Dr. Nookey is disgraced and sent to a remote island hospital. He is given a secret slimming potion by a member of staff, Gladstone Screwer, and he flies back to England to fame and fortune. But others want to cash in on his good fortunes, and some just want him brought down a peg or two.
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Reviews
It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.
Fans of the original CARRY ON DOCTOR might well be forgiven for assuming that this rushed-out sequel offers more of exactly the same, and indeed for the first half of the production that's exactly the case. Once more, the setting of the film is a hospital, with Hattie Jacques as Matron and Kenneth Williams as a pompous doctor. It's all very warm and familiar, with most of the Carry On team present and correct. Once again, Jim Dale is the focus of the slapstick comedy, and there's also a meatier role for Charles Hawtrey who gets probably the most screen time of his Carry On career.So far, so predictable and yet so amusing - fans will be in their element with another assured, confident piece of film-making, packed with seaside postcard-style humour. And then at the halfway point things change; there are exotic locales and a surprisingly densely-plotted narrative involving a magical weight loss elixir. This all builds to an unpredictable climax with multiple factions attempting to get one over on each other; it's the most complex script-writing of the series since the early 1960s, and proved to be a great and welcome surprise for this fan.
The 18th of the Carry On series and the third of the medical themed adventures, plot finds Jim Dale as Doctor Nookie, who is stitched up by his superiors and sent to a tropical Beautific island to tender medical treatment to the natives. What he actually finds when he gets there is a rainy windswept isle that has no need for his services at all. The compound is run by Gladstone Screwer (Sid James), a crafty old sort who deals in whisky and cigarettes and has a wife for every day of the week. Screwer also has something else of interest that perks up the flagging interest of Nookie, a potion that considerably aids weight loss. Nookie senses an opportunity to make a financial killing back in Blighty whilst simultaneously getting one over the superiors who had him sent to his island misery.This was the last of 10 Carry On films for Jim Dale before he returned for the ill conceived "modern" reinvention that was Carry On Columbus in 1992. I don't know if the makers knew that Dale would be leaving the series and thus made him the lead character in this jovial farce? But it proves to be a smart move. One of the unsung heroes of the series, Dale's energy and comic reactions to plot situations were always a joy to watch, and here, with James in customary wise cracking support, he lifts the film above the ordinary with a show of endearing buffoonery. He also did his own stunts and broke his arm on this production. Director Gerald Thomas keeps things brisk, with the double location axis of the plot stopping things from stagnating visually, Charles Hawtrey goes undercover in drag to provide the last third of the film with some quality laughs and the likes of Barbara Windsor and Valerie Leron raise the pulses considerably.Thin of plot but big on charm and laughs, one of the better Carry On movies. 7.5/10
Carry on Again Doctor often gets neglected as an inferior re-run of Doctor, and this does the film an injustice. Gladstone Screwer is one of Sid James' best roles, as he plays a genuine oddity - a man who grew up in isolation on a tropical island and who pursues women not for their beauty or youth but whether they conform to the large tribal buxomness he is accustomed to. He is shocked when Jim Dale's Dr Nookey says he wants a slim girl. There is a wonderful moment where Screwer first sees Hattie Jaques' Matron and gives her a great big whack on the backside. "Do you mind?!" she demands, only to have him brazenly announce "As a matter of fact, I don't." Sid as a dirty old chubby-chaser is more satisfying casting than the usual Sid as pursuer of young women.The film is a satire on slimming crazes and the final 5 minutes are truly perverse. Nookey is making a fortune out of a slimming cure which Gladstone manufactures in and exports from the tropics. Gladstone demands a partnership (as does Kenneth Williams' Dr Carver, who knows something fishy is going on) and, when Gladstone is cheated, he substitutes another serum for the slimming one. It gives all of Nookey's patients a sex-change! Amongst the victims is Barabra Windsor, and the film ends with her marriage to Nookie, who complains as they go on their honeymoon that she hasn't shaved that morning. In the crowd, we spot Charles Hawtrey looking very knowing and pleased with himself as Dr Stoppage, and we realise that he has taken the serum himself and so is now a woman! The clinic is also revealed to be now owned by all of the interested parties.In a way, this ending shows us an extraordinary thing. Gladstone Screwer is a gone-native colonial who sends back to England a very un-Victorian transformative potential which the kind of medical colony he works in was presumably meant to eradicate abroad - the film claims that polymorphous perversity is an unexpected by-product of colonial Capitalism. The film sees, in a Visionary way, how Puritan Capitalism contained the seeds of its own undoing. Yes, products were imported from abroad which make the lucky few a lot of money, but in the meantime everyone wants their slice of the pie (aristocrats & parvenus, old money & new mix as both Gladstone and Carver end as partners in the clinic with Nookey and Joan Sims' Lady Moore). What is more, old ideals of masculinity and femininity have been forever eroded. That final shot, of a man and a woman who are now two men riding away and being waved at by men and women who themselves have no fixed gender is a prophecy we now see being fulfilled around us all of the while.In a couple of hundred years time, these strange, surreal and perverse films will tell people more about how our 20th Century society worked than many a so-called "serious" classic.
This is meant to be the sequel to Carry On Doctor, and it is one of the best of all the Carry Ons. All the great British cast are at their best in a situation (hospital) comedy. The story mainly focuses on Doctor Jimmy Nookey (Jim Dale), the troublesome sex-obsessed doctor who wants better things to come to him, and his wish is granted. Model Goldie Locks (a fantastic looking Barbara Windsor) comes in with only hearts on her breasts and bum, and they develop a closer relationship in the hospital. Frederick Carver (Kenneth Williams) however is getting tired of his (to us) hilarious mistakes, so he sends him to a hospital in Africa run by Gladstone Screwer (Sid James). There he first thinks its not a real hospital, but soon he discovers Screwer can make obese eliminating tonic. When he gets back, he buys the building that Carver was going to, who sends disguised Doctor Ernest Stoppidge (Charles Hawtrey) to investigate things. Also starring Joan Sims as Ellen Moore, Hattie Jacques as Matron, Peter Butterworth as Shuffling Patient and Steptoe and Son's Wilfrid Brambell as Mr. Pullen. Filled with great sexy, stupid and innuendo gags, and a great British cast, it is a fantastic Carry On. Carry On films were number 39 on The 100 Greatest Pop Culture Icons, and this film was number 77 on The 100 Greatest Sexy Moments for Windsor's examination. Very good!