This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

This fifth film in the popular British series of alluring comedy films is probably the only one that doesn't really have a storyline, but the theme is a good hook. Basically a variety of characters are complaining that all jobs that are advertised are boring, and the ones they are interested in disappear. Then they are brought to the Helping Hands agency, run by Bert Handy (Sid James), a new enterprise that specialises in helping people in any kind of odd jobs, these jobs aren't just odd, they're strange in most cases. So Sam Twist (Kenneth Connor) is contacted to be a babysitter for Penny Panting (Fenella Fielding) who really wants company and then to make her husband jealous, Francis Courtenay (Kenneth Williams) is looking after a pet chimpanzee for a woman with flu, and Lily Duveen (Joan Sims) is taking invitation cards for a wine tasting evening which she boozes in. Bert gets himself into a job himself as well, when Sir Theodore (Kynaston Reeves) wants him to take his place in a hospital queue, but he ends up being mistaken for him not as a patient but an inspector, looking over the wards, and some new nurses in their underwear and bras. Francis gets two more jobs, first modelling in a bee-keepers helmet, and then with his knowledge of languages translating for a bickering couple with the wife being German, while Sam is desperate to quit smoking, but can't, oh and Gabriel Dimple (Charles Hawtrey) is helping out at a boxing match, and he ends up being the opponent in the ring when he is insulted, and he wins. Next Sam is over the moon when he thinks he has found a job as a top secret spy, he believes he is expected at the Forth Bridge in Scotland, but it was a mix up and he was actually meant to play the card game bridge. When he returns all the new employees of Helping Hands are teaming up to demonstrate some new products for the Ideal House exhibition, of course this doesn't go well as mishaps ensue while trying to work everything. The final scene sees Bert joining all his employees as they make what might be a last attempt to impress a high paying gibberish talking customer, repairing an old mansion falling apart, but in the end the guy changes his mind allows them to carry on regardless. Also starring Liz Fraser as Delia King, Bill Owen as Mike Weston, Hattie Jacques as Sister, Terence Longdon as Montgomery Infield-Hopping, Joan Hickson as Matron, Esma Cannon as Miss Cooling and Stanley Unwin as Landlord. The cast as usual make you laugh with their enjoyable individual characters, the film is filled with the usual double meaning dialogue, the saucy stuff, a little innuendo, and some slapstick that will certainly make you chuckle, a fun comedy. Carry On films were number 39 on The 100 Greatest Pop Culture Icons. Good!

Carry On Regardless is an entertaining film in my mind, but it is not among the best for me, not like Cleo, Up the Khyber and Screaming. There is a complete surfeit of story, the film feels more like a handful of sketches, and Stanley Unwin I found more irritating than funny. However, the gags are funny constantly, with Kenneth Williams baby-sitting a chimp and Joan Sims getting hammered the highlights. The film is well directed, has a snappy script and looks nice too. The acting, other than Unwin, I have little to complain about. Kenneth Connor gives one of my favourite Carry On performances of his, and while he could have done with more to do Charles Hawtrey is good as well. Sid James seems to having a lot of fun, and Esma Cannon simpers superbly, while Kenneth Williams and Joan Sims come off best. Overall, a fun entry that entertains even with an uneven story. 8/10 Bethany Cox

For their fifth venture, the usual "Carry On" suspects (Sidney James, Kenneth Connor, Charles Hawtrey. Kenneth Williams, Joan Sims and Hattie Jacques) are joined by other irregular members (Fenella Fielding, Liz Fraser, Esma Cannon, Terence Longdon, Bill Owen, David Lodge and Norman Rossington) and some surprising cameos (Stanley Unwin, Jerry Desmonde, Kynaston Reeves, Howard Marion Crawford and Patrick Cargill) in a frequently hilarious but ultimately patchy and disjointed romp.James' Bert Handy heads "Helping Hands", a well-meaning but hopelessly incompetent firm providing any services the customer may require: and, so it is that James is asked by an eccentric millionaire to take his place in the queue at a hospital's waiting room and is consequently mistaken for him and waited on by the matron (Jacques, naturally); Connor is in top form here: ostensibly hired as a babysitter, he finds himself acting as Fielding's lover to arouse her neglectful husband, being a librarian driven to hysterics when attempting to observe a public library's rule of silence, getting himself all wet when, completely misunderstanding a client's request, he engages in some Hitchcockian espionage aboard a train full of sinister passengers, getting engulfed by the "Bed of the Century" when attending an Ideal Home exhibition and, best of all perhaps, going "cold turkey" after his sixth attempt to stop smoking; Sims also has a memorable bit when she ends up drunk at a wine-tasting event and makes a shambles of the place to the chagrin of organizer Crawford; Hawtrey goes into the ring against a massive opponent when, acting as his second, he inadvertently injures the challenger!; Williams enjoys a tea party with a group of chimps at the zoo, etc.The finale shows Cannon's infallible filing system going bonkers with each member of the group being sent out on the wrong assignment and, afterwards, the whole gang join forces in demolishing a dilapidated building…even if their original task was merely to clean it up a bit! In a notable appearance, celebrated comedian Stanley Unwin speaks his trademark nonsense language and drives the entire crew to distraction during his intermittent visits to their office…before multi-linguist Williams manages to explain that he is their landlord and is about to throw them out! As one can make out, there are several funny bits in this film but it is also evident that its inherently episodic structure (which entails that some of the gang members are given precedence over others) fails to coalesce into a cohesive and completely satisfying whole.

I didn't enjoy this one as much as Carry On Teacher. Altho she hasn't had an outstanding part in one as of yet, I was quite disappointed that dear Hattie's role was very minor.The lack of plot didn't bother me at all. Joan Sims drunken bit was very amusing.The fellow with his odd talk wasn't at all entertaining. Truthfully, if you paid attention, you could half follow what he was implying. The transition of the performers from the first movie, Carry On Sergeant, to this one is interesting to observe, in a mere three or four year period in intriguing.Clearly, this person Kenneth Conner was to be the center of attention. From an American viewpoint, he doesn't shine through.While I didn't enjoy Carry On Constable as much as Teacher, I liked the exterior shots. What few street and outdoor scenes Carry On Regardless had was a bit disappointing as well. I would have just liked more. Well, on to the next one, the first colour Carry On: Carry On Cruising!