In a quiet countryside farmhouse, Britain's vampires gather for their once-every-fifty-years meeting. Others will be joining them too; Sebastian Crockett, an unwitting Essex boy who thinks he's on a promise with sexy cougar Vanessa; and a detachment of Special Forces vampire killers who have bitten off more than they can chew. This is certainly going to be a night to remember... and for some of them it will be their last.
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Reviews
Pretty Good
A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
I thoroughly enjoyed this film. There were no real surprises, but it was a good fun comedy horror. A great cast and a good script made sure this romp worked well.
Most of people just fall into the movies industry's manichean trap: that was awesome / that sucked. All does not just sum up to that.Some movies do not pretend to be brainless blockbusters or over-the-top complex intrigues. Many well-thought movies manage to set up an atmosphere, a calm one, allowing you to enter it and fathom unexplicited details about the situation and the characters. Take Only Lovers Left Alive, for instance.I admit it that, at first, I was highly doubting of the value of Eat Local. The first scene is long, quiet and silent. Who does that? But this is exactly what encouraged me to keep watching (I had then no idea of what I was looking at, save for a vague two line synopsis and I hadn't looked at any trailer): the movie tried something unconventional.Then, boom, surprise, the casting. I couldn't believe my eyes! Even though I had doubt over the following scenes, the atmosphere and cast locked my undivided attention for good: every character had something peculiar, a personality and behavior of their own. Alike real life, you had to stick with them to find out who they were and be positively surprised.And it all tilted in my head at the first military scene and at the arrival of Billy Cook and Eve Myles to the meeting. I realized the subtle humour that was embedded. Be it awkward pauses or poses seeming off or sweet gestures or forced laughters, the tragic setting of the movie brilliantly collided with its lightness in recounting the story.And then, I can only remember enjoying every bit of it. At times I was surprised at the unconventional characters and feared any foreseeable outcomes or lines. But there were none. I was being surprised and led from laughters to more surprises. But there was NO MISTAKE AT ALL. Not one cliché apart for humour's sake. And this, this is so uncommon that I had to immediately watch it all over a second time! (in French, for the sake of comparing little details)Yes, this movie is not what one can expect at first glance. It goes deeper, it is more subtle and incredibly more poignant than most of other attempts out there to do impressive crazy stuff. Many vampire movies are shot to entertain us, but rarely to make us think (between two smirks). That's the hidden strength of Eat Local and its incredible cast and crew, who deserve so much more recognition and who are way too much underrated.I can't wait to see the sequel: Eat Global.
Sebastian (Billy Cook) has been personally selected by Vanessa (Eve Myles) to become the eighth member of their vampire group due to a recent opening. Things do not go as planned and to complicate things Vatican military forces (not the guys in the Swiss costumes) show up with the intent of eradicating the vampires. However, their actions give rise to sympathy for the blood suckers.The film was a comedy-horror, without much horror. I liked the details such as the personalized license plate "BRAM 1." The script had funny dialogue, yet I felt this was an area that could have used improvement. Worth a watch.Guide: F-word. No sex or nudity.
Once every few years, a secret coven of modern-day vampires meets to discuss the quotas and divisions of feeding territories in the United Kingdom. Gathering at a remote farm, this time they're joined by a potential new recruit/light snack in the form of Seb (Billy Cook, a new talent to look out for) Unknown to them they have been tracked by the team of Larousse (Mackenzie Crook) and Bingham (Robert Portal) but trapping Vampires is not easy, even with an army and soon its a battle of wits to see who is still standing by sun- up.Eat Local had a cracking script from the beginning but sadly director Jason Flemyng, probably the hardest working actor in the UK, had to get the money from Johnathon Sothcott to shoot it - So the budget was clearly nowhere what it should have been. With such restrictions, the film struggles to hit its notes at times and occasionally the plot becomes lost. That aside Flemyng has assembled an impressive cast from Charlie Cox, Vincent Reagen, Freema Agyeman, Tony Curran, Annette Crosbie and Eve Myles who all perform terrifically on the side of the Vampires, while cameos from Nick Moran, Nicolas Rowe, Dexter Fletcher, Elly Fairman and Johnny Palmerio fill out the rest of the cast, often with very funny one-liners. A less respected person in the industry would not have been able to assemble anywhere near as much talent on screen. In the hands of anyone else such an ambitious project probably would have fallen foul of really poor casting and direction by Flemyng brings the elements together as well as can be expected and raises the bar considerably above anything else with Sothcott's name in the credits. The action in the film is well handled within the restrictive budget and comedy turns by Dexter Fletcher add much fun to the mix with his deadpan dialogue. Jason gives a nod to 12 Angry Men in his framing of the opening scene as the members of the Coven arrive and there are various other shots giving a wink to numerous other movies including The Great Escape. The score for the film is found a little wanting at times. Despite all this not everything works in the film as well it should have but films are rarely if ever, made with the budget or generous shooting schedule that one would like to have. This film, however, is nowhere near as bad as some other reviewers have suggested. The cast give it their all and are clearly having a good time. It won't be everyone's cup of tea, but if you liked the movie Tremors and other similar B-Movie Comedy Horror then this should be right up your street.