good back-story, and good acting

A Masterpiece!

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

The best films of this genre always show a path and provide a takeaway for being a better person.

This movie had me reminiscing about my youth and before we get onto the review I will admit I've added a point for the warm feeling the film left in my soul. This is the type of movie we would walk miles for on a Friday night back in video's heydey. I even know which of my friend's house I originally watched this movie at because his mum loved horror films. God bless you Mrs A.This is not a great horror film and came at a time when the industry was asked to cut down on the graphic violence so most of the nasty stuff is done off-camera and your imagination has to do some "fill-in-the-blanks" work. This isn't usually a bad thing as it can have the ability to bring the audience more into the story, however, here the director doesn't do such a great job and at these time the film feels dislocated and disjointed. Especially with the fan scene and the torn in half shot of a student, this mainly due to not knowing how this exactly happened. One shot and he's whole, the next and he's been halved... by what and how?I am unsure if this is how the director, Tom Daley, filmed it or if the special effects ended up on the cutting-room floor, as the cuts are so sharp it feels as though there was more to the scenes. Quite a few films of this period have this kind of feel and is one of the reasons Friday 13th VI wasn't as visceral as it's predecessors.These cuts harm the film in a way which could have been fatal, had the story and the direction not been enough to keep it alive... though not kicking so hard. That said there are quite a few interesting kills... the skeleton scene is pretty well done and the axe to the head is inventive.The opening scenes on a steamboat and then at the estate of an heiress as she is murdered and robbed are nicely done and give the backstory of the how The Lamp finds it's way to the museum. Most horror films just get on with it and fill the audience in vocally, should there be a history to be told.The acting isn't too bad. Most of the time it's wooden and the stereotypical baddies are portrayed in the usual style of the time - over-the-top, we're bad... but we're only having fun... No Oscars were ever going to find themselves into any of the actor's homes on the basis of this film. Though I have seen much worse.On the whole, the special effects are good, though I do feel the better scenes may have been cut. The worst effect it the computer program used to decipher the legend on The Lamp. Why it had to be prettied up I have no idea, but in today's gadget and app tech-age, this looks dated and laughable... I think it was laughable even then. If you like 80's horror films then this could be for you, but if you like the Jinn mythos then do yourself a favour and watch the wonderful and brilliant Wishmaster. If this film had that type of Jinn and half the humour then it would have been a much better movie.

Here's another unknown little horror gem from the glorious year of 1987 starring unknown actors and an unknown director whose contributions resulted in a messy but entertainingly campy film originally titled "The Lamp". For its U.K release in April 1987 during the peak of the worldwide VHS revolution, this received European distribution for six months until the U.S decided that the most popular films at that particular time dealt with horny teenagers meeting their grisly demises while sneaking off to overnight destinations, Therefore the title was changed to "The Outing" for its American video audience. This is the typical cheesy 80s slasher-type flick with amateurish acting, bad dialog and downright cheap special FX. Everything from red flashing jewelry, neon green eyes and blue lightning represent the strange paranormal activity that results from a monster-like "genie" that torments a sympathetic young heroine "Deborah Winters". Its your classic "Aladdin" story line combined with gory murders and annoying characters. The "genie" of the lamp eventually materializes into a terrible looking demonic creature obviously thrown together with cheap prosthetics and stalks the surviving cast through a museum after-hours. This movie falls into the "so bad its good" category, because there is a certain charming quality to it. The lead characters aren't unsympathetic, and the overall cheesiness, style of dress and weird aura has that 1980s ambiance that newer films lack. Fans of the 80's will love it, but modern era movie-goers would consider it boring and dated. Ultimately, its an unforgotten VHS cult-classic amongst the few and the proud.

"The Outing" is supremely cheap 'n' cheesy, crude 'n' clumsy, no budget horror entertainment. Granted, it's slow to get started and the good stuff is mostly saved for the second half. But once the mayhem begins, it proves to be quite amusing. The actors aren't the most professional one will ever see, but who would choose to watch something like this and expect any different? The important thing is that the movie *does* entertain the viewer, if on a somewhat modest level.A trio of rednecks attempt to rob an old woman. They try to make off with her genie lamp, but they all get slaughtered. Eventually the lamp makes its way into a museum. The curators' daughter Alex (Andra St. Ivanyi) is possessed, or something, and entices her friends into spending some time after hours in the museums' basement. Soon the djinn, or genie, within the lamp is free to continue the body count.The action in the second half can boast showmanship. The swooping camera-work isn't bad at all and the special effects and gore are substantially enjoyable, no matter how tacky they may be. Among the highlights are a boy chopped in half, a girl attacked in a bathtub by snakes, an opera singing security guard impaled by a spear, and a scientist shoved through a ceiling fan.The movie also stars the bland James Huston as curator Dr. Wallace, Deborah Winters (from such pictures as "The People Next Door" and "Blue Sunshine") as his love interest,Eve Farrell (Winters also plays the young and old Arab women), and Danny D. Daniels ("Retribution") as Wallaces' colleague Dr. Bressling. Tom Daley handles the directing duties.All in all, this is diverting enough to appeal to die hard genre devotees.Six out of 10.

There's no denying that The Lamp has its fair share of clichés and silliness but if you're a fan of the genre you can't help but love it. The story behind it is actually quite original and interesting, there's not many films out there about killer genies is there? And of course there's the typical "3 wishes" trap with the moral of be careful what you wish for (the girl at one point wishes her father was dead). The genie effects used at the end are ultra cheesy, but cool at the same time. I love the camera angles from the perspective of the genie as it floats along corridors. The best camera view is one that is apparently from 'inside' the lamp. Obviously they would have done this with a piece of red plastic over the screen, but it's still a cool trick. The deaths are decent, but weren't very gory (at least in the VHS version I watched). If you're a fan of slasher films, I would add this to your collection. It's unique in its own way and probably one of the only slasher films with a killer genie in it!