1990, nearly all the actors were virtually unknown. But Tsilla Chelton gives a flawless performance and it is a delight to see Isabelle Nanty subduing the tough octogenarian.If we make an exception of some little weaknesses (Florence Quentin, the scriptwriter has forgotten to delete a few clichés linked to old people and there are some predictable sudden new developments), you come out elated of the projection of Etienne Chatiliez's intelligent and malicious second movie. He passes us on the pleasure he took in shooting this story. A really funny movie and there's no reason to deny oneself of it.
Just watch and learn the meaning of being totally hateful to everybody's eyes. If you think you are a piece of crap, watch Tatie and take some notes... Perhaps then, you'll surprise me.