As Good As It Gets

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

Easily the biggest piece of Right wing non sense propaganda I ever saw.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

I began this movie with having no info about the real history behind it, only knowing that it is based on true events and I hoped to learn something new by watching Only The Brave. Well, it didn't really work. The movie is confusing. Pretty much in the beginning we see Jimmie, the main protagonist of the film, sitting in the dark and stare into nothingness. His wife desperately tries to reach him, but he doesn't respond. Then the movie takes us on a journey through his mind, so it seems. Back to the battlefield and and the soldiers he fought with. Constant flashbacks follow, showing their lives at home with wives, girlfrinds, kids, etc. and at some point you just begin to question, why are we seeing the flashbacks of other characters when we are within the main characters mind? How can he see the private lives of his fellow companions? At some point you just ignore it and try to focus on other things, leaving logic aside. For a war film, there must be some intese moments, right? But nope, all we get to see is one side. The opposing German soldiers are nowhere to be seen and the characters which we got to know fire towards whatever. With no enemy in sight the battles seem unreal. And even if "our" characters got hit by a bullet you don't really care. None of these soldiers have anything interesting to tell and so the audience is forced to listen to generic dialogues about poker games, heritage mocking and what women they desire. On top one of the soldiers is so stupid, that the doc even has to explain the concept of a flesh wound to him. This movie tries to drown you in sadness and self pity, but nothing really touches you when seeing this. You only end up in feeling sorry for the time you invested by watching this boring thing.

I've read the negative reviews and the conclusion I draw from them is that their authors obviously refuse to look at the real purpose of the script. The easy way to look at this movie is to see the courage and determination of those guys to save the Texas battalion from complete destruction. But is it really the point the script writer and the director wanted to stress out?My answer is no. From my perspective as a French citizen this movie deals from the first image to the last about tolerance, respect of the one who is different from you . The USA after the shock of Pearl Harbor took measures totally inexcusable against citizens born in the country and treated like prisoners of war. In the Army those who nevertheless volunteered to join the allied forces, were like their fellow black compatriots , subject to racist behavior of the white soldiers.The problem is that the bullet which kills you doesn't care if you're white, black or your skin yellow. The result is for all the same. Loss of life, grief of your companions on the battlefield and in the families and friends far away. For both groups fear is the same. For both groups you try to connect with some unreachable element which you call god with different names and which reassures you and gives you courage.That's what this movie is all about. Perhaps some of the flashbacks could have been suppressed, but all in all the script is well constructed and the acting very convincing and many times very moving.

I am a great lover of the WWII film genre and have to say that this is the worse one I have ever seen, if it was on very late night on TV and I flicked it on, it would be flicked of pretty quick - unfortunately i bought the DVD so felt i had to watch it to the end - which I did with a lot of fast forwarding - it won't be watched again.I think they tried to bring you in along the lines of "getting to know the men" by flash backs to their live before joining up - i don't need to see this every five minutes, either put the "family" part at the start or don't bother. the music was so "TV film" i almost laughed but i couldn't as i had paid money out - the battle scenes where non existent barring in mind this is supposed to focus on the battle which suffered the loss of nearly half of its roster—over 800 casualties, including 121 dead—while rescuing 211 members of the 36th Infantry Division's 1st Battalion, 141st Infantry, which had been surrounded by German forces in the Vosges mountains since 24 October.

On December 7 1941, the Imperial Japanese Navy raided Hawaii's Pearl Harbor and decimated the United States Navy's Pacific battleships.Two months later, President Franklin D. Roosevelt signed Executive Order 9066, permitting the U.S. military to uproot thousands of West Coast Japanese and Japanese-Americans and ship them to inland interment camps.In February of 1943, the ban on Japanese in the military was lifted and the 100th Battalion 442nd Regimental Combat Team was formed. Containing Japanese-American volunteers from Hawaii and, remarkably, from out of the mainland interment camps, the 100th/442nd was sent to Europe."Only The Brave" is a fictionalized account of the 100th/442nd's most famous success: the October 1944 rescue of the "Lost Battalion", the all-white "Texas" 141st, trapped behind enemy lines deep within the Vosges Mountains of France.The movie opens during the battle for the town of Bruyeres, France. After a receiving a head wound, Sergeant Jimmy Takata (played by the film's writer and director, Lane Nishikawa) begins to "see" the memories of his dying troops. As they die, Takata also becomes a walking repository of their mementos: a signature pair of eyeglasses, a photograph of children, an engagement ring never given.Through the Bruyeres battle and the five bloody days of desperate fighting it takes to break through the German line and rescue the 141st, Nishikawa uses Sergeant Takata as a metaphor for the quiet and proud generation of Japanese-Americans who endured life in the relocation camps, who fought in battle and who kept up the home front, but who have mostly held onto their stories. Nishikawa's moral is an old one: the release of the past brings healing for the future, but it is especially poignant given that so few of that generation remain.Working with a limited budget and an abbreviated shooting schedule, Nishikawa wisely chose to "go small" with his shots. Each scene is personal to the viewer. Each battle is realistically chaotic without wide shots and multiple angles to give viewers their bearings. The result for the viewer is – as it is for the characters - an exhausted embrace of the story's pauses.Nishikawa also "goes small" with his characters. The memories that haunt Takata are often short, deeply personal gut punches. The realistic pidgin banter between the "local boy" Hawaiian Japanese and the exploration of the tensions between the Hawaiian Japanese and the mainland "kotonk" Japanese are products of character development and not just tossed in for "authenticity".Unlike many recent war films, there is little battle gore in "Only The Brave", making the infrequent bloody scenes that much more powerful.The cast, featuring Nishikawa, Jason Scott Lee, Yuji Okumoto and Tamlyn Tomita, turn in solid performances but Pat Morita's cameo was a little wonky for me."Only The Brave" will definitely be worth watching when it is finally released into theaters. I was lucky enough to attend a private screening in Seattle. I'd gladly wait in line again.