People are voting emotionally.

Great Film overall

Absolutely the worst movie.

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Based on the short story "I Hate to See That Evening Sun Go Down" by William Gay, "That Evening Sun" presents us with an epic battle of wills between two equally immutable forces fighting over the same piece of land. The property in question is a rundown farm in rural Tennessee owned by Abner Meecham (Hal Holbrooke), an octogenarian who's just walked away from the retirement home his son (Walter Goggins) placed him in after a serious fall a few months back. When Abner gets back to his farm, he is stunned to find that - thanks to a deal brokered by his lawyer son – the place has been signed over to a white-trash, ne'er-do-well by the name of Lonzo Choat (Ray McKinnon), who now lives there with his wife (Carrie Preston) and sixteen-year-old daughter (Mia Wasikowska), with whom Abner establishes an uneasy but generally tender relationship.Scott Teem's screenplay is multi-faceted and complex in the way it develops its characters. For instance, many of the very same qualities that make Abner so appealing to the audience – his tenacity, his commitment to principle, his uncompromising willingness to call things as he sees them – are also what make him a hard person to deal with for those who are actually a part of his life. This is especially the case with his son, who though he obviously loves his father and wants to do right by him, harbors a lifelong resentment against the old man for his harsh treatment of both himself and his now-deceased mother while he was growing up.To a somewhat lesser extent, Lonzo is also portrayed in a three-dimensional light. Though he is an alcoholic, a wastrel, and a man prone to acts of violence against both animals and members of his own family, there is a sense that he is genuinely trying to get his life together by earning an honest living and finally being a decent provider for his loved ones. The movie really seems to understand the tragedy of old age – of feeling as if everything you ever called your own is now being taken away from you and nobody around you seems to care. In fact, many of those people – despite, in some cases, their possible good intentions - are proactively involved in bringing that outcome about. The movie also touches upon that root and highly American value of property ownership, and the willingness to stop at virtually nothing to ensure one's hold on one's land."That Evening Sun" is what is called in the trade an "actors' picture," and, indeed, it is the performances that are of primary interest here. Holbrooke has always been a tremendous actor, but here he is positively transcendent as Abner, a crusty old coot who is so much more than just a crusty old coot. Goggins, the brilliant star of "The Shield" and "Justified" and a co-producer of this film, is also excellent as Paul Meecham, a role quite different from the ones in the aforementioned works. And McKinnon, Preston ("True Blood"), and Wasikowska ("Alice in Wonderland," "The Kids are All Right") are all wonderful as well.The tone of the film is contemplative and muted, and Teems' direction is rich in atmosphere and setting.

An aging Tennessee farmer returns to his homestead and must confront a family betrayal, the reappearance of an old enemy, and the loss of his farm.This is the perfect example of how to write an old bull can against the young bull one. Holebrook's character doesn't want trouble, just his pride and the right to go on living the way he once did. He doesn't have much left, but pride. The movie does a great job of making us care for Holebrook, something that was hard to pull off consistently. Hal Holebrook is magnificent, and Oscar worthy here in his portrayal of Abner Meecham. It was hard to pull off, but Holebrook manages to maintain likability along with his grouchy, potentially off-putting role. There's never a moment where we don't sympathize with him, even when he pushes the limits, we manage to emphasize with his actions. I've not seen Holebrook perform a better role than this one. Ray McKinnon is excellent as the hot-shot antagonist, wanting to take over the farm. You'll hate him, and possibly even understand his actions in some cases. Walter Goggins is very good as the ungrateful son of Holebrook's, he did well.Bottom line. The Sundance Film Festival struck gold with this one, and you will too. A must see 9 ½ 10

Hal Holbrook (All the President's Men, Into the Wild) stars as octogenarian Abner Meecham, a widowed farmer who has been confined to a nursing home by his lawyer son (played by Walton Goggins). When Meecham becomes fed up with the dull, meaningless life among aging strangers, he returns to his farm, only to find that it has been rented to a man he despises: Lonzo Choat (Raymond McKinnon), a disreputable "white trash" resident of the town who has unrealistic dreams of buying the farm and starting a new life for his wife (Carrie Preston) and daughter (Mia Wasikowska). Choat refuses to vacate the farm, Meecham moves into the sharecroppers' shed, and a battle of wills ensues.Holbrook's performance is mesmerizing – the audience drawn into his battle for the farm he built and tended for half a century, and despite the problems his age presents in managing the land, we want to know that he will succeed in achieving his goal of spending his last years at home. While other characters in the film see Meecham as stubborn, bitter, mean and just a little crazy, Holbrook's portrayal helps us see him as clever, wily and all-too-human as he not only battles for his independence but lives with age-old regrets.Each of the films main characters demonstrate for the viewer what can happen when compromise and communication are eliminated as elements in achieving a solution. Meecham understandably wants to go home, but cannot acknowledge that there is physical risk and financial concern in such a move; Choat wants a new life, but cannot see that such a goal will require more determination and planning than he is able to achieve; and Paul has little sympathy for his father and is locked into a sensible, cost-efficient solution in tending to his aging parent. We watch and hope for cooperation to take place; we think of options that never present themselves, and we wonder if we could do better if faced with similar circumstances.Director Scott Teems' ability to draw the viewer into this southern drama of wills (based on a short story by William Gay) is enhanced through detailed cinematography – close-up shots of elements of decay on the farm make us long for a solution that will reverse the deterioration; interior shots are musty – one can almost smell the dust and wood-rot of aging structures; scenes filmed at night capture the isolation of a farm where threats can be acted upon without witness; and daylight scenes are rich with color and lush greenery, making us crave the beauty serenity of life in the farmlands of Tennessee. Character portrayals are supremely convincing, and while we are prone to side with Meecham, we can also understand the struggles and desires of those others who hope to start over or do what is best under difficult circumstances.The winner of more than 40 awards and massive critical acclaim, That Evening Sun is a treasure among independent films that will linger in the hearts and minds of viewing audiences long after the films' end.

This movie came from nowhere for me here in Australa. Its a little middle-American indie film that I had never heard of until I saw it advertised on my upcoming orders list. I just finished watching it and it is a fantastic character study. It stars Hal Holbrook in one of the finest performances in his long and successful career. He plays an old man who walks out of his nursing-home and returns to the farm he owned for over 50 years only to find it occupied by new tenants. Being stubborn he squats in the old worker's quarters and wages a personal war against the new family. From there the film becomes a real examination of this old man's mind. He is at the narrow end of life and has nothing to show for it. Everything he knew was taken away and he is doomed to live the rest of his life with regret about many things in his life. Unbeknownst to him, much of his traits are reflected in his newly appointed enemy. Its a slow drama with moments of tension. The performances are exceptional and the relationship he has with his old neighbour is wonderful (some of the best scenes). Well worth a look.