A very free adaptation of Marlowe's 'Doctor Faustus', Goethe's 'Faust' and various other treatments of the old legend of the man who sold his soul to the devil. A nondescript man is lured by a strange map into a sinister puppet theatre, where he finds himself immersed in an indescribably weird version of the play, blending live actors, clay animation and giant puppets.
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So much average
Clever, believable, and super fun to watch. It totally has replay value.
In truth, there is barely enough story here to make a film.
Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.
Faust was the first Jan Svankmajer's movie I've seen and I've been literally stunned by his wicked and exotic interpretation of this classic plot. This is not a literal adaptation of the book written by Goethe, but a surreal combination of the different version of the original story (Like, for example, the play of Cristopher Marlowe) with stop-motion animation, live action performances and puppets. The result it's very interesting and well made, creating a unique and fascinating world. It's easy to see in what way filmmakers like Terry Gilliam, the brothers Quay were influenced by the astounding work of Jan Svankmajer: There is a great, dark atmosphere, filled with bizarre creatures and strange situations, like in the movies of those directors. If you love dark, surreal films, then you will like a lot this.
Jan Svankmajer(Alice/Conspirators Of Pleasure), who I've been watching a lot of, as of late, has a story that incorporates elements of the Faust play, book, and folk tales, in a unique stop animation/claymation/ and puppetry driven surrealist film. A man receives a map on a subway from a stranger follows it to strange theater, housing life size puppets manipulated by always out of sight puppeteers(only their hands are visible), where he sells his soul to Lucifer, making himself Lucifer's servant until death, and is unmade by his hubris. It's edited much better than Alice was, and is immediately rewarded for it, its much faster and has less boring bits. It's a lot funnier and more horrific, as well. A good addition for Svankmajor fans.
Surrealism tends to fall in one of 2 categories:(1) Random, confounding, absurd images best enjoyed under the influence of psychomorphic drugs(2) Careful, structured, lucid themes augmented by unusual visuals, all of which is designed to raise our understanding beyond what is "real"Or, I could also say that Surrealism tends to fall in one of 2 categories:(1) Sucky movies(2) Awesome moviesI'm happy to report that in both cases, this film is a #2. It can be compared with the masterpieces of Jean Cocteau (Orphee, Beauty & the Beast), or if you prefer the modern stuff it can be compared with Terry Gilliam's early work. Svankmajer has that same creative spirit, the same eye for the bizarre and yet the same intelligence in presentation that makes for great art. He also has a slightly disturbing edge.This is a great film for profound cinephiles as well as casual filmgoers in the mood for something completely different. This isn't simply a masturbatory showcase of "how much weird & pointless stuff we can throw at you", the way many famous Surrealists operate. Rather, this roots itself with a solid, philosophical foundation & excellent dialogue and takes it to the next level with creative visuals. Svankmajer has a fantastic sense of humour, too, so you never get the feeling that he's some pompous, pretentious jerk showing off what he can do with a camera.This movie's hallmark, as with much of Svankmajer's work, is the fantastic use of puppetry. It can be both comedic and chilling, and it definitely puts you into a mind-warping state of mind which is perfect for a tale of this scope.I'm rating this a 10/10, and you can see by my voting history that I don't give 10s casually. This is truly a fantastic work.An important note: You should really read Marlowe's "Dr. Faustus" before watching this movie. And be sure it's the MARLOWE version (1604), not the Goethe version (1806) titled "Faust". Yes, the title of this movie is misleading.
Personally, I like this film. It's an imaginitive adaptation, and it definitely begs to be seen. I think, though, that Jan Svankmajer fans are likely to be disappointed. People unfamiliar with his work are likely to hate it. Now, I'm no expert in his work. I've seen three shorts and his version of Alice's Adventures in Wonderland, just called Alice in the U.S. The three shorts are all masterpieces in their own ways (my favorite being The Death of Stalinism in Bohemia) and Alice is a near-masterpiece. Faust is not nearly as inventive as those other works. Svankmajer is known as a stop-motion animator, but his Faust contains little animation. The animation that there is is universally stunning. I will bet that any fan of the medium will just love the sequence with the baby, and will probably wish that it were longer. Actually, the medium that is most abundant in Faust is marionettes. Most of the film is live action, as well. The marionettes are often replaced with actors wearing gigantic papier-mache heads. This isn't as interesting as stop-motion animation, but it still works. Some of the puppets can be annoying, especially the jester. I believe that the puppet characters are done in the kind of exaggerated style familiar to puppet shows. 7/10.