The Last Days of Frankie the Fly
October. 24,1996Dreaming of ascending the underworld ladder and gaining revenge on his sadistic boss, Sal, a Mafia flunky, Frankie, tries to take a step in the right direction by "saving" an exploited, drug-addicted porn actress, Margaret.
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If you don't like this, we can't be friends.
Good films always raise compelling questions, whether the format is fiction or documentary fact.
Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
By the time the dramatic fireworks start popping off, each one feels earned.
Casually violent "crime comedy" about a verbally abused small-time "errand man" who decides he can't take it anymore, and plots an elaborate revenge against his boss, a sadistic gangster. Michael Madsen does what he does best (looking cool and being baaaaad) and Kiefer Sutherland is amusing as a desperate porn director, but Dennis Hopper is fatally miscast as the criminal with a heart of gold: hey, casting director, Hopper never begs for respect - he demands it, and makes life miserable for anyone who doesn't play along. The film is not without its moments, but the story (low-lifes looking to "get out" and "start over") is one big cliche from start to finish. (**)
Daryl Hannah has always been a terrible actress, but this is her best role, maybe because she should have chosen to be a porn star instead of a legit star. This is a fun movie, full of campy, over the top performances. Dennis Hopper and Michael Masden are great and Kiefer Sutherland is a foul-mouthed hoot. A guilty pleasure.
This movie definitely got the blues. I was really pleased by the sophisticated balance of humour and tragedy, not quite common for a Hollywood Film. Except the last minutes, that's where Hollywood returns, always the game err the same - what a pity. Do yourself a favour and switch it off when the girl sits in front of the TV. Then it's an 8 out of 10.
The Last Days of Frankie the Fly is possibly the most overblown mess of a film produced this decade. Lacking coherent structure, decent acting, plot or direction, the whole thing rolls on for what seems like a lifetime whilst lurching from one shoddy scene to the next. Dennis Hopper acts against type but never convinces, Keifer Sutherland just shouts a lot (though he does get the best of what lines there are) and the rest of the cast look like they've stumbled onto the set and are looking for the fastest route out. Simply put, this film is a nightmare. Avoid.