Best movie of this year hands down!

Absolutely Fantastic

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

This offbeat film plays like an early indie movie; but is well acted and entertaining. The film move largely shot on Catalina Island in 1961 and benefits from California sunshine while avoiding the phony appearance of the studio back lot. James Mason is excellent in the role of Blackbeard the Pirate's ex-first mate Major Stede Bonnett, managing an understated cool machismo throughout the story. Kate Manx is earnest and lovely in the leading lady role, while talent like Warren Oates, Rip Torn and Harry Dean Stanton demonstrated early in their careers why they all became stellar character players. The regional dialect is authentic to early 18th century New England with a solid script to match.

James Mason & Leslie Stevens' beautiful and obscure rendering of one family's escape from indentured slavery through the entreprenurial violence of pirate Major Steed Bonnett, AKA Sailormaster to Captain Teach (Blackbeard), AKA The Devil.Manx, upon gaining her freedom, is granted title to Bull Island, off the coast of Carolina. Upon arrival with her husband she finds a family of fisherman in residence who claim the island for their own - in the ensuing struggle her husband is killed and she is ordered to leave under threat of death. By sheer providence, stranger James Mason is washed up on shore unconscious, a floater reading 'Dead Man' around his neck. The mysterious Mason joins her struggle...The morality of the film is fine, tracking a passage from the sureties of slavery in the old Empire to the anarchy of a land-grab in the new World - Manx has the deeds to the island, but none of the fishermen can read worth a damn. The script is refracted through sunlight into blood, most violence happening in superb colour, and mixing colour into those insane words...-He knows how to use that axe. Would you fight a man with a axe?-You tore up her books, killed her birds.-My father told me he was the king of the moon. He was the king of the moon.In one extraordinary scene, film in a ten minute take with no cuts of any kind, Manx explains the mechanics of slavery to Mason, shows him her indenture and the two parts of paper representing her whole person - the reason why the scene was filmed without cuts, its narrative integrity intact.-One person, undivided and whole.Nicolas (Rip Torn) is tempted into the New World, wanting to learn to read, and deserts his fisherman brothers to throw his lot in with Manx. The remaining fishermen send to the mainland for help from the brutal Kingstree (Neville Brand) and the scene is set for a confrontation between land and sea, life and death...Only Cimino's Heaven's Gate shares the same canvas as Hero's Island, both showing an interior landscape, a projected journey, an intellectual sword-fight. The sheer physicality of the final clash between Mason & Brand birthing the notion of everything we have seen and heard.A stunning, stunning film, a masterpiece, and probably the finest film of the 60's. There is a letterboxed print which occasionally shows on TCM - see Hero's Island in all its glory and all its obscure and forgotten pain.

With a more realistic storyline this movie would have been only about ten minutes long, as the marauding and obviously very lawless Gates brothers would almost certainly have murdered the entire group of newly arrived intruders during one of their earliest encounters. The idea that they would even allow -- let alone ask -- ask Mrs. Mainwaring, her children, and a family friend to depart peaceably for the mainland after murdering her husband in cold blood is utterly ludicrous, particularly given the remote and isolated offshore setting in early-1700s Carolina. The other factor that prompted me to hit the "Stop" button on my PVR about fifteen minutes in was poor sound. With the exception of Brand, who delivers his lines with relatively forceful clarity, the male cast members largely mutter their lines; as a result I found that following the dialog was nearly impossible, even after trying to compensate with every possible adjustment to my audio system's equalizer and noise reduction settings. This is one utterly forgettable B-grader best left in the vault.

Here's an underappreciated gem from the early 60s. Apparently a labour of love for co-producers James Mason and Leslie Stevens (who also wrote and directed), Hero's Island details the scramble for survival in the newly settled colony of Carolina. It raises interesting issues of ownership and propriety without sacrificing an exciting and realistic story. The cast is simply outstanding, particularly Warren Oates and (Harry) Dean Stanton in one of his earliest roles. Neville Brand is second billed but actually has quite a small role; future Andy Sidaris 'star' Darby Hinton gets a bigger chunk of screen time as a settler's son. The Panavision photography is uniformly outstanding, and frequently ravishingly beautiful as lensed by Ted McCord (Sound of Music, East of Eden, and many others).