A Hong Kong detective suffers a fatal accident involving a mysterious medallion and is transformed into an immortal warrior with superhuman powers.
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Reviews
I don't have all the words right now but this film is a work of art.
It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
If they had used anyone but Lee Evans this would have been much better.Jackie usually overdoes his scenes but Lee Evans made a shambles out of every scene he was it. Seems as if he and the director thought they were doing Saturday Night Live instead of making a movie.The kid is cute and -- despite the age difference, the romance was OK. The story is silly, but it's Jackie Chan.There are some funny situations, but Lee ruined many of those with his extreme over-acting.
Critics and fans alike have been fairly ruthless in recent years in giving Jackie Chan's Hollywood movies a real drubbing. I'll admit that the last film I saw of his, THE TUXEDO, was a two-star effort with poor casting and choppy action sequences. Thankfully, THE MEDALLION, another film which has been pretty much panned across the globe, comes across as something of a revelation. For a start, it's a quite good movie, much like Jackie's '80s efforts, with plenty of humour and action to keep the audience from noticing the thinness of the plot. Thanks to some particularly good international casting as well as interesting locations – when was the last time we had an action film set in Dublin? Never! – this is a mildly entertaining effort, low brow but crowd-pleasing with it.The story is as thin as they come and former stuntman Bey Logan even had a hand in creating it (Logan is the guy who does all the DVD commentary tracks on martial arts movies). It involves a medallion which makes the wearer become immortal – so this is basically the film where Jackie gets to be superman. Unfortunately the CGI effects to show the magical nature of the talisman are very poor, but they do fit in with the film's comic-book style. Jackie, although starting to look like a piece of crumpled parchment, is very good here in the comedy stakes and, although his once famous stunt work is replaced by wire work and computer enhancements, he still cuts it as the clumsy but lovable hero. Jackie's opponent this time around is Julian Sands, an actor who doesn't seem to have aged much recently; Sands is wasted and doesn't even get to overact much, but its still good to see him on cinema screens again after so long.The film is action-packed from beginning to end. There are a handful of fun martial arts battles and plenty of stunts, even if they aren't the most realistic on offer. Jackie's fall from a high building is a hilarious moment and the chase through the streets of Dublin is great to watch as well. Primarily, though, this is a comedy, which sees Lee Evans being cast as Jackie's partner. Evans is a delight to watch here, despite what others may have to say. Utilising the old-fashioned slapstick kind of humour, he plays a clichéd, stuffy, stereotyped British upper-crust character with non-stop pranks, pratfalls, and gurning, and I was actively looking forward to him appearing in each scene. He's ace and his natural, non gross-out gentle comedy is a real delight.The supporting cast includes veteran Chinese bad guy Anthony Wong as a suit in a bowler hat, reminding me more of Charlie Chan than anybody else. John Rhys-Davies shows up in a minor supporting role – the likes of which he used to do in the '80s/'90s all the time - but is wasted as usual. The love interest is played by Claire Forlani who is easily more attractive than Jennifer Love Hewitt – a natural beauty, her presence is delightful every time she shows up. Generally, that's all I have to say, except for older non-critical fans to check this out, as it's a return to the old days for Jackie and a film which leaves me actively looking forward to his next.
Once upon a time Quentin Tarantino was asked who he wanted to be as a child, and he did not hesitate to answer: "Jackie Chan!". "Medallion" - a movie for viewers under the age of twelve years, or for adults who have never grow up. Only children forgive director's obvious failures in the not to plot. Only children do not notice the obvious, if not arrogant, borrowing from the "The Golden Child" with Eddie Murphy and frankly weak actor's play. Well, tell me what the boy at that age is a matter about the cast and plot coherence? All this does not matter, because the main thing in the movie with Jackie Chan - Jackie Chan's self! Fortunately for grateful audience here is still intact. There are also his "brand" fights and jumps, and "brand" chase through the city (this time it is Dublin) for the next villain Warlock, who once again plays Julian Sands.
I love Jackie Chan, so much to the point where he inspired me (partially) to start doing karate (Tang Soo Do) and after sticking with it for three-and-a-half years, I finally achieved my black belt. In a way, Jackie is one of my all-time heroes.However, this film is probably his worst yet -- possibly ever. Every single attempt at comedy falls flat, which is a real shame, as I was expecting a lot more from the star of Shanghai Noon and The Legend of the Drunken Master. Chan's performance is lackluster, Forlani is okay, John Rhys-Davis seems bored and unenthusiastic, and Evans is total lackluster in every way.The action is mediocre, and to finally see a film where Chan didn't do the vast majority of his own stunts was sad. The lame attempts at resembling an old (corny) martial arts' film and possibly The Matrix at some points, made me cringe too much. The final battle is preposterous and made me lose a lot of hope for Chan's future career in film.All in all, with very bad acting, story, and action to match, there's just nothing to appreciate from this movie. Nothing works, except to bring another guilty pleasure into my collection. This is a film I highly recommend to anyone who likes to make their own commentary, as I can't think of any discernible reason as to why someone would have to endure this. I give it three-stars for the fact that it really is a guilty pleasure for its extreme lameness. Don't watch this.